Top Artists – Julie London

Julie London – About The Blues

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More About The Blues

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  • About The Blues with KILLER Triple Plus (A+++) sound from first note to last; we rarely have this title on the site 
  • Julie’s lilting vocals are clear, breathy, Tubey Magical, and sweet, like practically nothing you’ve ever heard
  • This copy is about as quiet as we can find these 1957 Turquoise original mono pressings, Mint Minus Minus* throughout
  • 4 stars: “About the Blues … may just be her best orchestral session. Since downbeat torch songs were London’s specialty, the album features an excellent selection of nocturnal but classy blues songs that play to her subtle strengths…”

Rich, smooth, sweet, full of ambience, dead-on correct tonality — everything that we listen for in a great record is here.   (more…)

Julie London – Julie Is Her Name – What a Record!

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A distinguished member of the Better Records Rock and Pop Hall of Fame.

We award this copy’s side one our very special Four Plus A++++ grade, which is strictly limited to pressings (really, individual sides of pressings) that take a given recording to a level we’ve never experienced before and had no idea could even exist. We estimate that about one per cent of the Hot Stamper pressings we come across in our shootouts earn this grade. You can’t get much more rare than that.

  • Beyond White Hot stamper sound on side one of this Turquoise Liberty Mono pressing – the sound is guaranteed to blow your mind
  • Julie is in the room with you – intimate, breathy and Tubey Magical like practically nothing you’ve ever heard
  • For late night listening this may be the best Sultry Female Vocal recording ever made
  • “…one of the purest, most subtle lounge albums of all time (not to mention one of the best vocal jazz albums ever).”

This side had breathy resolution that was hard to believe, along with size and immediacy that no other side of any copy could touch. Phenomenal. (more…)

Julie London – Julie… At Home in 1959

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A distinguished member of the Better Records Rock and Pop Hall of Fame.

If you’re a fan of intimate female vocals – the kind without a trace of digital reverb – you should get quite a kick out of Julie… At Home. And unless I miss my guess you’ll be the first and only person on your block to own it! (That’s not a bad thing considering the average person’s taste in music.) 

Need a refresher course in Tubey Magic after playing too many modern recordings or remasterings? These Liberty pressings are overflowing with it. Rich, smooth, sweet, full of ambience (or at least as much ambience as can be heard in Julie’s living room), dead-on correct tonality — everything that we listen for in a great record is here. (more…)

Julie London in 1960 – Make Love To Me

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  • One of the best copies from our most recent shootout with a Triple Plus (A+++) side one and an excellent Double Plus (A++) side two
  • Julie is in the room with you – her voice is intimate, breathy and Tubey Magical like practically nothing you’ve ever heard 
  • Unusually clean surfaces, playing Mint Minus Minus (w/ caveats, see below), a step up from most of the copies we’ve been running into lately
  • “Her subtle sensuality and lightly swinging style made for a potent combination.” – All Music

If you’re a fan of vintage female vocals – the kind without a trace of digital reverb – you should get quite a kick out of Make Love To Me. And unless I miss my guess you’ll be the first and only person on your block to own it. (That’s not a bad thing considering the average person’s taste in music.)

Need a refresher course in Tubey Magic after playing too many modern recordings or remasterings? These Liberty pressings are overflowing with it. Rich, smooth, sweet, full of ambience, dead-on correct tonality — everything that we listen for in a great record is here. (more…)

Julie London – Julie Is Her Name, Vol. 2

Some sections on our site are hard to find. Here’s one with lots of cool records in it:

Forgotten Vocal Classics

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Julie London – Julie Is Her Name, Vol. 2

A distinguished member of the Better Records Rock and Pop Hall of Fame .

The notes I took during this shootout lay out just how impressed I was with the sound of this remarkable copy:

Wide stereo. Big Bass. Swingin’. Just the right amount of reverb. Tonal perfection. The stereo kills the mono (on this album, on the copies we played anyway).

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On side one listen to how rich the bottom end is. The Tubey Magic on this side is off the charts. Some copies — or, to be more precise, some sides of some copies can be dry — but that is clearly not a problem on this one. The naturalness of the presentation puts this album right at the top of best sounding female vocal albums of all time.

To take nothing away from her performance, which got better with every copy we played.

If only Ella Fitzgerald on Clap Hands got this kind of sound! As good as the best copies of that album are, this record — like the first volume, the 1955 mono recording — takes the concept of intimate female vocals to an entirely new level. (more…)

Julie London Is a Knockout on Lonely Girl


More accurately, here is

Julie London on a Knockout Pressing of Lonely Girl

 

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  • A killer recording of female vocal with guitar: Triple Plus (A+++) on the first side, seriously good Double Plus (A++) on the second
  • Julie is in the room with you – intimate, breathy and Tubey Magical like practically nothing you’ve ever heard
  • For late night listening this is surely one of the best Sultry Female Vocal recordings ever made – you won’t believe how real the sound is
  • “Lone guitarist Al Viola plays gentle Spanish-tinged acoustic behind the hushed vocalist, and it suits London perfectly. While the singer was often chided for her beauty and lack of range, she deftly navigates these ballads without any rhythmic underpinnings to fall back on. London’s intense focus on phrasing and lyrics recalls Chet Baker’s equally telescopic approach.”

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After hearing this amazing copy in our shootout we felt that it might be a bit too noisy to list, but another scrub cleaned it up nicely and now it’s about typical for an exceptionally clean copy of the album. No marks play — the noise one hears is mostly just the vinyl of the day.

I bought this very record in 1998. It took me close to twenty years to be able to clean it and play it right! (more…)

Julie Is Her Name – A Boxstar Bomb

 

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A Hall of Shame pressing from Cisco / Impex / Boxstar.

One question: Where’s the Tubey Magic?

We would never have pointed you in the direction of this awful Boxstar 45 of Julie Is Her Name, cut by Bernie Grundman, supposedly on tube equipment. I regret to say that we actually sold some copies, but in my defense I can honestly and truthfully claim that we never wrote a single nice thing about the sound of the record. That has to count for something, right? (more…)