*Discoveries, Rock, Pop, Soul

Records we’ve “discovered” with exceptional sound.

Crack The Sky – Self-Titled

This White Hot Stamper pressing of the first and best album by the legendary-but-now-mostly-forgotten American Prog band Crack The Sky shows just how amazingly well recorded their debut really was.

This is Big Production rock that pulls out all the stops and then some, with a massive Beatlesque string section, horns, synths, backward guitars and every other kind of studio effect that they could work out.

Much like Ambrosia’s debut (another unknown band on a small label), such an ambitious project was clearly an effort to make a Grand Musical Statement along the lines of Sgt. Pepper, Crime of the Century, Close to the Edge, The Original Soundtrack and Dark Side of the Moon, all albums I suspect this band revered, having played them countless times.

In the ’70s I was a huge fan of those albums too. (Still am of course; check out ouTop 100 if you don’t believe me. They’re all in there.) I played them more times than I can remember, with Crack The Sky’s albums spending plenty of time — heavy rotation you could say — on the turntable in those days. To my mind, speaking as a fan and an audiophile, the first Crack the Sky album succeeds brilliantly on every level: production, originality, songwriting, technical virtuosity, musical consistency and, perhaps most importantly for those of you who have managed to make it this far, Top Quality Audiophile Sound.

This is simply a great album of adventurous, highly melodic proggy rock. If you like the well known bands that made the classic albums cited above, there’s a very good chance you will like this much less well known band’s first album also. (more…)

Jellyfish – Bellybutton

Reviews and Commentaries for the Music of Jellyfish

One of the very best copies we’ve ever heard! Both sides earned top honors in our shootout, with side one even surpassing our reference copy to earn a FOUR plus A++++ grade. It goes far beyond anything we’ve heard before.

Out of the thousands of Hot Stampers we’ve listed over the years, less than twenty have earned Four Pluses. That alone makes this a very special copy indeed. (more…)

Bobby Darin – From Hello Dolly To Goodbye Charlie

  • This original Capitol rainbow label LP has excellent Double Plus (A++) sound or BETTER throughout – exceptionally quiet vinyl too 
  • Having played a good dozen or more vintage Bobby Darin albums, we can tell you that finding sound as good as this is a lot harder than we thought it would be
  • Like the recordings of Nat King Cole, many Darin records are ruined by the heavy-handed use of reverb, but every once in a while you find one like this with the glorious sound of ’60s All Tube Analog in its grooves
  • “Darin focused on standards done with jazzy arrangements on this 1964 album… “The Days of Wine and Roses,” “Call Me Irresponsible,” “Once in a Lifetime,” “Sunday in New York,” and of course “Hello, Dolly!” and “Goodbye, Charlie” are all on board.”

This vintage Capitol stereo pressing has the kind of Tubey Magical Midrange that modern records rarely begin to reproduce. Folks, that sound is gone and it sure isn’t showing any sign of coming back. (more…)

The Grand Wazoo – This Is One Crazy Tubey Magical Album

More Frank Zappa

Reviews and Commentaries for the Music of Frank Zappa


  • DEMO DISC QUALITY – full-bodied, rich, spacious, BIG and PRESENT, with practically zero smear on the horns (nice!
  • The Tubey Magical keyboards found on the title cut are really something to hear, especially on this copy
  • The Grand Wazoo now gets my vote as the best sounding record Zappa ever made (along with Absolutely Free)

Wow – big, present and clear, with lots of lovely studio space, yet full-bodied. These sides about as right as any we’ve ever heard.

As noted above, the Tubey Magical keyboards at the start of The Grand Wazoo are amazing sounding here. How Zappa ever decided to go digital when he managed to record so well in analog (from time to time, let’s be honest) is beyond me. (more…)