Demo Discs – Jazz

Here you will find more than 100 jazz recordings that can sound absolutely amazing on big speakers at loud levels.

With the right system and a large enough room, the best pressings of these recordings are true Demo Discs. They are guaranteed to sound more like live music than any other pressing of the album you’ve heard, or your money back.

John Coltrane – Soultrane

More of the Music of John Coltrane

  • Both sides of this vintage Prestige recording — remastered and repressed on vinyl during this century (!) — were giving us the sound we were looking for, earning excellent Double Plus (A++) grades, and pressed on remarkably quiet OJC vinyl
  • Normally this is information we might not choose to share, as anyone can buy a modern OJC, but the fact that so many different OJC versions exist — I counted six different OJC-021s — means you probably would spend a lot more money finding a good sounding OJC pressing than the price we are charging
  • However, if you do find a great sounding OJC, be sure to drop us a line and tell us the stamper numbers — we would be curious to know if anyone was actually able to succeed with such an effort
  • This album is in pure, glorious MONO, with sonics that are full-bodied, relaxed, Tubey Magical and tonally correct
  • Here is the palpable jazz energy, the life of the music, that’s sure to be missing from whatever dead-as-a-doornail Heavy Vinyl pressing is being stamped out these days
  • “… a classic of the 20th century jazz canon and an essential point of reference in Coltrane’s own tumultuous career…. this is the album on which Coltrane first emerged as the primary innovator of the jazz world, wielding an astonishing technical virtuosity and a blinding vision of the possibilities of the tenor sax.”

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Return to Forever – Romantic Warrior

More Jazz Rock Fusion

  • Boasting two excellent Double Plus (A++) sides, this vintage pressing is guaranteed to blow the doors off any other Romantic Warrior you’ve heard
  • Our favorite Jazz Rock Fusion Album of All Time – on the right stereo this is a Demo Disc like no other
  • None rocks harder – of course that wouldn’t mean much without the music being so exciting and brilliant, and we’re happy to report it is!
  • These are four instrumental pyrotechnicians – the band is absolutely on fire like no other album they recorded together
  • 4 stars: “Romantic Warrior is the sound of a mature band at the top of its game, which may help explain why it was Return to Forever’s most popular album, eventually certified as a gold record, and the last by this assemblage. Having expressed themselves this well, they decided it was time for them to move on.”
  • If you’re a Jazz Fusion guy, this title from 1976 is surely a Must Own
  • If you’re looking for the best sounding jazz from the 70s and 80s, you might want to check out these titles

If you’re a fan of ’70s jazz fusion there aren’t many albums better than this. (It’s the only RTF record we bother to carry as a matter of fact.) It’s an absolutely phenomenal recording, and if you have any doubts about that fact, these two pressings are more than capable of disabusing you of such like. (more…)

Sonny Rollins – Saxophone Colossus

The Music of Sonny Rollins Available Now

  • With two STUNNING Shootout Winning Triple Plus (A+++) sides, this 60s Gold Label Prestige Mono pressing is certainly as good a copy as we have ever heard
  • An especially good sounding recording and one that we rarely have on the site, and copies in true mono are the rarest of them all
  • The sound is everything that’s good about Rudy Van Gelder‘s recordings – it’s present, spacious, full-bodied, Tubey Magical, dynamic and, most importantly, alive
  • Need I even mention have completely this Hot Stamper pressing will obliterate any and all Heavy Vinyl contenders you may have heard? No? OK, good, I won’t mention it
  • If the drum opening of “St. Thomas” doesn’t do it for you, I don’t know what will
  • Marks in the vinyl are sometimes the nature of the beast with these vintage LPs – there simply is no way around them if the superior sound of vintage analog is important to you
  • 5 stars: “Sonny Rollins recorded many memorable sessions during 1954-1958, but Saxophone Colossus is arguably his finest all-around set… Essential music[.]”
  • This is a Must Own jazz album from 1957 that belongs in every jazz-loving audiophile’s collection

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Glenn Miller Orchestra – The Direct Disc Sound of…

More of the Music of The Glenn Miller Orchestra

  • An original pressing of a Great American Gramophone Company direct-to-disc recording with STUNNING Shootout Winning Triple Plus (A+++) sound or close to it throughout
  • Here are just a few of the things we had to say about this incredible copy in our notes: “tubey and 3D and breathy”…”huge and lively”…”powerful orchestra”…”jumping out of the speakers”…”very rich and present”
  • Great energy, but the sound is relaxed and Tubey sweet at the same time, never squawky, with plenty of extension on both ends – that’s analog for ya!
  • This is no sleepy over-the-hill Sheffield Direct-to-Disc (referring to the later Harry James titles, not the excellent first one) – these guys are the real deal and they play their hearts out on this live-in-the-studio recording
  • Note that side two did not have all the space but it was so punchy and 3-D that it was easy to award it 2.5+. The copy that beat had all the same qualities and more space, sounding like side one of this copy.

One of the all time GREAT Direct to Disc recordings. For sound and music, this one is hard to beat. And the vinyl is as quiet as any you will find.

We went a bit overboard years ago when we wrote, “I don’t think you can find a better sounding big band record on the planet.” Well, we’ve heard plenty of amazing big band albums in the course of our Hot Stamper shootouts for the last five or ten years, albums by the likes of Basie, Zoot Sims, Ellington, Shorty Rogers, Ted Heath and others.

Not to mention the fact that the shockingly good Sauter-Finegan track “Song of the Volga Boatman” from the LP Memories Of Goodman and Miller is played regularly around these parts for cartridge setup and tuning, as well as general tweaking.

But that should take nothing away from this superb recording, made at the famously good-sounding Capitol Records Studio A, with none other than Wally Heider doing the mix and Ken Perry manning the lathe.

We also noted that, “It absolutely murders all the Sheffield big band records, which sound like they were made by old tired men sorely in need of their naps. Way past their prime anyway”, which is mostly true.

The Glenn Miller Orchestra heard here was an actively touring band. They know this material inside and out, they clearly love it, and they’re used to playing the hell out of it practically every night.

If you like the tunes that Glenn Miller made famous — “String of Pearls,” “In The Mood,” “Tuxedo Junction” — you will have a very hard time finding them performed with more gusto, or recorded with anything approaching this kind of fidelity.

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Barney Kessel / Barney Kessel Plays Carmen

More Barney Kessel

  • Solid Double Plus (A++) grades bring Kessel’s inspired jazz album to life on this early Contemporary stereo LP (one of only a handful of copies to hit the site in years)
  • Tubey Magic, richness, sweetness, dead-on timbres from top to bottom – this is a textbook example of Contemporary sound at its best
  • The sonics are gorgeous – all tube, live-to-two-track, direct from the Contemporary studio to you, on glorious un-remastered analog vinyl
  • Marks in the vinyl are sometimes the nature of the beast with these early pressings – there simply is no way around them if the superior sound of vintage analog is important to you

The Sound We Love

For those of you who appreciate the sound that Roy DuNann (and Howard Holzer on other sessions) were able to achieve in the 50s at Contemporary Records, this LP is a Must Own (unless you already have it, which is doubtful considering how hard it is to find a copy in clean condition). Their stuff just doesn’t get any better than this.

From an audiophile point of view, how can you beat a Roy DuNann recording of so many instruments? It’s audiophile heaven.

Talk About Timbre

Man, when you play a Hot Stamper copy of an amazing recording such as this, the timbre of the instruments is so spot-on it makes all the hard work and money you’ve put into your stereo more than pay off. To paraphrase The Hollies, you get paid back with interest. If you hear anything funny in the mids and highs of this record, don’t blame the record. (This is the kind of record that shows up audiophile BS equipment for what it is: audiophile BS. If you are checking for richness, Tubey Magic and freedom from artificiality, I can’t think of a better test disc. It has loads of the first two and none of the last.)

Two of the best sounding jazz guitar records in the history of the world were made by Barney Kessel for Contemporary: this one, and Music To Listen To Barney Kessel By. I used to have them both in my collection, but they long ago were sent to good homes.

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Carlos Montoya – From St. Louis to Seville

Living Stereo Titles Available Now

  • Flamenco meets Jazz in this extraordinary Living Stereo all analog recording from 1958
  • Both of these sides are exceptionally big and rich, with clear guitar transients, an abundance of three-dimensional space and Tubey Magic that will have your jaw on the floor
  • …”Carlos Montoya, the great flamenco guitarist, played for the first time on record with a jazz rhythm accompaniment, giving his unique and expressive interpretation of five pop tunes, best of which is a virtuoso treatment of ‘St. Louis Blues.’ The rest of the album spotlights the exciting flamenco guitar work on three Montoya originals, and a couple of Spanish popular gypsy songs.” – Fresh Sound Records.com
  • The three-dimensional space and Tubey Magic are superb on this copy
  • An amazing Webster Hall Living Stereo all analog recording from 1958 – nothing else sounds like it
  • It’s yet another recording we’ve discovered with (potentially) excellent sound
  • When you’ve played as many Living Stereo titles as we have (250+ and counting), you’re bound to run into this kind of Demo Disc sound from time to time – it’s what makes record collecting fun

Ed Begley is the engineer here and he knocked this one out of the park. What an amazing sounding Living Stereo recording.

Need a refresher course in Tubey Magic after playing too many modern recordings or remasterings? This record is overflowing with it. Rich, clear, natural, sweet, overflowing with space and ambience, absolutely correct tonality — it’s all here.

The rhythm accompaniment is made up of three top players from New York. Sally Montoya noted at the time: “Carlos just recorded the first Flamenco jazz record for Victor, with Osie Johnson and Milt Hinton and Barry Galbraith on electric guitar. A most relaxed and informal session. The other musicians said it was unique in their experience.”

It’s certainly a unique record in my experience, with mind-blowingly good sound and engaging music.

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Stan Getz and Charlie Byrd – Jazz Samba

More Stan Getz

More Charlie Byrd

  • An outstanding copy of Jazz Samba (only the second to hit the site in over four years) with Double Plus (A++) sound from first note to last – fairly (and unusually) quiet vinyl too
  • Remarkably spacious and three-dimensional, as well as relaxed and full-bodied – this pressing was a solid step up over most of the other pressings we played in our recent shootout
  • No other copy outside of our Shootout Winner earned a better grade than 2+ on either side, and some of the originals were godawful (watch for the “wrong” stampers coming to the blog soon)
  • Problems in the vinyl are sometimes the nature of the beast with these vintage LPs, but once you hear how excellent sounding this copy is, you might be inclined, as we were, to stop counting stitches and just be swept away by the music
  • If you can find a quiet copy of this album with top quality sound more than once every five years, congratulations, because we sure can’t
  • 5 stars: “[Jazz Samba] was the true beginning of the Bossa Nova craze, and introduced several standards of the genre… But above all, Jazz Samba stands on its own artistic merit as a shimmering, graceful collection that’s as subtly advanced – in harmony and rhythm – as it is beautiful.

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Miles Davis – Someday My Prince Will Come (360 Label)

More of the Music of Miles Davis

  • Seriously good sound throughout this Miles Davis classic, with both sides earning Double Plus (A++) grades – fairly quiet vinyl too
  • This early Stereo 360 LP is full-bodied, high-rez and spacious, with Miles’s horn uncannily present, a sound you just cannot find on Heavy Vinyl no matter who makes it
  • If you have the big system and dedicated room a record of this quality demands, you can put Miles right in the room with you with a Hot Stamper pressing as good as this
  • Vintage pressings that play this reasonably quiet and are free of scratches and groove damage are few and far between, but here’s one, perfect for even the most demanding audiophile
  • Another engineering triumph for Fred Plaut at Columbia’s legendary 30th Street Studios – the man is a genius
  • Musically this is one of our very favorite Miles albums, and the sound is Demo Disc quality on the better copies

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Charles Mingus – Tijuana Moods

More Charles Mingus

  • Tijuana Moods is back on the site for only the second time in four years, here with solid Double Plus (A++) grades or close to them on both sides of this vintage RCA pressing
  • This is Sixties Living Stereo at its best – big, rich and Tubey Magical like you will not believe (particularly on side two)
  • 5 stars: “Mingus at the time said that this was his greatest recording, and it certainly ranks near the top. The passionate playing, exciting ensembles, and high-quality compositions make this a real gem, and it represents one of Charles Mingus’ finest hours.”

This is the way it must have sounded in 1957, when legendary RCA engineers BOB SIMPSON and RAY HALL were sitting behind the board in the New York studios where it was recorded. (more…)

Miles Davis – Sketches of Spain on 360

More Miles Davis

  • Seriously good sound throughout this Miles Davis classic, with both sides earning Double Plus (A++) grades – fairly quiet vinyl too
  • This early Stereo 360 LP is full-bodied, high-rez and spacious, with Miles’s horn uncannily present, a sound you just cannot find on Heavy Vinyl no matter who makes it
  • If you have the big system and dedicated room a record of this quality demands, you can put Miles right in the room with you with a Hot Stamper pressing as good as this
  • Vintage pressings that play this reasonably quiet and are free of scratches and groove damage are few and far between, but here’s one, perfect for even the most demanding audiophile
  • Another engineering triumph for Fred Plaut at Columbia’s legendary 30th Street Studios – the man is a genius
  • Musically this is one of our very favorite Miles albums, and the sound is Demo Disc quality on the better copies
  • 5 stars: “Sketches of Spain is the most luxuriant and stridently romantic recording Davis ever made. To listen to it in the 21st century is still a spine-tingling experience…”
  • This pressing is clearly a Demo Disc for orchestral size and space
  • Although the right 6-Eye originals will always win our shootouts, the 360 stereo reissues still sound quite good to us, just not as good

On the better pressings of this masterpiece, the sound is truly magical. (AMG has that dead right in their review.) It is lively but never strained. Davis’s horn has breath and bite, just like the real thing. What more can you ask for?

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