
Triple Plus (A+++) on side one, with a side two that is right up there with it – outstanding sound quality from first note to last. This copy was the fullest, richest and smoothest, with the best bass and most natural vocals of any we played. Recorded from 1953-1955, this mono collection of singles and such gives us Old Blue Eyes in his Capitol-period prime.
The sound is big, open, rich and full. The highs are extended and silky sweet. The bass is tight and punchy. And this copy gives you more life and energy than most.
This Hot Stamper pressing has the kind of ’50’s Tubey Magical Analog Sound that’s been lost to the world of recorded music for decades — decades I tell you! Nobody can manage to get a recording to sound like this anymore and it seems as if no one can even remaster a recording like this anymore, if our direct experience with scores of such albums counts as any sort of evidence.
Steve Hoffman is the guy that can get the closest in this regard, but the difference between The Real Thing and even the best of his Remasters is not the slightest bit hard to hear. (more…)


Amazing! If only the sound of the original records were better!




