We’ve recently compiled a list of records we think every audiophile should get to know better, along the lines of “the 1001 records you need to hear before you die,” but with less of an accent on morbidity and more on the joy these amazing audiophile-quality recordings can bring to your life.
Year of Sunday is the kind of record that not many audiophiles know well, but those who seek it out may be surprised to find out just how musically rewarding it can be. I’ve played the album hundreds of times and never tired of it once.
The best album by this duo – their strongest songwriting and arrangements. Nearly White Hot on side one, with vocals that are full-bodied, rich and solid.
A forgotten Classic from 1971, the album holds up very well forty plus years on.
Their commercial breakthrough would come with their next album, Year of Sunday, helped out by scores of session cats, but I much prefer the less commercial — although it’s far from uncommercial — sound of Year of Sunday. I am apparently not alone in my love for this album. Of the thirteen reviews on Amazon, every one gives it Five Stars(!).
The consistency of the songwriting is very strong here as well, with surprisingly powerful emotional currents. There’s not a dog in the bunch, and many of the better tracks are gems of popcraft. Some of the my favorites are When I Meet Them, Cause You Love, and Antoinette on side one, and Paper Airplanes, Irish Linen and Springfield Mill on side two.
Smooth and very rich, with big bass, this is without a doubt precisely the right sound for the album. Very few copies managed to pull off the rich tonal balance that this side has going for it.
It’s big and clear, a bit thinner but still very good.
When I Meet Them
Cause You Love
High on a Mountain
Year of Sunday
Ancient of the Old