- El Rayo-X finally returns to the site with STUNNING Shootout Winning Triple Plus (A+++) sound or very close to it throughout
- If you’re looking for deep punchy bass, crashing dynamics, silky sweet vocal harmonies, grungy slide guitars, tons of ambience, and super low distortion sound, this is the copy for you
- Engineered in 1981 by Greg Ladanyi, the very next year he would take home the Best Engineering Grammy for Toto IV (one helluva good sounding album and a former member of our Top 100)
- 4 1/2 stars: “One of the greatest rock music albums of its time. Fabulous.”
This superb Asylum original LP is a real DEMO DISC — if what you are trying to demonstrate is how BIG and BOLD a good old-fashioned analog recording can sound.
After hearing Lindley’s white-bread session playing on ’70s albums by Linda Ronstadt, Jackson Browne, et al., you might think the man must have a stick up his butt. His solos just never seem to let loose or get loose, and they rarely rock. Mercury Blues is proof positive that he can rock like a wild man when he wants to. On this album, perhaps for the first time, he really does seem to want to.
The sound on this record is so punchy and dynamic, the rest of your rock records should seem positively anemic in comparison. Most of it sounds live in the studio, and live in the studio is how you get a bunch of guys to play with this kind of enthusiasm and energy.
Engineered in 1981 by Greg Ladanyi, the very next year he would take home the Best Engineering Grammy for Toto IV (one helluva good sounding album and a former member of our Top 100).
Fortunately for us audiophiles, this album catches him before the overly-processed, digital drums and digital echo “sound of the ’80s” had gotten into his blood. (Just play any of the awful Don Henley records he made to hear what we mean.) This record still sounds ANALOG, and even though it may be 1981 and mostly transistorized, the better copies display strong evidence of TUBES in the recording chain. (more…)