Masterpieces of Rock and Pop

David Lindley – El Rayo-X – Our Shootout Winner from 2010

xxxxx

A distinguished member of the Better Records Rock and Pop Hall of Fame

After hearing Lindley’s white-bread session playing on ’70s albums by Linda Ronstadt, Jackson Browne, et al., you might think the man must have a stick stuck up his butt. His solos never seem to let loose or get loose, and they rarely rock. Mercury Blues on this, his best album, is proof positive that he can rock like a wild man when he wants to. On this album, perhaps for the first time, he really does seem to want to.

The sound on this record is so punchy and dynamic, the rest of your rock records should seem positively anemic in comparison. Most of it sounds live in the studio, and live in the studio is how you get a bunch of guys to play with this kind of enthusiasm and energy.

Engineered in 1981 by Greg Ladanyi, the very next year he would take home the Best Engineering Grammy for Toto IV (one helluva good sounding album and a former member of our Top 100).

Fortunately for us audiophiles, this album catches him before the overly-processed, digital drums and digital echo “sound of the ’80s” had gotten into his blood. (Just play any of the awful Don Henley records he made to hear what we mean.) This record still sounds ANALOG, and even though it may be 1981 and mostly transistorized, the better copies display strong evidence of TUBES in the recording chain. (more…)

Led Zeppelin II – Led Zeppelin II

xxxxx
xxxxx

  • A stunning copy that is absolutely guaranteed to rock your world like no other – QUADRUPLE Plus (A++++) on side two and nearly Triple Plus (A++ to A+++) on side one
  • With Mint Minus Minus grades or BETTER on both sides, the surfaces are exceptional for this title, but there are some marks that play, carefully noted in the body of the listing below
  • The sound is freakishly good – we created a Top Ten list just to put this album at the top of it
  • We long ago gave up on anything but these killer RL (and SS) pressings, because nothing else comes close
  • With copies selling for $1000+ on ebay, sometimes $3k+, we’re having to pay big bucks for Zep II these days, but if any album is worth it, it’s this one

CONDITION ISSUES:

  • On side one, there’s a mark on the first track that makes about ten light to medium pops. At the beginning of the third track there are five to seven light ticks. There are some intermittent ticks on Thank You, the last track on this side and the hardest one to find playing quietly.No inner groove damage, which is rare in and of itself.
  • On side two, there’s a mark at the end of track five that makes six light ticks. Note that the basic playing condition of this side is as quiet as any copy we have ever listed and quieter than 95% of those that actually did make it to the site.

Sometimes the copy with the best sound is not the copy with the quietest vinyl. The best sounding copy is always going to win the shootout, the condition of its vinyl not withstanding. If you can tolerate the surfaces on this pressing you are in for some amazing music and sound. If for any reason you are not happy with the sound or condition of the album we are of course happy to take it back for a full refund, including the domestic return postage.


Please note: we award the Four Plus (A++++) grade so rarely that we don’t have a graphic for it in our system to use in the grading scale shown above. We rarely find records with this kind of sound, just a few times a year at most — this is the only one on the site at this time. When you hear this copy you will know why we gave side two that fourth plus!

Quick Notes for Side One

Meaty bass and guitars. Big energy. Just not as spacious and resolving as the best. 2.5+

Quick Notes for Side Two

So much bass! The most yet and it’s huge! Big size and space, really gets huge and jumps out. I love it! Awesome. 4+ (more…)

Sinead O’Connor – I Do Not Want What I Haven’t Got

xxxxx

A distinguished member of the Better Records Rock and Pop Hall of Fame.

For the first time ever, an incredible Triple Triple (A+++) copy of Sinead O’Connor’s best-selling sophomore release. You won’t believe how good Nothing Compares 2 U sounds here. 

I Do Not Want What I Haven’t Got is widely considered one of the best albums of the ’90s, a brilliant and unique piece of work. I positively love this album. The emotion is every bit as naked and compelling as that found on Joni’s Blue, and I do not say that lightly. I know the power of Blue, and this album has that kind of power. This is some heavy heavy stuff. Hearing it sound right is a thrill I won’t soon forget.

Although the record was popular in its day, it’s one of those albums that just never seems to show up in the record bins. I wish we could find more of them, but they just aren’t out there. (more…)

Tears For Fears – The Seeds Of Love – A Near Perfect Pop Masterpiece

tearsseeds_1510s_1448982243
tearsseeds_1510s_1448982243

The band’s MAGNUM OPUS, a Colossus of Production to rival the greatest Prog, Psych and Art Rock recordings of all time. (Whew!)

When it comes to Genre Busting Rock I put this album right up at the top of the heap, along with several other landmark albums from the Seventies: Roxy Music’s first, The Original Soundtrack, Crime of the Century, Ambrosia’s first two releases, The Yes Album, Fragile, Dark Side of the Moon and a handful of others.

The Seeds Of Love is clearly the band’s masterpiece, and being able to hear it on a White Hot Stamper pressing is nothing short of a THRILL.

I have a long history with this style of Popular Music, stretching all the way back to the early ’70s. I grew up on Bowie, Roxy Music, 10cc, Eno, The Talking Heads, Ambrosia, Peter Gabriel, Supertramp, Yes, Zappa and others, individuals and bands that wanted to play rock music but felt shackled by the constraints of the conventional pop song. Nothing on Sowing the Seeds of Love fits the description of a Conventional Pop Song.

Which albums by The Beatles break all the rules? Side two of Abbey Road and the whole of The White Album, which is why both are Desert Island Discs for me. Can’t get enough of either one.

The Discovery of a Lifetime

When I discovered these arty rock bands in my early twenties I quickly became obsessed with them and remain so to this day.

My equipment was forced to evolve in order to be able to play the scores of challenging recordings issued by these groups and others in the ’70s. These albums informed not only my taste in music but the actual stereo I play that music on. I’ve had large dynamic speakers for the last four decades precisely because they do such a good job of bringing to life huge and powerful recordings such as these.

Tears For Fears on this and their previous album continue that tradition of big-as-life and just-as-difficult-to-reproduce records. God bless ’em for it. (more…)

Listening in Depth to Heart Like a Wheel

 

Click on the link below to pull up the many reviews and commentaries we’ve written, as well as Hot Stamper copies that are currently available on the site.

Heart Like a Wheel

and click on this link to the

Classic Tracks

entry for the album to read about it in real  depth

xxx

Another in our series of Home Audio Exercises with advice on What to Listen For (WTLF) as you critically evaluate your copy of Heart Like a Wheel.

A key test on either side was to listen to all the multi-tracked guitars and see how easy it was to separate each of them out in the mix. Most of the time they are just one big jangly blur. The best copies let you hear how many guitars there are and what each of them is doing.

Pay special attention to Andrew Gold’s Abbey Road-ish guitars heard throughout the album. He is all over this record, playing piano, guitar, percussion and singing in the background. If anybody deserves credit besides Linda for the success of HLAW, it’s Andrew Gold. (more…)

Val Garay Rocks the Sound of JT

Yet another album we are clearly obsessed with

Click on the link below to pull up the many reviews and commentaries we’ve written, as well as Hot Stamper copies that are currently available on the site.

JT

 

taylojt_x20

The good copies REALLY ROCK on a song like Honey Don’t Leave L.A. or I Was Only Telling A Lie, yet have lovely, sweet transparency and delicacy on the ballads such as Another Grey Morning or There We Are.

Just turn up the volume and play the opening to Honey Don’t Leave L.A. — this is James Taylor and his super tight studio band at the peak of their powers. Russ Kunkel hits the drum twice, then clicks his sticks together so quickly you can hardly notice it, then goes back to the drums for the rest of the intro. On a superb copy like this one, the subtleties of his performance are clearly on display. (Until copies like this one came along, we had never even noticed that stick trick. Now it’s the high point of the whole intro!)

Sound Equals Music

As audiophiles we all know that sound and music are inseparable. After dropping the needle on a dozen or so copies, all originals by the way, you KNOW when the music is working its magic and when it’s not. As with any pop album there are always some songs that sound better than others, but when you find yourself marvelling at how well-written and well-produced a song is, you know that the sound is doing what it needs to do. It’s communicating the Musical Values of the material.

The most important of all these Musical Values is ENERGY, and boy do the best copies have it!

Val Garay Is The Man

VAL GARAY is the man behind so many of our favorite recordings: James Taylor’s JT (a Top 100 title), Simple Dreams (also a Top 100 title), Andrew Gold, Prisoner In Disguise, etc. They all share his trademark super-punchy, jump-out-the-speakers, rich and smooth ANALOG sound. With BIG drums — can’t forget those. (To be clear, only the best copies share it. Most copies only hint at it.) (more…)

Little Feat – Waiting For Columbus

xxxxx

  • With Double Plus (A++) grades, or close to them, on all four sides, this copy of Waiting for Columbus is outstanding from first note to last – exceptionally quiet vinyl too
  • Some of the best sounding live rock and roll sound you will ever hear outside of a concert venue
  • One of our all-time favorite live recordings and their single best release – a true Masterpiece
  • 4 1/2 stars: “There’s much to savor on Waiting for Columbus, one of the great live albums of its era, thanks to rich performances that prove Little Feat were one of the great live bands of their time.”

This is an amazingly well-recorded concert, and what’s more, the versions the band does of their earlier material are much better than the studio album versions of those same songs in every case.

Fat Man In A Bathtub on this album is out of this world, but you could easily say that about a dozen or more of the tracks on this double album. Which simply means that you will have a very hard time listening to any of the studio versions of these songs once you’ve heard them performed with the kind of energy, enthusiasm and technical virtuosity Little Feat brought to this live show. (I saw them twice with Lowell and they were amazing both times.) (more…)

Spirit – Twelve Dreams of Dr. Sardonicus – Our Shootout Winner from 2013

xxxxx
xxxxx

A distinguished member of the Better Records Rock Hall of Fame.

This copy has the kind of sound I always dreamed the album could have, but it took years of listening — mostly to one flat, grainy, smeary copy after another — to get here.

This and Spirit’s first album are absolute Rock Classics in my book, records that belong in any popular music lover’s collection.

This album, however, typically sounds midrangy and compressed, with little in the way of extension on either end and not much energy. Great for FM radio but a mess when played on a real hi-fi.

But things change, and they have changed for the better judging by the fact that this record now sounds pretty darn good — when you have the right copy and have cleaned it right. This is one of those: cut right, pressed right, and cleaned right. Our Difficulty of Reproduction Scale comes into play here; you will need top quality equipment to allow the magic in these grooves to be brought back to life, but we did it and if we can do it so can you. (more…)

Bloomfield-Kooper-Stills – Super Session

xxxxx

  • With two nearly Triple Plus (A++ to A+++) sides, this copy is close to the BEST we have ever heard, right up there with our Shootout Winner – exceptionally quiet vinyl too
  • Engineered by Roy Halee, the man behind one of the best sounding rock records of all time, the self-titled Blood, Sweat and Tears album, the oh-so-analog sound here is especially rich, dynamic and spacious
  • For fans of BS&T’s first album (and everybody else) Super Session is a Must Own – Season of the Witch is crazy good on this 360 LP
  • 4 1/2 stars: “This is one of those albums that seems to get better with age… This is a super session indeed.”

(more…)

Sergio Mendes – Stillness – Our Shootout Winner from 2013

xxxxx

A distinguished member of the Better Records Rock and Pop Hall of Fame

TWO AMAZING SIDES, including a BETTER THAN WHITE HOT A++++ SIDE TWO! That’s right folks, four pluses! This is an incredibly well-recorded album and a member of our Top 100, in fact. The soundfield itself has a three-dimensional quality that will absolutely blow you away. If you are looking for DEMO DISC QUALITY SOUND with music every bit as good, look no further – this record is for you. 

We figure we’re about due for a thank you note from Mr. Mendes, because we’ve turned a huge number of audiophiles into die-hard fans of this album. It’s easy to see why when you play a copy that sounds like this. All of the qualities we look for on this album are right here.

Side One

The vocals on this side are Right On The Money — present and breathy. It could use a bit more extension up top but at A+ – A++, this side is a nice step up over the average copy.

Side Two

A++++, absolutely As Good As It Gets! The side is doing everything right. It’s big, bold, rich and lively with none of the vocal edginess that plagues the average copy. The vocals are wonderfully breathy and it’s tonally correct from top to bottom.

Even if you don’t know much about this music we encourage you to take a chance on this one. We’re fairly confident that anyone who values amazing sound enough to be in the Hot Stamper market will get a LOT out of this record — it’s pure, unadulterated, audiophile gold. We have turned a lot of people on to this album, and we’ve received quite a few letters from folks who had totally missed out on this wonderful music back in the day, only to fall in love with a Hot Stamper copy forty years after its release. (The album bombed when it was released, which accounts for the fact that it’s not nearly as common in the used record bins as others by Sergio and his bandmates.) (more…)