Month: May 2019

Sonny Rollins – On Impulse

More Sonny Rollins

Hot Stamper Pressings of Recordings by Rudy Van Gelder

  • Superb Double Plus (A++) sound or BETTER from start to finish on this outstanding copy of Sonny’s Impulse! label debut
  • Some of the best Sonny Rollins sax sound we’ve heard – both sides are super big, full and lively with a huge bottom end
  • 4 stars: “This date is significant for the manner in which Rollins attacks five standards with a quartet that included pianist Ray Bryant, bassist Walter Booker and drummer Mickey Roker.”

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Ramsey Lewis Trio – The In Crowd

More Ramsey Lewis

More Jazz Recordings Featuring the Piano

  • A KILLER copy of Ramsey’s breakthrough live album from 1975, with both sides earning nearly Triple Plus (A++ to A+++) grades
  • It may have taken us years, but finally Lewis’s bestselling In Crowd album arrives with exceptionally good Hot Stamper sound
  • If you want to know what jazz at an intimate nightclub would have sounded like in 1965, play this record – this copy has that sound
  • AMG raves “…this is the moment where Lewis shined the brightest, the “in crowd” at the club was verbally into it, and the time for this music was right.”

This original Cadet Stereo pressing has the kind of Tubey Magical Midrange that modern records cannot even BEGIN to reproduce. Folks, that sound is gone and it sure isn’t showing signs of coming back. If you love hearing INTO a recording, actually being able to “see” the performers, and feeling as if you are sitting in a real jazz club, this is the record for you. It’s what Vintage Records are known for — this sound. (more…)

Joe Henderson – Page One

EXCELLENT SOUND ON SIDE ONE of this Highly Recommended Blue Note classic! This ’70s pressing has sound that’s sure to beat the pants off most other copies out there. Just listen to the sound of the percussion; on the earlier pressings it tends to be smeary, but that’s certainly not the case here! The overall sound is open and transparent with incredible presence. Turn up the volume and you’ll have a smokin’ jazz quintet tearing it up right there in your living room! I don’t think Henderson made a better album than this one, and I doubt it’ll be easy tol find another copy that sounds this good!   (more…)

Dire Straits on Phonogram Half-Speed

Hot Stamper Pressings of the Music of Dire Straits Available Now

Sonic Grade: F

This has to be one of the worst sounding copies of Dire Straits’ first album we have ever played.

There are plenty of bad sounding pressings of this album around — most of the domestic copies we’ve auditioned over the years were clearly made from dubs — but half speed mastering did this recording no favors. In fact, it was positively ruinous.

The 10cc title from this same series wasn’t half bad, FYI, certainly not the joke this pressing is.

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Freddie Hubbard – The Body and Soul of Freddie Hubbard

The bluesy version of Willow Weep For Me on side one is WONDERFUL. The rich, full-bodied sax sound is Right On The Money. The overall sound is totally transparent with superb clarity. Scrapple From The Apple (also on side one) has a silky top end anchored with deep, well-defined bass.

We had good success with both ’60s originals and later copies pressed in the ’70s. (more…)

Chopin / The Chopin Scherzos / Rubinstein – Reviewed in 2008

This is an RCA Living Stereo reissue LP with EXCELLENT SOUND. The strengths of this particular LP are not hard to hear: super quiet vinyl, which no original would have, and super transparent mids and highs, again something that no original (in our experience) has ever had. 

Like most of Rubinstein’s records on RCA, there is no real weight to the piano, but at least on this pressing the smear and noise common to practically every original is GONE!

Lovely music too. 

Barbra Streisand – People

More Barbra Streisand

  • An outstanding copy of Streisand’s fourth solo studio album with solid Double Plus (A++) sound from start to finish – exceptionally quiet vinyl too
  • This copy is hard to fault – big, open, clear, with space and three-dimensionality that modern pressings can only dream of
  • 4 1/2 stars: “Barbra Streisand returned to form on her fourth album, People, with a selection of songs that showed some of the imagination of her debut album… it was a definite improvement over the second and third albums. (People won Grammy Awards for Best Vocal Performance and Best Album Cover.)” 

This vintage Columbia 360 Stereo pressing has the kind of Tubey Magical Midrange that modern records rarely begin to reproduce. Folks, that sound is gone and it sure isn’t showing any sign of coming back. (more…)

Love the Cover, But the Music Is Awful

Hot Stamper Pressings of Living Stereo Recordings Available Now

This Bob Thompson record never even made it to the hall of shame. Like hundreds of other albums we’ve played and found wanting, we could not be bothered to make a listing for it.

I don’t recall its specific shortcomings, but I vaguely remember that it basically just sounded too much like an old record. Some stereo systems of a more forgiving nature can mask the faults of records like these and even make them somewhat enjoyable.

Such is decidedly not the case with our system. Just the opposite in fact. Our stereo is designed to ruthlessly expose the shortcomings of every record we play, precisely the job we need it to do.

We are in the fault-finding business. A stereo such as ours allows us to recognize and describe the manifold problems of hundreds of records that others with — we assume — less revealing equipment do not seem bothered by.

We learned about the strengths and weaknesses of records the old fashioned way. We auditioned them by the thousands over the course of the 37 years we’ve been in business.

Unlike other record dealers catering to audiophile clientele, physically playing old records all day is how we make our money. In the case of this Bob Thompson Living Stereo from 1960, engineered by none other than the often-brilliant Al Schmitt, we were hoping to find top quality sound and music with acceptably broad appeal.

If we found those two things, we could then get hold of a bunch of copies — probably for cheap, let’s be honest — clean them up, shoot them out and sell the best sounding, quietest copies to our customers for prices that would more than cover the time and money it typically takes for our crack staff to carry out each of those operations.

It didn’t work out that way for On the Rocks. Most of the time it doesn’t with albums sporting cool covers from artists that we know practically nothing about. But we do it anyway. It’s how we discover records that few people know have the potential for audiophile sound quality. We know of no other way to do it, and we especially like knowing things that other people don’t know.

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Rock Of Ages – What We Thought We Knew in 2009

White Hot Stampers for side two — WOW! Check out the track listing for that side: Stage Fright / The Night They Drove Old Dixie Down / Across the Great Divide / This Wheel’s on Fire / Rag Mama Rag

Pretty hard to beat that batch of Band songs; practically every one is a classic. And considering how difficult it is to get a good sounding copy of the albums those songs are taken from, this double album is a great way to go if you love The Band. The performances are uniformly excellent, and the live horn section adds a lot to the fun and energy of the music.

The same can be said for Little Feat’s live album, Waiting for Columbus. We’ve been trying to find Hot Stampers on that one for years with little luck. Guess we’ll just have to keep trying.

[That was 2009. We have been selling Hot Stamper pressings of WFC for about ten years now.]

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Yamashita / Romance de Amor – A Very Good Sounding RCA Direct to Disc Recording

Hot Stamper Audiophile Recordings

Reviews and Commentaries for Direct to Disc Recordings

This very nice looking RCA Direct-to-Disc LP of guitar music has excellent sound. 

This is an Older Classical/Orchestral Review

Most of the older reviews you see are for records that did not go through the shootout process, the revolutionary approach to finding better sounding pressings we started developing in the early 2000s and have since turned into a veritable science.

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