Hot Stamper Pressings of the Music of Harry Nilsson Available Now
The average copy suffers, most notably, from a honky quality in the vocals. It seems to be an EQ problem, since it affects a very large percentage of copies with earlier stampers and not as many of the later pressings. [Not sure if this true anymore.]
The later copies have problems of their own, though, so you can’t just assume that the copies with high numbers will sound better — they don’t always, and the earlier ones can sound amazing when you’re lucky. It just goes to show that (all together now) you can’t know anything about the sound of a record without playing it, and to take it a step further, you can’t really know much about the sound of an album without cleaning and critically listening to multiple copies.
But that’s a lot of hard work, and who has the time? (Other than us.)
This record, along with the others linked below, is good for testing the following qualities:


