money-in-audio

The Pareto Effect in Audio – The 80/20 Rule Is Real

Please Consider Taking Some of Our Audio Advice

Even thought this commentary was written close to twenty years ago, we proudly stand behind every word.

Ambrosia’s first album does exactly what a good Test Disc should do. It shows you what your system is doing wrong, or poorly, and once you’ve fixed it, or made it better, it shows you that it actually is better, maybe even right, or at least more right than it was before.

We audiophiles need records like this. They make us better listeners, and they force us to become better audio tweakers. Because the amount of tweaking you do with your setup, components, room, electricity and the like is the only thing that can take you to the highest levels of audio.

The unfortunate reality audiophiles must eventually come to grips with in their journey to higher quality sound is that you cannot simply buy equipment that will get you there.

You can only teach yourself, painstakingly, over the course of many, many years, how to tweak and tune your equipment — regardless of its cost or purported quality — in order to reach the highest levels of audio fidelity.

And learning how to tweak and tune your equipment has other, fundamentally more important benefits in addition to its original purpose.

It helps you become a better listener. To notice aspects of the sound — the nuances and subtleties — you’ve been missing in your favorite recordings.

Breaking It Down

At most 20% of the sound of your stereo is what you bought.

At least 80% is what you’ve done with it.

Based on my experience I would put the number closer to 90%.

This is known as the Pareto Principle

The Pareto Principle, also known as the 80/20 Rule, The Law of the Vital Few and The Principle of Factor Sparsity, illustrates that 80% of effects arise from 20% of the causes – or in laymen’s terms – 20% of your actions/activities will account for 80% of your results/outcomes.

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This Is Not a Cheap Hobby If You Want to Get Very Far

Hot Stamper Pressings of the Music of Paul McCartney Available Now

Some records are consistently too noisy to keep in stock no matter how good they sound. McCartney’s first album is one of them.

(We have a section for records that tend to be noisy, and it can be found here.)

Rick sent us a letter recently after having played his first Hot Stamper, the first record he ever bought from us. At $300 it wasn’t exactly cheap, but the best things in life never are, and certainly there is little in the world of audio that’s cheap and of much value.

This is not a cheap hobby if you want to do it right, and even tons of money doesn’t guarantee you will get good sound. It’s far more complicated than that. To quote Winston Churchill, you must be prepared to offer your  “blood, toil, tears and sweat.”

Churchill went on to say “You ask, what is our aim? I can answer in one word: Victory. Victory at all costs… Victory, however long and hard the road may be…”

Now, he wasn’t talking about audio, but he could have been, and I certainly am. It takes the serious commitment of resources — money and labor — to get the sound you want. That is the victory I am talking about.

On our Hot Stamper McCartney album, Rick no doubt heard the sound he was looking for — and then some — judging by his letter.

Hi Tom,

Well, I knew you guys were serious upon receiving the LP in 4 layers of wrapping and padding but when I put the disc on I was pretty stunned. Virtually everything was popping and so musical and rich sounding. Nothing like the 3 other pressings I’ve had of this recording in the past, the last of which I actually sailed out the window after 2 minutes of playing.

Every Night just sounds incredible, especially when he drops the bass an octave. And Maybe I’m Amazed gave me goosebumps for the first time since I bought it the week it came out. Also heard something on that track I never did (or could hear) before. During the guitar solo there’s a single high pitched vocal kind of buried in the background. Almost sounds like a mistake, making me think it could be Linda and Paul did what he could. Pretty wild.

My only very slight criticism is there is some surface noise but this is very overshadowed by all the positives. Overall it is superb. Can I give you guys a short list of LPs I’m looking for?

Thanks so much!

Best
Rick M.

Rick, we are so happy to hear you loved that record as much as we did. We have been touting McCartney’s first solo album for more than a decade. Ever read a word about it in an audiophile context elsewhere? Of course you haven’t! The audiophile world doesn’t know and doesn’t care about great albums like this one, but we at Better Records LIVE for  sound and music of this caliber.

It’s a permanent resident of our rock and pop Top 100 list for a reason: no other solo album by a Beatle can touch it.

As for surface issues, we wish we could find quietpressings of the album, but that is simply not an option, especially considering how dynamic the recording is. Mint Minus to Mint Minus Minus is roughly what yours was graded and that is certainly not dead quiet by any stretch. As we said:

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