4-29-2025

Is This Really Robert Ludwig’s Doing? I Thought He Was One of the Good Guys

Hot Stamper Pressings of Rock and Pop Albums Available Now

Below is the complete shootout stamper sheet for a rock record whose name we do not plan to reveal at this time.

We could reveal it, since knowing the “right” stamper numbers appears to be of no help at all — the best stampers and the worst stampers are exactly  the same stampers! (Nothing new there.)

RL stands for Robert Ludwig and MD stands for Masterdisk.  As you can see, Robert Ludwig cut all seven of the pressings that made it to the shootout.

One of them actually won. “Robert Ludwig’s stuff cannot be beat!” might be the post on whatever audiophile forum you frequent. (If it’s Hoffman’s forum, it would more likely read “Robert Ludwig’s stuff cannot be beat except by Steve Hoffman!”)

Another pressings with those same markings came in next to last, with such mediocre-at-best sound that it would not qualify as a Hot Stamper at all. (1.5+ on both sides or better is the minimum grade for any record we sell.)

Robert Ludwig really screwed up the mastering of this title, another forum member might post.

Can they both be wrong? Of course they can. When has any information posted on a forum been reliable or free from error?

If you were to tell me you have the Robert Ludwig-mastered original pressing for this record and it sounds amazing, I would be inclined to agree with you that that is very possible. If, on the other hand, you were to tell me you have the Robert Ludwig-mastered original pressing for this record and it sounds terrible, I would say I happen to know firsthand that that’s possible too.

The most likely sound for any copy you might have is “good, not great,” because only two copies earned grades of 2+ or better on both sides. Two out of seven. (Which is disappointing because it hurts our bottom line when so few copies in a shootout will end up selling for much more than we invested in them in money and labor.)

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The Reissues Consistently Beat the Originals on this Mystery Mercury

Hot Stamper Pressings of Mercury Classical Records Available Now

For Mercury classical and orchestral recordings, the original FR pressings on the plum labels are the way to go, right? 

In some cases, yes. We talk about how much better the FR pressings for The Firebird are compared to the much more common, and still quite good, M2 reissue pressings here.

The stamper numbers you see below belong to a different album.

The notes for the FR originals we played read:

  • Tubey but never as open or dynamic as RFR-1 can be.

The better of the three FR pressings we played was not a bad sounding record, earning a grade of 2+. They’re just not as good sounding as the RFR reissues, which, of course, are the ones that win shootouts.

Something to keep in mind: A Super Hot Stamper Mercury orchestral record is guaranteed to be dramatically better than any Heavy Vinyl reissue ever made.

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