Top Engineers – Arthur Lilley

Edmundo Ros / Latin Hits I Missed

More Exotica

More Imported Pressings on Decca and London

Another Record We’ve Discovered with (Potentially) Excellent Sound…

and a Record We Will Probably Never Shootout Again

It’s unfortunate that Edmundo Ros and his orchestra command so little respect these days from the general record buying public. As for audiophiles, it’s doubtful that many even know who he or they is/are. We at Better Records are doing our best to change all that, continuing with this, the second Ros title we’ve managed to find with amazing sound and music since the first one went up in 2013.

It’s one of the liveliest, best sounding Phase 4 titles we have heard in quite a while. Stampers simply do not get much hotter than these.  

From the perspective of a level playing field, I cannot think of too many rock records that sound as BIG and DYNAMIC as this very pressing, nor many that are as spacious and clear. As good as the best German pressings of Dark Side of the Moon may be, the White Hot eight hundred dollar killer copies we have from time to time, this recording is every bit as exciting and in most ways more lifelike, with uncannily accurate instrumental timbres. (more…)

Herrmann – Conducts Psycho and Other Film Scores

More Bernard Herrmann

Bernard Herrmann Records We’ve Reviewed

More Recordings on the London Phase IV Label

  • An incredible sounding copy of this London Phase 4 title with both sides earning Shootout Winning Triple Plus (A+++) grades
  • Especially noteworthy is the ’Psycho Narrative For Orchestra’, at 14 minutes the longest piece here – written purely for string orchestra, the string tone is Right On The Money, with biting violins and cellos that growl like the real thing
  • This London recording is yet another brilliant showcase for one of the great orchestral colorists, Bernard Herrmann
  • The London Phase IV recording approach allows powerful orchestral works such as these to explode right out of your speakers and into your listening room
  • Features works from Citizen Kane, Snows of Kilimanjaro, North by Northwest, Mysterious Island, Vertigo, The 7th Voyage of Sinbad, Jason and the Argonauts, The Three World of Gulliver, Journey to the Centre of the Earth, The Devil and Daniel Webster, and Psycho

(more…)

Sibelius / Finlandia in Phase IV!

More of the music of Jean Sibelius (1865-1957)

More of the music of Edvard Grieg (1843-1907)

In 2013 we stumbled upon the London pressing of this relatively rare record — never heard of it before, and who on earth is Kazimierz Kord? — and were shocked to hear how good the random copy of this unknown-to-us recording sounded. The brass was incredibly solid and powerful; I don’t think I had ever heard Finlandia with the kind of heavy brass that this record was able to reproduce. We had to know more! 

We started by pulling out every performance on every label we had in our backroom and playing them one after another. Most never made it to the half-minute mark. Sour or thin brass on the opening salvo of Finlandia? Forget it; on to the trade-in pile you go.

If you have too many classical records taking up too much space and need to winnow them down to a manageable size, pick a composer and play half a dozen of his works. Most classical records display an irredeemable mediocrity right from the start; it doesn’t take a pair of golden ears to hear it. If you’re after the best sound, it’s the rare record that will have it, which makes clearing shelf space a lot easier than you might imagine. If you keep more than one out of ten you’re probably setting the bar too low, if our experience is any guide. (more…)

Sibelius, Liszt, Dukas et al. – A Lousy London Phase 4 LP

More of the Music of Jean Sibelius (1865-1957)

Reviews and Commentaries for the Music of Jean Sibelius

Sonic Grade: F

While preparing for a Finlandia shootout recently, we happened to drop the needle on this album, a 1977 Phase 4 recording made in Kingsway Hall and engineered by Arthur Lilley. We could hardly believe how bad it sounded. The multi-miking is the worst I have ever heard!

We like lots of Phase 4 recordings — especially those of Bernard Herrmann — but this is definitely not one of them. 

Are they all bad? Who can say? We sure aren’t going to be wasting any more time and money on the album in order to find out, I can tell you that.

The Obsession soundtrack is a dog as well. Audiophiles looking for good sound are best advised to avoid them both.