Top Artists – Stan Getz

Stan Getz – Getz Au Go Go – Critical Listening Exercise

More Stan Getz

More Getz Au Go Go

xxxxx

Another in our series of Home Audio Exercises.

This album is useful as a test disc. The third track on side 2, The Telephone Song, has a breathy vocal by Astrud, soon followed by Getz’s saxophone solo. If those two elements in the recording are in balance, your system is working, tonally anyway.

Presenting another entry in our extensive Listening in Depth series.

Track Commentary

Side One 

Corcovado (Quiet Nights Of Quiet Stars) 

On the best copies the voice is perfection. The horn is always a bit hard sounding on this track though.

It Might As Well Be Spring

The best copies are warm, rich and sweet here, with much better sound for Getz’s sax. This track has some of the tubiest magic you will find on the album.

Eu E Voce (Me and You)
Summertime

This one has real dynamics — the playing and the sound are lively, but somehow still cool…

Nix-Quix-Flix

Side Two

Only Trust Your Heart
The Singing Song
The Telephone Song

The best song on side two, certainly the most fun, and a wonderful test track as mentioned earlier.

One Note Samba
Here’s That Rainy Day

This is one of Rudy Van Gelder’s greatest recordings. I think it’s as good as it is because he was out of his studio (mostly) and had to revert to Recording 101, where you set up some good mics and get the thing on tape as correctly as you can. There’s hardly a trace of his normal compression and bad EQ on this album. (The sax is problematical in places but most everyone else is right on the money.) (more…)

Stan Getz – Getz Au Go Go – Our Shootout Winner from 2011

More Stan Getz

More Getz Au Go Go

xxxxx
xxxxx

A distinguished member of the Better Records Jazz Hall of Fame.

This WHITE Hot Stamper Stan Getz record has the kind of LIVE JAZZ CLUB SOUND that audiophiles like us (you and me) dream of. More importantly, this ain’t no Jazz at Some Pawnshop — this is THE REAL THING. Stan Getz, Gary Burton, Kenny Burrell and the lovely Astrud Gilberto, the living embodiment of Cool Jazz, are coming to a listening room near you (assuming you have two hundred and fifty bucks you’re not doing anything else with).

Side One

A+++. It’s White Hot — so relaxed and musical, spacious and transparent, this one will have your speakers disappearing before your very eyes. Or leave them open so that you can “see” the room before you. Getz’s sax is breathy, immediate and dynamic. There is no audiophile pressing in the world that gets that sound better than this copy, and we are happy to back up that statement with this very record.

Side Two

A++, big, rich and sweet, much like side one, but not quite as clear and not quite as smooth. Compare the two sides for yourself and we think you will hear what we mean.

Cool Jazz Is Right

I’ve gotten more enjoyment out of this Getz album than any other, including those that are much more famous such as Getz/Gilberto (which doesn’t sound as good by the way). This one is (mostly) live in a nightclub and it immediately puts you in the right mood to hear this kind of jazz. (more…)

Stan Getz – Jazz Classics – Reviewed in 2011

More Stan Getz

More Jazz Classics

xxxxx

The album contains tracks culled from two different sessions featuring a very young Stan Getz. The sound on the tracks taken from a 1953 session with the Jimmy Raney quintet (tracks one and two on both sides) is amazing! Energetic, tonally balanced, clean and clear — a great sounding Stan Getz recording!

Unfortunately, the tracks from the 1949 session with Terry Gibbs, while interesting historically, sound like old 78’s — not our cup of tea. (more…)

Gerry Mulligan & Stan Getz – Gerry Mulligan Meets Stan Getz – Reviewed in 2011

More Gerry Mulligan

More Gerry Mulligan Meets Stan Getz

xxxxx

A distinguished member of the Better Records Jazz Hall of Fame.

This is a very nice looking Verve Trumpeter Label Mono LP from 1957. Side one is wonderful and has the better sound here. It has more extension up top; the baritone sax is especially well reproduced.

Both sides of course have somewhat tubby bass, the type that characterizes all tube recordings from the ’50s and ’60s. Side two is a bit more veiled. The midrange is as musical as it is on side one but has less top end and therefore comes across as kind of dull. Musical and involving, but not as lively as it could be.

Supposedly the stereo pressings of this album are full of added echo, which is the reason Steve Hoffman chose to release the mono version of the album on gold CD for DCC back in the day. It’s one of our favorite DCC CDs; Steve did his usual top quality mastering on it.

Stan Getz & Joao Gilberto – Getz-Gilberto – Our Shootout Winner from 2012

More Stan Getz

More Getz-Gilberto

xxxxx

A distinguished member of the Better Records Jazz Hall of Fame.

We have been trying to find great sound (on reasonable surfaces) for this album for YEARS — I kid you not — but this 2-pack is the first Hot Stamper version to ever hit the site. We have fired up this shootout multiple times since 2006 and been left empty-handed each and every time until the last go-around. We have sunk an insane amount of dough into trying to get a few killer copies because we love the music so much, but we just haven’t had much to show for it. If you love this Brazilian-flavored cool jazz as much as we do, you might want to snap this one up because who knows when or if we’ll find another one.

Stan Getz is a truly great tenor saxophonist, the cool school’s most popular player. This LP is all the evidence you need. Side one has those wonderfully relaxed Brazilian tempos and the smooth sax stylings of Stan Getz. (more…)

Getz Au Go Go on the 1987 Reissue – Isn’t This Record Supposed to Be Stereo?

More Stan Getz

More Getz Au Go Go 1987 Reissue

xxxxx
xxxxx

As part of our recent shootout for the album we played what turned out to be a later reissue. According to my research it’s most likely from the late ’70s or early ’80s.   

As a general rule we make a point to go out of our way to play practically any copy we can get our hands on, in the off chance that a reissue will beat the original. It’s happened plenty of times. Those of you with White Hot Stamper shootout winning copies of some of our favorite titles know what I’m talkin’ about.

Imagine our surprise when this pressing — in a stereo jacket with the label you see in the picture with the word “stereo” printed right on it — turned out to be dead MONO!

The sound was godawful — small, flat, and bereft of the ambience that makes this recording so enjoyable. The same would probably be true for the mono originals but since I haven’t played one of those in decades I will just say that that would be no more than a guess, to be taken for what it’s worth

Yet another reason not to believe a word you read on an album jacket or label.

A public service from your record loving audiophile friends here at Better Records. (more…)

Stan Getz & Joao Gilberto – Getz-Gilberto #2

More Stan Getz

More Getz – Gilberto #2

xxxxx

  • A KILLER sounding copy with Shootout Winning Triple Plus (A+++) Live Jazz sound from start to finish 
  • This original stereo pressing is the first copy to make it to the site in years – boy are these hard to find in this kind of clean condition with top quality sonics
  • Rich, tubey and musical, the sound is wonderful for these live performances of two very different groups, one featuring Getz, the other Jobim 
  • 4 1/2 Stars: “Getz/Gilberto #2 holds its own with an appealing selection of fine jazz and bossa nova cuts.”

This original Verve Stereo pressing has the kind of Tubey Magical Midrange that modern records cannot even BEGIN to reproduce. Folks, that sound is gone and it sure isn’t showing signs of coming back. If you love hearing INTO a recording, actually being able to “see” the performers, and feeling as if you are sitting in a real jazz club, this is the record for you. It’s what Vintage Records are known for — this sound.

If you exclusively play modern repressings of vintage recordings, I can say without fear of contradiction that you have never heard this kind of sound on vinyl. Old records have it — not often, and certainly not always — but maybe one out of a hundred new records do, and those are some pretty long odds. (more…)

Stan Getz Jazz Samba Encore

More Stan Getz

More Jazz Samba Encore

xxxxx
xxxxx

A distinguished member of the Better Records Jazz Hall of Fame.

Yet another wonderful Getz Samba record, the third in the series. Some of our faourite music has this Samba syncopation: Sergio Mendes, first and foremost of course, but also Airto, and all the wonderful Getz albums from this period. Their enchanting Brazilian rhythms make their music fun. 

Thanks go to all the engineers involved in this recording:

VAL VALENTIN

BOB SIMPSON

PHIL RAMONE

RAY HALL (more…)

Getz Au Go Go – A Bossa Nova Classic

More Stan Getz / More Kenny Burrell

More Getz Au Go Go

xxxxx

  • Truly superb sound for this incredible recording, Triple Plus (A+++) on the second side and Double Plus (A++) on the first
  • Amazingly present, immediate and REAL — musically and sonically, this is one of our favorite jazz albums
  • This is an incredibly tough album to find with the right sound and decent surfaces, which is the main reason it’s been years since we did the shootout
  • 4 stars on Allmusic: “Highly recommended for all dimensions of jazz enthusiasts.” [We would of course give it the full 5 Stars]

This Stan Getz record has the kind of LIVE JAZZ CLUB SOUND that audiophiles like us (you and me) dream of. More importantly, this ain’t no Jazz at Some Stupid Pawnshop — this is THE REAL THING. Stan Getz, Gary Burton, Kenny Burrell and the lovely Astrud Gilberto, the living embodiment of Cool Jazz, are coming to a listening room near you.

This is about as good a copy as has ever hit the site. Fans of cool jazz — in point of fact, some of the coolest jazz ever recorded — take note. 

Cool Jazz Is Right (more…)