Jazz, Soul/Funk

The Crusaders / Chain Reaction – MoFi Reviewed

More of the Music of The Crusaders

More Jazz Fusion Records with Hot Stampers

This is a Mobile Fidelity LP with relatively good sound. We did a mini-shootout many years ago and this copy apparently killed the competition. 

However…

When you play the MoFi against an actual honest-to-goodness properly mastered and pressed vintage LP – we call them Hot Stampers – the audiophile version of the album reeks of phony top end EQ, compression and sloppy bass.

Of course, what half-speed mastered record doesn’t?

Further Reading

The best place to start is here:

How come you guys don’t like Half-Speed Mastered records?

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The Crusaders – Chain Reaction

More of The Crusaders

More Jazz Fusion

  • An outstanding copy of Chain Reaction with solid Double Plus (A++) sound from first note to last
  • The overall sound here is Tubey Magical, lively and funky, with the kind of rich, solid sound that will fill your listening room from wall to wall
  • If you own the Mobile Fidelity remaster, or some Heavy Vinyl LP, you are in for a real treat – this pressing will show you just how good the recording is
  • 4 1/2 stars: “One of the tastiest concoctions of the mid-’70s jazz-fusion era, Chain Reaction finds the Crusaders at the top of their form. The compositions are both accessible and memorable, and the playing is uniformly excellent.”

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Herbie Hancock – Thrust

  • Thrust makes its Hot Stamper debut here with solid Double Plus (A++) sound or BETTER on both sides – reasonably quiet vinyl too
  • This vintage pressing is well balanced, big and lively, with wonderful clarity in the mids and highs, as well the bass foundation critical to Hancock’s funky jazz
  • 4 stars: “… an earthy, funky, yet often harmonically and rhythmically sophisticated tour de force… Hancock continues to reach into the rapidly changing high-tech world for new sounds, most notably the metallic sheen of the then-new ARP string synthesizer which was already becoming a staple item on pop and jazz-rock records… This supertight jazz-funk quintet album still sounds invigorating a quarter of a century later. “

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Gene Ammons / Blue Gene – Soulful Jazz at Its Best

More of the Music of Gene Ammons

More Recordings by Rudy Van Gelder

For us audiophiles both the sound and the music here are wonderful. If you’re looking to demonstrate just how good a 1958 All Tube Analog Prestige recording by Rudy Van Gelder can sound, this killer copy will do the trick.

This pressing is super spacious, sweet and positively dripping with ambience. Talk about Tubey Magic, the liquidity of the sound here is positively uncanny. This is vintage analog at its best, so full-bodied and relaxed you’ll wonder how it ever came to be that anyone seriously contemplated trying to improve it.

This IS the sound of Tubey Magic. No recordings will ever be made like this again, and no CD will ever capture what is in the grooves of this record. There is, of course, a CD of this album, but those of us who possess a working turntable and a good collection of vintage vinyl could care less.

What We Listen For on Blue Gene

The best copies are rich and tubey; many pressings were thin and modern sounding, and for that they would lose a lot of points. We want this record to sound like something RVG recorded in 1958, and the best copies give you that sound, without the surface noise and groove damage the originals doubtless suffer from.

Some copies have much more space; some are more present, putting the musicians right in the room with you; some are more transparent, resolving the musical information much better than others, letting you “see” everyone in the studio clearly. Some have more rhythmic drive than others. On some the musicians seem more involved and energetic than they do on the average pressing.

The copies that do all these things better than other copies are the ones that win our shootouts.

This is clearly one of the better copies we have ever played. We think you will enjoy it immensely. And watch for more Gene Ammons records coming to the site soon. With RVG at the board his recordings are often superb.

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Miles Davis – Live-Evil

More Miles Davis

  • A STUNNING copy of Davis’ superb 1971 release, with Shootout Winning Triple Plus (A+++) sound on all four sides – exceptionally quiet vinyl too
  • Exceptionally spacious and three-dimensional, as well as relaxed and full-bodied sound that blew away every other copy we played
  • A wonderful double album of both live and studio-recorded music, featuring numerous jazz greats, including Herbie Hancock, Keith Jarrett and Jack DeJohnette
  • Pitchfork’s Ryan Schreiber believed it was “easily the most accessible of Miles Davis’ late-’70s electric releases,” describing its music as “at once both sexually steamy and unsettling.” He said the live recordings “run the gamut from barroom brawl action-funk to sensual bedroom jazz magic, creating two hours of charged eccentricity you’ll never forget.”

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Steve Miller Band / Born 2 B Blue – Our Shootout Winner from 2011

More of the Music of Steve Miller

Steve Miller’s foray into Smooth Jazz Pop got him nowhere in the marketplace, but did result in my becoming a fan back in the late ’80s. Let’s be clear — this is not a record for everyone. If you don’t like at least some Smooth Jazz, you probably won’t like this album. It’s Steve Miller crossing over into that territory, and doing it better than anyone else I know (although that’s not saying much. I’m no expert by any stretch and don’t claim to be.) 

What it is is Steve Miller doing a batch of cool, classic songs in a hip, fun way. AMG has it right, “…his taste in material is quite nice…”

This is certainly nothing like Fly Like An Eagle. He already made that record; we don’t need him to make it again. (He actually made it twice as Book of Dreams is from the same sessions!) (more…)

Grover Washington Jr. / Inner City Blues

TWO A+++ SIDES ON QUIET VINYL, making this the best copy of Inner City Blues we’ve found! This copy trounced the other ones we played, giving us the kind of open, transparent sound that brings out the best in this music. The overall sound is very clean and clear with lots of weight down low and extension up top. I don’t think you could find a better sounding copy no matter what you did. 

The lineup here is absolutely stellar, with players including Ron Carter, Idris Muhammed, Richard Tee, Airto and Eric Gale, among many others.

Yer Average Copy

The typical sound we find on most pressings is full of compression as well as the kind of high frequency restriction that prevents the top end from extending naturally. The result: Grover’s horn takes on a slightly sour quality — not a fun way to hear this kind of music. (more…)

Gene Ammons / Goodbye – Reviewed in 2010

More of the Music of Gene Ammons

More Recordings by Rudy Van Gelder

If you want to know why Gene Ammons is considered one of the greats, skip the jam that starts out side one and go right to the ballad Alone Again (Naturally). Nobody played with more emotion than Gene Ammons. 

This is an Older Jazz Review.

Most of the older reviews you see are for records that did not go through the shootout process, the revolutionary approach to finding better sounding pressings we developed in the early 2000s and have since turned into a fine art.

We found the records you see in these older listings by cleaning and playing a pressing or two of the album, which we then described and priced based on how good the sound and surfaces were. (For out Hot Stamper listings, the Sonic Grades and Vinyl Playgrades are listed separately.)

We were often wrong back in those days, something we have no reason to hide. Audio equipment and record cleaning technologies have come a long way since those darker days, a subject we discuss here.

Currently, 99% (or more!) of the records we sell are cleaned, then auditioned under rigorously controlled conditions, up against a number of other pressings. We award them sonic grades, and then condition check them for surface noise.

As you may imagine, this approach requires a great deal of time, effort and skill, which is why we currently have a highly trained staff of about ten. No individual or business without the aid of such a committed group could possibly dig as deep into the sound of records as we have, and it is unlikely that anyone besides us could ever come along to do the kind of work we do.

The term “Hot Stampers” gets thrown around a lot these days, but to us it means only one thing: a record that has been through the shootout process and found to be of exceptionally high quality.

Not just a good sounding record. A record that was played in a shootout and did well.

The result of our labor is the scores of jazz titles seen here, every one of which is unique and guaranteed to be the best sounding copy of the album you have ever heard or you get your money back.

Further Reading

Herbie Hancock / Man-Child – Our Shootout Winner from 2010

This Columbia Red Label pressing was a MAJOR step up just about everything we could throw at it in a recent shootout, with side one earning an A++ grade and side two coming out even better! If you enjoy Herbie’s funky work in the ’70s (think Head Hunters, natch) then you’re going to love hearing this music really come to life on a Super Hot Stamper copy. Most copies we played were dry and grainy, but this one was richer and smoother by a good amount.

Side one is very rich and full-bodied with some seriously punchy bass. There’s tons of energy, major presence and real weight to the bottom. This one’s got the warm, sweet sound of ’70s analog, and that puts well it ahead of the average pressing.

Side two is even better, adding an amazing three-dimensional quality to the soundfield that we just didn’t get on most copies. It’s dramatically more open, spacious, and transparent than we expected after hearing so many pressings with “closed-in” sound. (more…)

Miles Davis – Filles de Kilimanjaro

More Miles Davis

  • A KILLER sounding stereo pressing with nearly Triple Plus (A++ to A+++) sound from start to finish, just shy of our Shootout Winner – exceptionally quiet vinyl too
  • This Columbia 360 Label LP boasts rich, full-bodied, clear sound with the space and three-dimensionality that was difficult to find on the later pressings we played
  • 4 1/2 stars: “… this middle ground between the adventurous bop of the mid-’60s and the fusion of the late ’60s is rewarding in its own right, since it’s possible to hear great musicians find the foundation of a new form. For that alone, Filles de Kilimanjaro is necessary listening.” 

These Nearly White Hot Stamper pressings have top quality sound that’s often surprisingly close to our White Hots, but they sell at substantial discounts to our Shootout Winners, making them a relative bargain in the world of Hot Stampers (“relative” being relative considering the prices we charge). We feel you get what you pay for here at Better Records, and if ever you don’t agree, please feel free to return the record for a full refund, no questions asked.

This is one of the all-time classic progressive jazz albums, and a copy like this allows you to appreciate the contributions of Miles and his top-notch band (Herbie Hancock, Wayne Shorter, Tony Williams and the great Ron Carter on most of the songs). This one’s not as “out there” as Bitches Brew, but it gives you a taste of the various directions these guys would take in the years to come. (more…)