- This early Cotillion pressing ROCKS with KILLER Shootout Winning Triple Plus (A+++) sound or very close to it throughout
- With Mint Minus Minus vinyl and no marks that can be heard, you will have a VERY hard time finding a copy that plays this well
- We guarantee there is dramatically more richness, fullness, vocal presence, and performance energy on this copy than others you’ve heard, and that’s especially true if you made the mistake of buying whatever Heavy Vinyl pressing is currently on the market
- Fifteen amazing live tracks from Jimi Hendrix; Jefferson Airplane; The Butterfield Blues Band; Joan Baez; Crosby, Stills, Nash & Young; Melanie; Mountain; and Canned Heat
- “If anything, this set, more concise and more focused, is a better bet than its predecessor.” — All Music
This vintage Cotillion pressing has the kind of Tubey Magical Midrange that modern records can barely BEGIN to reproduce. Folks, that sound is gone and it sure isn’t showing signs of coming back. If you love hearing INTO a recording, actually being able to “see” the performers, and feeling as if you are sitting in the studio with the band, this is the record for you. It’s what vintage all analog recordings are known for — this sound.
If you exclusively play modern repressings of vintage recordings, I can say without fear of contradiction that you have never heard this kind of sound on vinyl. Old records have it — not often, and certainly not always — but maybe one out of a hundred new records do, and those are some pretty long odds.
What The Best Sides Of Woodstock Two Have To Offer Is Not Hard To Hear
- The biggest, most immediate staging in the largest acoustic space
- The most Tubey Magic, without which you have almost nothing. CDs give you clean and clear. Only the best vintage vinyl pressings offer the kind of Tubey Magic that was on the tapes in 1971
- Tight, note-like, rich, full-bodied bass, with the correct amount of weight down low
- Natural tonality in the midrange — with all the instruments having the correct timbre
- Transparency and resolution, critical to hearing into the three-dimensional studio space
No doubt there’s more but we hope that should do for now. Playing the record is the only way to hear all of the qualities we discuss above, and playing the best pressings against a pile of other copies under rigorously controlled conditions is the only way to find a pressing that sounds as good as this one does.
What We’re Listening For On Woodstock Two
- Energy for starters. What could be more important than the life of the music?
- Then: presence and immediacy. The vocals aren’t “back there” somewhere, lost in the mix. They’re front and center where any recording engineer worth his salt would put them.
- The Big Sound comes next — wall to wall, lots of depth, huge space, three-dimensionality, all that sort of thing.
- Then transient information — fast, clear, sharp attacks, not the smear and thickness so common to these LPs.
- Tight punchy bass — which ties in with good transient information, also the issue of frequency extension further down.
- Next: transparency — the quality that allows you to hear deep into the soundfield, showing you the space and air around all the instruments.
- Extend the top and bottom and voila, you have The Real Thing — an honest to goodness Hot Stamper.
Jam Back At The House – Jimi Hendrix
Izabella – Jimi Hendrix
Get My Heart Back Together – Jimi Hendrix
Saturday Afternoon / Won’t You Try – Jefferson Airplane
Eskimo Blue Day – Jefferson Airplane
Everything’s Gonna Be Alright – The Butterfield Blues Band
Sweet Sir Galahad – Joan Baez
Guinnevere – Crosby, Stills, Nash & Young
4 + 20 – Crosby, Stills, Nash & Young
Marrakesh Express – Crosby, Stills, Nash & Young
My Beautiful People – Melanie
Birthday Of The Sun – Melanie
Blood Of The Sun – Mountain
Theme From An Imaginary Western – Mountain
Woodstock Boogie – Canned Heat
Audience During Sunday Rainstorm / Let The Sunshine In