- The Woman In Red finally makes its Hot Stamper debut here with a Shootout Winning Triple Plus (A+++) side one mated with an outstanding Double Plus (A++) side two – fairly quiet vinyl too
- Surprisingly good sound, perhaps the best sound Stevie Wonder got after about 1976 – we were shocked as you no doubt are
- A superb collection, including I Just Called To Say I Love You and Love Light in Flight
- “An ingenious jump from his trademark, spectacular, blend of Funk, R&B and Soul,contaminated with Pop, Disco, Gospel and Reggae, to a brand new Synthpop/Pop-soul sound that characterizes his ’80s works.”
- On side one, two small marks make 2 moderate stitches at the beginning of Track 2, It’s You, and one moderate stitch at the end of Track 3, It’s More Than You (Instrumental).
This vintage Motown pressing has the kind of Tubey Magical Midrange that modern records can barely BEGIN to reproduce. Folks, that sound is gone and it sure isn’t showing signs of coming back. If you love hearing INTO a recording, actually being able to “see” the performers, and feeling as if you are sitting in the studio with the band, this is the record for you. It’s what vintage all analog recordings are known for — this sound.
If you exclusively play modern repressings of vintage recordings, I can say without fear of contradiction that you have never heard this kind of sound on vinyl. Old records have it — not often, and certainly not always — but maybe one out of a hundred new records do, and those are some pretty long odds.
What the best sides of this original motion picture soundtrack have to offer is not hard to hear:
- The biggest, most immediate staging in the largest acoustic space
- The most Tubey Magic, without which you have almost nothing. CDs give you clean and clear. Only the best vintage vinyl pressings offer the kind of Tubey Magic that was on the tapes even as late as 1984
- Tight, note-like, rich, full-bodied bass, with the correct amount of weight down low
- Natural tonality in the midrange — with all the instruments having the correct timbre
- Transparency and resolution, critical to hearing into the three-dimensional studio space
No doubt there’s more but we hope that should do for now. Playing the record is the only way to hear all of the qualities we discuss above, and playing the best pressings against a pile of other copies under rigorously controlled conditions is the only way to find a pressing that sounds as good as this one does.
What We’re Listening For on The Woman In Red
- Energy for starters. What could be more important than the life of the music?
- Then: presence and immediacy. The vocals aren’t “back there” somewhere, lost in the mix. They’re front and center where any recording engineer worth his salt would put them.
- The Big Sound comes next — wall to wall, lots of depth, huge space, three-dimensionality, all that sort of thing.
- Then transient information — fast, clear, sharp attacks, not the smear and thickness so common to these LPs.
- Tight punchy bass — which ties in with good transient information, also the issue of frequency extension further down.
- Next: transparency — the quality that allows you to hear deep into the soundfield, showing you the space and air around all the instruments.
- Extend the top and bottom and voila, you have The Real Thing — an honest to goodness Hot Stamper.
The Woman In Red
It’s More Than You (Instrumental)
I Just Called To Say I Love You
Love Light In Flight
Moments Aren’t Moments
Don’t Drive Drunk
AMG 4 1/2 Star User Review
In my opinion this is Stevie’s most underrated album. He demonstrated through this record his marvelous songwriting and his capacity of evolving and reinventing his sound, and one cannot criticize an artist for that, on the contrary we should praise this ability that quite few people have. An ingenious jump from his trademark, spectacular, blend of Funk, R&B and Soul,contaminated with Pop, Disco, Gospel and Reggae, to a brand new Synthpop/Pop-soul sound that characterizes his ’80s works.