Near Mint copy with excellent sound! Superb piano tone for these solo pieces and very quiet vinyl add up to a wonderful listening experience. This surprisingly quiet British vinyl is going to be hard to beat by other Golden Age labels. (Finding solo piano recordings on RCA or Mercury from this era that play quietly is practically impossible.)
Side one is super TRANSPARENT — the piano is so clear! It lacks a bit of weight on the first side; perhaps that’s the way it is actually supposed to sound, who can say? On side two it sounds a little better to my ear, big and dark and very solid. It’s pretty amazing in its own way. And Katchen’s performance is of course superb. All in all a very find piano recording.
This lovely album also includes Variations on a Theme by Paganini.
Variations and Fugue on a Theme by Handel, Op. 24
Variations on a Theme by Paganini, Op. 35 (Books I and II)
This is an Older Classical/Orchestral Review
Most of the older reviews you see are for records that did not go through the shootout process, the revolutionary approach to finding better sounding pressings we started developing in the early 2000s and have since turned into a veritable science.
We found the records you see in these older listings by cleaning and playing a pressing or two of the album, which we then described and priced based on how good the sound and surfaces were. (For out Hot Stamper listings, the Sonic Grades and Vinyl Playgrades are listed separately.)
We were often wrong back in those days, something we have no reason to hide. Audio equipment and record cleaning technologies have come a long way since those darker days, a subject we discuss here.
Currently, 99% (or more!) of the records we sell are cleaned, then auditioned under rigorously controlled conditions, up against a number of other pressings. We award them sonic grades, and then condition check them for surface noise.
As you may imagine, this approach requires a great deal of time, effort and skill, which is why we currently have a highly trained staff of about ten. No individual or business without the aid of such a committed group could possibly dig as deep into the sound of records as we have, and it is unlikely that anyone besides us could ever come along to do the kind of work we do.
The term “Hot Stampers” gets thrown around a lot these days, but to us it means only one thing: a record that has been through the shootout process and found to be of exceptionally high quality.