A stunning Triple Plus (A+++) side two backed with a solid Double Plus (A++) side one – a remarkably good sounding early pressing
This Columbia 360 is incredibly big and present, with excellent clarity, wonderfully breathy vocals and low levels of spit (the result of clean cutting)
A Demo Disc for Tubey Magical voices and guitars, as well as a longtime Better Records Top 100 album
4 1/2 stars Allmusic: “[I]t is an achievement akin to the Beatles’ Revolver or the Beach Boys’ Pet Sounds album, and just as personal and pointed as either of those records at their respective bests.”
More superb sound from the legendary CBS 30th street studios in New York!
Turn up the volume, turn down the lights, and you’ll have one of the best — if not THE best — folk duos of All Time performing right there in your listening room for you. The sound is open, spacious, and transparent with breathy vocals and unusually low levels of spit. The strings are more dynamic than we’re used to hearing and the bottom end has a really nice weight to it.(more…)
You might agree with some reviewers that EMI’s engineers did a pretty good job with the new Pepper. In the March 2013 issue of Stereophile Art Dudley weighed in, finding little to fault on this title but being less impressed with most of the others in the new box set. His reference disc? The MoFi UHQR! Oh, and he also has some old mono pressings and a domestic Let It Be. Now there’s a man who knows his Beatles. Fanatical? Who wouldn’t be? We’re talkin’ The Beatles for Christ’s sake.
When I read the reviews by writers such as these I often get the sense that I must’ve fallen through some sort of Audio Time Warp and landed back in 1982. How is it that our so-called experts evince so little understanding of how records are made, how variable the pressings can be, and, more importantly, how absolutely crucial it is to understand and implement rigorous protocols when attempting to carry out comparisons among pressings. (more…)
With stunning Triple Plus (A+++) sound from first note to last, this copy of Simply Sweets simply blew away every other pressing in our recent shootout
This is one of the best sounding small group Pablo recordings we have played in quite a while – the sound of this superb jazz quintet is lively and real like you will not believe
The legendary engineer Val Valentin put this one on tape, brilliantly – he’s the man behind some of our All Time Pablo favorites
“Trumpeter Harry ‘Sweets’ Edison and tenor saxophonist Eddie “Lockjaw” Davis always made a potent pair. They both possessed immediately identifiable sounds, were veterans of Count Basie’s Orchestra and never had any difficulty swinging.” — Allmusic
Both sides of this very special pressing — it looks the same as every other copy we played but it sure doesn’t sound like them — are huge, rich, tubey and clear. As soon as the group got going we knew that this copy was going to be exceptional, and the longer it played the better it got and the more we liked it. There was no other copy in our shootout that could touch it, in any area of reproduction.(more…)
One of the better Speakers Corner releases. We haven’t played a copy of this record in years, but back in the day we liked it, so let’s call it a “B” with the caveat that the older the review, the more likely we are to have changed our minds. Not sure if we would still agree with what we wrote back in the ’90s when this record came out, but here it is anyway.
“Speakers corner knocks one out of the park with this wonderful reissue! Those conga drums and the back-up singers sound so much better than I remember them! If you”re going to own one Joe Cocker album make it this one. It’s a man-size serving of English Soul.”
A killer 2-pack, with Triple Plus (A+++) sound, or close to it, from first note to last – they don’t get much better than this!
Here it is – the energy, space, and full, rich, Tubey Magical sound this music needs to work
You get Triple Plus sound for some of his best tracks here: Dear Landlord, Bird on the Wire, She Came in Through the Bathroom Window, and Hitchcock Railway
“Cocker mixed elements of late-’60s English blues revival recordings (John Mayall, et al.) with the more contemporary sounds of soul and pop; a sound fused in no small part by producer and arranger Leon Russell, whose gumbo mix figures prominently on this eponymous release and the infamous Mad Dogs & Englishmen live set.” – 4 Stars
This is a surprisingly good recording. Cocker and his band — with more than a little help from Leon Russell — run through a collection of songs from the likes of Bob Dylan, Leonard Cohen and the Beatles, and when you hear it on a White Hot Stamper copy it’s hard to deny the appeal of this timeless music.(more…)
This is one knockout recording. After having done shootouts for every Steely Dan title, I can say that sonically this one has no equal in their canon.
Which is really saying something, since Becker and Fagen are known to be audiophiles themselves and real sticklers for sound. No effort in the recording of this album was spared, that I can tell you without fear of contradiction. They sweated the details on this one. The mix is PERFECTION. (more…)
You will have a hard time finding any pressing that doesn’t sound better than this “dubby” Cisco LP. (The DMM reissues are worse, but I can’t think of any others offhand that would be. The CDs of course, but that’s a case of apples and oranges.)
If smeared transients and zero ambience are your kind of sound, this is the record for you! If you want a real Blue Note, we may have some in stock.
You’ll find outstanding Double Plus (A++) sound or BETTER on both sides of this vintage Blue Note pressing
With its presence, clarity, space and timbral accuracy, this is guaranteed to be one of the best sounding jazz records you’ve heard in a very long time
One of our very favorite Blue Note recordings for both music and sound, a Dexter Gordon Classic of soulful hard bop
Turn it up good and loud and it’s as if you are right up front at one of the best ’60s jazz concerts imaginable
Both the sax and the trumpet sound unbelievably good — airy and breathy with lots of body and clearly audible leading edge transients.
It’s hard to find a Blue Note where the horns aren’t either too smooth or too edgy, but here they have just the right amount of bite. The overall sound is open, spacious, tonally correct from top to bottom and totally free from distortion.(more…)
If you bought the Classic Record Heavy Vinyl pressing, you should know by now how badly Classic Records ripped you off.
On the other hand, if you’re not too picky about sound quality and just want to play new records, perhaps because old records are hard to find and often noisy, then fine, the Classic should get that job done for you. (more…)