surface-noise

Better Front Ends Actually Reduce Surface Noise

Hot Stamper Pressings of the Music of Tchaikovsky Available Now

This record has no marks that play appreciably, but that RCA vinyl is up to its old tricks again.

Mint Minus Minus with constant light surface noise underneath the music in the quieter sections is the rule. The first half inch of side two is where you will notice it the most.

We are of the opinion that good sound and good music allow you to pretty much ignore surfaces such as these (scratches being another thing entirely of course). 

Better Front Ends

I would make the further point that the better your front end is, the less likely you are to have a problem with vinyl like this, which is the opposite of what many audiophiles perceive to be the case. In other words, some of the cheaper tables and carts seem to make the surface noise more objectionable, not less. (They also tend to collapse completely under the weight of a mighty recordings.)

On the other hand, some pricey cartridges — the Benz line comes to mind — are consistently noisier than those by Dynavector, Lyra and others, in our experience anyway.

Vintage Vinyl

As long as vintage vinyl is the only vinyl with sound worth pursuing, as is surely the case these days and will be the case for the forseeable future — we have ample evidence to support this statement for this who are interested in that lamentable reality — a quiet cartridge and a very high quality arm are essential to your being able to recognize good records and reproduce them properly.

Our Dynavector 17Dx gets down deep into the groove, where vintage used records have the least number of problems created by their previous owners.

And we run it nude for even better sound. I discovered this possibility more than a decade ago — so long ago that I cannot remember where I came by the information — but the sound was immediately so much better that all questions were answered moments after dropping the needle.

Not a lot of things are obvious, but that sure was.

(more…)

Magical Mystery Tour – “I agree with you about Baby You’re a Rich Man – when you turn it up it really comes alive.”

Hot Stamper Pressings of the Music of The Beatles Available Now

This is Part Two of Aaron’s letter about the White Hot Stamper German pressing of Magical Mystery Tour he acquired from us recently.

Part One can be found here.

Dear Tom,

Strawberry Fields was the standout for me on side 2.

I agree with you about Baby You’re a Rich Man. As with I Am the Walrus, when you turn it up it really comes alive. The bass is dazzling. The warbly texture it has is unlike anything else. In my room it’s sounding really balanced. Distinct bass, not boomy. Balanced with the top.

Tom, as you know, my room is small. I am sure it’s holding me back in some ways, but I really don’t mind. Someday I dream of a proper listening room, but if I never get there, I can still enjoy the crap out of my records. Citizen Kane also sounds huge in here, so I think I’m not really suffering.

Last thought listening to this record brought up – surface noise, and how totally irrelevant it usually is.

The biggest, most breathtaking records I have (balance of sound and music) are If Only I Could Remember My Name and Zep II. Both WHS copies have surface noise.

The way it just melts away once the music really gets going is just such a cool auditory illusion. Surface noise really has minimal impact on my listening experience, if any at all.

It is a nicety to have a copy as clean and quiet as this one. To think, this thing sat around for nearly 60 years, probably nearly ever played. Who owns a record that sounds this good and never listens to it??

Aaron

Aaron,

Glad to hear you found side two to be every bit as powerful as side one. The copy you now have really knocked us out over here too.

As for surface noise, you hit the nail right on the head. The biggest, most powerful and exciting records, played at good loud levels, will always have some surface noise if you’re listening for it.

But it disappears almost completely when you focus your listening on the music and the sound of the recording.

On a big speakes system like mine, in a big room with a high ceiling, the surface noise seems to occupy a different space relative to the space of the recording. Smaller systems often seem to jam the noise and the sound together. Big systems do a better job of separating them out.

That has been my experience anyway. Glad you are hearing MMT the way we did. What a thrill.

(more…)