More of the Music of Bryan Ferry
- Boasting two very good Hot Stamper sides, this UK Polydor pressing will be hard to beat
- It’s richer, fuller and with more presence than the average copy, and that’s especially true for whatever godawful Heavy Vinyl pressing is currently being foisted on an unsuspecting record buying public
- This is true of even our lowest-priced, lowest-graded copies – they are guaranteed to sound much better than any pressing you can find on the market today, as well as any pressing you may already own
- For material and sound, we consider this to be the best of Bryan Ferry’s solo albums – it’s a blast from start to finish
- 4 stars: “The title track itself scored Ferry a deserved British hit single, with great sax work from Chris Mercer and Mel Collins and a driving, full band performance. Ferry’s delivery is one of his best, right down to the yelps, and the whole thing chugs with post-glam power.”
- If you’re a Roxy Music fan, this title from 1976 is surely a Must Own
- We’ve recently compiled a list of records we think every audiophile should get to know better, along the lines of “the 1001 records you need to hear before you die,” but with less of an accent on morbidity and more on the joy these amazing audiophile-quality recordings can bring to your life. Bryan Ferry’s third solo album is a good example of a record many audiophiles may not know well but should get to know better.
Ferry covers some early Roxy songs here (brilliantly I might add); Beatles and Everly Bros. tunes; and even old R&B tracks like “Shame, Shame, Shame.” Every song on this album is good, and I don’t think that can be said for any of his other solo projects. Five stars in my book.




