byrdsyoung

The Byrds / Younger Than Yesterday Sure Sounds Better than It Used To

More Sixties Pop Recordings

  • An original Stereo 360 pressing (the first copy to hit the site in years) with an INCREDIBLE Shootout Winning Triple Plus (A+++) side one mated to a solid Double Plus (A++) side two
  • Here are just a few of of the things we had to say about this amazing Triple Plus side one in our notes: “big and tubey vox & bass”…”great size and energy”…”jumping out [of the speakers]”…”crazy good”
  • The sound is Tubey Magical, lively and dynamic, with exceptional transparency and immediacy
  • We’re always blown away at just how much further the better copies are able to take the music – what a difference the right pressing makes
  • Until we hear something better — a possibility we would never rule out — this is The Byrds’ best sounding album
  • In our experience, no red label reissue is even worth the trouble of cleaning and playing it. Some Byrds records have the potential to sound good on the red label, but this is not one of them
  • 5 stars: “Younger Than Yesterday was somewhat overlooked at the time of its release during an intensely competitive era that found the Byrds on a commercial downslide. However, time has shown it to be the most durable of the Byrds’ albums… David Crosby, Roger McGuinn, and especially Chris Hillman come into their own as songwriters on an eclectic but focused set blending folk-rock, psychedelia, and early country-rock.”

Back in 2019 we had this to say about the best sounding copy from the shootout we had just done:

Most Byrds’ records are far from audiophile demo discs. However, what the best originals give you is relatively good sound.

This album will never sound as good as Abbey Road. Keeping that rather obvious point in mind, as I listened to this copy the thought that went through my mind is that this tape had been mastered about as well as it could be.

It’s tonally correct from top to bottom; the frequency extremes are there; and the vocals have a silky, sweet quality to them (when they haven’t been bounced down too many times of course).

Do you know how you can tell when you’re listening to a properly mastered record? It’s very simple. You find yourself getting into the music. Liking songs you never used to like. When music sounds right, it bypasses the intellect and goes straight to the emotional center.

You can analyze these recordings until you’re blue in the face but ultimately it all comes down to this: Do you want to hear the whole album? Do you want to turn it up? If the answer to those two questions is yes, you have a great record. This pressing gets two yeses.

As you can see from the rave at the top of this listing, now the best copy from the shootout we just did in 2024 sounds great! (Yes, it only took us five years to find enough clean 360 label pressings to get another shootout going.)

How did that happen?

Who knows. We just keep working on improving the system using blind faith as our guide.

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Younger Than Yesterday in 2019

More David Crosby

More Hippie Folk Rock

Having just played a killer sounding copy of the album in August of 2024, we now see that in 2019, at the time of our last shootout, we had a lot to learn about Younger than Yesterday.

Our top copy received rave reviews on side one:

  • Here are just a few of of the things we had to say about this amazing Triple Plus side one in our notes: “big and tubey vox & bass”…”great size and energy”…”jumping out [of the speakers]”…”crazy good”
  • The sound is Tubey Magical, lively and dynamic, with exceptional transparency and immediacy
  • We’re always blown away at just how much further the better copies are able to take the music – what a difference the right pressing makes

But in 2019 we were much less enthusiastic:

It ain’t easy to find great sounding copies of this album on decent vinyl, but we managed to get a hold of a hot one here. White Hot in fact. Not only that, but the vinyl’s pretty darn quiet! The sound is very tubey with excellent transparency and serious immediacy.

Most Byrds’ records are far from audiophile demo discs. However, what the best originals and ’70s reissues give you is relatively good sound.

This album will never sound as good as Abbey Road. Keeping that rather obvious point in mind, as I listened to this copy the thought that went through my mind is that this tape had been mastered about as well as it could be.

It’s tonally correct from top to bottom; the frequency extremes are there; and the vocals have a silky, sweet quality to them (when they haven’t been bounced down too many times of course).

A classic case of us rather foolishly blaming the recording.

In our experience, no red label reissue is even worth the trouble of cleaning and playing it. Some Byrds records have the potential to sound good on the red label, but this is not one of them.

Recommended Tracks

For the best sound on side one, try tracks four, “Renaissance Fair,” and five, “Time Between.”

For the best sound on side two, try track three, “My Back Pages.” It’s great to hear this classic Dylan tune sound good for a change.

Want to find your own killer copy?

Consider taking our moderately helpful advice concerning the pressings that tend to win our shootouts.

Based on our experience, Younger than Yesterday sounds better:

The Byrds in Mono

None of the monos we’ve played over the years in our shootouts have ever impressed us much.

Congested and compressed, with no real top, who in his right mind could possibly tolerate that kind of sound on modern equipment?

Although, to be fair, we’ve stopped buying them, so there may actually be a good copy or two out there in used record land that we haven’t heard. In our defense, who really has the time to play records with so little potential for good sound?

Side One

So You Want to Be a Rock ‘N’Roll Star 
Have You Seen Her Face 
C.T.A. – 102 
Renaissance Fair 
Time Between 
Everybody’s Been Burned

Side Two

Thoughts and Words 
Mind Gardens 
My Back Pages 
The Girl with No Name 
Why