breakthrough-2006

Thoughts on Hearing an Amazing Copy of Thriller in the 80s

Hot Stamper Pressing of the Music of Michael Jackson Available Now

The killer copy of Thriller that we discovered in our 2006 shootout gave us a whole new appreciation for just how good the album could sound. It was a real breakthrough, and proof that significant progress in audio is just a matter of time and effort, the more the better.

Our review from 2006

I remember twenty years ago (that would be 1986) playing Thriller and thinking the sound was transistory, spitty, and aggressive.

Well, I didn’t have a Triplanar tonearm, a beautiful VPI table and everything that goes along with them back then. (More here.)

Now I can play the record.

I couldn’t back then.

All that spit was simply my table, arm, cartridge and setup not being good enough, along with all the garbage downstream from them feeding the speakers.

The record is no different, it just sounds different now. Which is what makes the record a great test. If you can play this record, you can probably play practically any pop and rock record. (Orchestral music is quite another matter.)

This Pressing Changes Everything

This pressing has a side two that’s so amazing sounding that it completely changed my understanding and appreciation of this album. The average copy is a nice pop record. This copy is a Masterpiece of production and engineering.

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Rainbow Seeker – Live and Learn

Reviews and Commentaries for Mobile Fidelity Records

A classic case of Live and Learn

[This commentary is at least fifteen years old. We mention Disc Doctor below, and once we had discovered the Walker System in 2007, we stopped using it to clean our records.]

Hot Stampers discovered! It took years, decades even, but it FINALLY happened. This copy has a side one with all the sound I always knew must be on the tape but somehow never seemed to make it to the vinyl. This copy has that sound!

Let me backtrack a bit. I’ve been recommending the MOFI for as long as I can remember, because it has always been the only copy that didn’t sound like a bad cassette.

The domestic pressings and imports I had run into over the years had no top end whatsoever, no bass below 50 or 60 cycles, and enough veils over the midrange to cover an entire harem. (No top and no bottom is our definition of boxy sound.)

The sound was also Pure Compressed Cardboard.

The best MOFI copies had an actual top end; a real bottom too. (Not a tight or deep one but that’s MOFI for you.) I’ve always loved the music, so even though the sound was somewhat washed out and lifeless, you could listen to the MOFI and enjoy it for what it was: not perfect, but a whole lot better than the alternatives. (The CD was hopeless by the way, no surprise there.)

Ah, but all that changed this week. We finally broke through.

I had just picked up a sealed original copy at a local store and was considering putting it up on the site, sealed of course. Then a thought went through my mind. I’ve always loved this record. What if this copy is The One? So I did the unthinkable. I cracked it open, and soon enough the needle was in the groove on my favorite track, Fly With Wings of Love.

To my surprise it had the BEST SOUND I had EVER heard for that song. When all was said and done, when all the copies in the backroom had been disc doctored, along with my three MOFI copies, and each carefully evaluated, sure enough this is the side two that turned out to be the King. I give it an A with Two Pluses. The typical domestic copy gets an F.

Wait, there’s more.

So with all our copies cleaned and ready to play, it was now time to play all the side ones. Even more shocking and surprising, one copy had a side one that was OUT OF THIS WORLD. Master tape sound, As Good As It Gets, perfection.

That’s this copy. Side two is pretty good, maybe a B+ or so. Better than average, but no Hot Stamper.

Since this is one of my favorite pop-jazz albums, I can’t recommend this album highly enough. It may not be deep — for real piano trio jazz check out Sample’s The Three — but it’s not trying to be. It is what it is — sophisticated, melodic, well-crafted piano-based easy-going jazz. With the awesome Eric Gale on guitar too.

Further Reading on Half-Speeds

The best place to start is here:

How come you guys don’t like Half-Speed Mastered records?

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Tea For The Tillerman – Live and Learn, Circa 2006

Hot Stamper Pressings of the Music of Cat Stevens Available Now

A blast from the past, this time from 2006.

I have to admit that I was dead wrong when I said that the best copies of this album were the Brown Label A&M pressings. I see now how I made this error.

We played four pink label copies and our best A&M LP is only better than three of them.

But it sure isn’t better than this one! I’ve heard a good dozen or so Pink Labels and this is the first one that ever blew my mind. I thought I knew this record, but this copy changes everything.

The above statements may have been true for 2006 but they are not true anymore.

The early Island pressings win every shootout and no domestic pressing has in years.

It’s simply the result of better cleaning technologies and better playback, something we refer to often on this blog as the revolutionary changes in audio we’ve partaken of over the last twenty or so years.

Our White Hot Stamper Commentary from 2006 follows:

This White Hot Pink Label Original British pressing is the ALL TIME CHAMPION Tea For The Tillerman. After a somewhat frustrating daylong search where nearly all of the best sounding copies were also the noisiest, we dropped the needle on this copy, and immediately something became clear. The sound we were hearing on this relatively quiet vinyl was ALMOST TOO GOOD TO BE TRUE.

You may remember one of the comments we made about the Hot Stamper Bookends in which we said we felt as though we had threaded up the master tape and hit play — that’s how unbelievably correct and REAL the sound was. Well, we spoke too soon. THIS record is the record that sounds like you’ve threaded up the master tape. I’ve been playing this album for more than thirty years and I can tell you I have never heard ANYTHING like it.

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In 2006 We Preferred the Pink Rim UK Mr. Fantasy Pressing

More of the Music of Traffic

For our newest take on the sound of the various labels and stampers for Mr. Fantasy, please click here.

This British Sunray Label pressing has THE BEST SOUND I’VE EVER HEARD FOR THIS ALBUM!

None of the Pink Label originals that we played had the deep, powerful, punchy bass that this pressing has, coupled with an extended, sweet top end.

This is one of the best sounding Traffic records ever made. Musically it’s hit or miss, but so is every other Traffic record, including my favorite, John Barleycorn. The best songs here are Heaven Is In Your Mind, Dear Mr. Fantasy, and Coloured Rain.

The first of these is worth the price of the album alone, in my opinion. It’s a wonderful example of late-60s British psychedelic rock. 

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