1979

Pink Floyd – The Wall

More of the Music of Pink Floyd

  • This copy of The Wall is guaranteed to blow the doors off any other pressings you’ve heard, with solid Double Plus (A++) sound or BETTER on all FOUR sides
  • Forget whatever dead-as-a-doornail Heavy Vinyl record they’re making these days – if you want to hear the Tubey Magic, size and energy of Floyd’s magnum opus from 1979, this is the way to go
  • The Wall demands big, bold, explosively dynamic analog sound, and here is a copy that delivers on that promise
  • Grungy electric guitars, breathy vocals, huge punchy drums, earth-shaking bass and room-filling ambience are all here on these TAS-approved side like you’ve never heard before
  • A Top 100 title and one of the best sounding rock recordings of all time – here is a copy that will make our case
  • If you’re a Pink Floyd fan, or maybe just somebody looking for a killer Demo Disc to play, this title from 1979 surely deserves a place in your collection

We spend a ridiculous amount of time cleaning, playing, and comparing copies of this classic double album for our shootouts and let me tell you, there are a lot of weak copies out there.

What do these kinds of top grades give you for The Wall? Top-notch clarity and transparency, mind-blowing immediacy, weight to the bottom, extension up top, HUGE open soundfields, real texture to all the instruments, TONS of energy with serious dynamics, BIG punchy drums and loads of natural ambience.

Pink Floyd tends to be an amazingly well-recorded band, and this album is certainly no exception. If you’ve taken home one of our Hot Stampers for Dark Side of the Moon, Meddle, or Wish You Were Here, then you certainly know what we’re talking about. (more…)

The Police – Reggatta de Blanc

More Sting and The Police

  • With solid Double Plus (A++) sound or close to it from start to finish, this copy is guaranteed to handily beat any other Regatta de Blanc you’ve heard – exceptionally quiet vinyl too
  • Most of the stuff we manage to acquire from overseas is in far worse playing condition – these were popular records in their day, and they got played plenty, so this one came as a pleasant surprise
  • Sting’s pulsing bass lines and the massive assault of Copeland’s kick really come to life here – you won’t believe how big and powerful the bass is on this record (particularly on side one)
  • Along with Ghost in the Machine, we think this album captures The Police at their songwriting and performing peak
  • “Reggatta de Blanc stands the test of time as one of the greatest albums of the post-punk and new wave era, improving in almost every way upon The Police’s debut album.”

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ZZ Top – Deguello

More ZZ Top

  • Both sides of this copy were giving us the big and bold sound we were looking for, earning KILLER Shootout Winning Triple Plus (A+++) grades or close to them
  • Forget whatever dead-as-a-doornail Heavy Vinyl record they’re making these days – if you want to hear “Cheap Sunglasses” sound big, bold and lively, this is the copy for you
  • A surprisingly good recording – here is exactly the kind of hard-rockin’ energy you want from these three guys
  • Excellent songs including “Hi Fi Mama,” “Cheap Sunglasses” (an all-time classic), “She Loves My Automobile,” and more
  • 4 1/2 stars: “ZZ Top returned after an extended layoff in late 1979 with Degüello, their best album since 1973’s Tres Hombres… The trio is in fine shape here, knocking out a great set of rockers and sounding stylish all the time.”

The sound is big and full-bodied with excellent separation and real punch down low. You get real clarity and impressive immediacy. Turn this one up and let ‘er loose!

It’s not easy to find great sounding pressings for this band, which is why so few have ever made it to the site with Hot Stamper sound.

We aren’t going to claim to be the world’s foremost ZZ Top experts, but we know a great sounding rock record when we hear one, and this one impressed the heck outta us. (more…)

The Clash – London Calling

More of The Clash

  • A vintage UK import with incredible Nearly Triple Plus (A++ to A+++) sound on all FOUR sides – just shy of our Shootout Winner (side four actually won the shootout) – fairly quiet vinyl too
  • Guaranteed to be a huge improvement over anything you’ve heard, this Brit is big, punchy, and full-bodied with excellent presence
  • A shockingly well-recorded album that comes to life with the combo of a great copy and a hi-res, full-range system
  • 5 stars: “A stunning statement of purpose and one of the greatest rock & roll albums ever recorded.”

Audiophile sound for this punk rock classic?! You better believe it, baby! The sound here is superb for all four sides.

What really sets this album apart sonically is The Clash’s use of reggae and dub influences. You can really hear it when you tune in to the bottom end; your average late 70s punk record won’t have this kind of rich and meaty bass, that’s for sure. Drop the needle on “The Guns Of Brixton” (last track on side two) to hear exactly what I’m talking about. On a Hot Stamper copy played at the correct levels (read: quite loud!) the effect is positively HYPNOTIC.

Bill Price engineered and as we like to say, he knocked this one out of the park. The best sounding record from 1979? I have the feeling it just might be.

Nobody would have accused The Clash of being an audiophile-friendly band, but a copy like this might make you think twice about that! We had a blast doing this shootout and we hope whoever takes this home has just as much fun with it.

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Roberta Flack – Featuring Donny Hathaway

More Roberta Flack

More Soul, Blues, and Rhythm and Blues

  • This vintage Atlantic pressing of two of the greatest voices in soul music earned STUNNING Shootout Winning Triple Plus (A+++) grades or close to them on both sides
  • Here are just a few of the things we had to say about this incredible copy in our notes: “very full, rich, and punchy”…”breathy vox”…”fully extended from top to bottom”…”jumping out of the speakers”…”big and weighty”
  • The overall sound here is rich, full-bodied and lively, with solid and present vocals, as well as excellent clarity all around
  • “The combination of Donny Hathaway and Roberta Flack undeniably ranks atop the all-time great duet parings in the history of R&B. Any opportunity to have one guest on the other’s recordings brought out a sensual energy not to be denied… Flack’s distinct and beautiful voice brings a level of class to this outing that few of her contemporaries were able to achieve.” (more…)

Talking Heads – Fear of Music

More Talking Heads

More Brian Eno

  • You’ll find excellent Double Plus (A++) sound throughout this vintage Sire pressing – exceptionally quiet vinyl too
  • I’d be hard-pressed to name another group from the era who put out more groundbreaking yet accessible records than the Talking Heads
  • Producer Brian Eno wasn’t shy about adding multiple layers of effects and processing; the texture of Eno’s synthesizers gives the music depth and character
  • 4 1/2 stars: “…the music is becoming denser and more driving… with lyrics that match the music’s power… its better songs are as good as any Talking Heads ever did”
  • If you’re as big a Talking Heads fan as we are, this is a classic from 1979 that belongs in your collection.

As huge fans of this band, it was a major thrill for us to complete a shootout for this album recently. We found that the best copies had wonderful transparency, meaty bass, Art Rockin’ energy and a refreshing overall freedom from distortion.

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Shelly Manne – The Manne We Love

More of the Music of Shelly Manne

  • The Manne We Love makes its Hot Stamper debut with solid Double Plus (A++) sound or BETTER throughout this original Japanese-pressed Eastworld LP
  • Both of these direct-to-disc sides are simply more spacious, transparent and dynamic than most others we played
  • The sonics are superb – airy and open, with a solid bottom end – the depth and definition are out of this world

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Leonard Cohen – Recent Songs

More Leonard Cohen

  • Outstanding sound throughout this vintage copy (one of only a handful to hit the site in three and a half years), with both sides earning solid Double Plus (A++) grades or close to them
  • Richness and freedom from artificiality in the midrange placed this copy ahead of most others we played in our recent shootout (particularly on side one)
  • “… a return to Cohen’s acoustic folk music after the Phil Spector experimentation of Death of a Ladies’ Man, but now with many jazz and Oriental influences.”
  • 4 stars: “The first thing Leonard Cohen’s music fans noticed about his sixth new studio album, given the typically open-ended title Recent Songs, was that, musically, it marked a return to the gypsy folk sound of his early records…”

This 1979 album marks Cohen’s return to the simple folk arrangements of his early albums. As you might expect, the key elements here are going to be the man’s vocals, the acoustic guitars and Cohen’s trademark female backup singers, Jennifer Warnes among them.

We love Cohen’s albums here at Better Records. No, they’re not audiophile spectaculars, but much like the best Dylan recordings, when they work the sound fits the music perfectly. The vocals are right up front and fairly dry, throwing the words and phrasing into high relief.

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Pat Metheny – American Garage

More Pat Metheny

More Jazz Fusion

  • You’ll find superb Double Plus (A++) sound or close to it throughout this original ECM pressing – exceptionally quiet vinyl too
  • This side two is open and transparent throughout, with wonderfully full-bodied guitars, solid bass and huge amounts of swingin’ jazz energy, and side one is not far behind in all those areas
  • 4 1/2 stars: “The arrangements are more structured, the playing often more intense and searching, with a more pronounced rock influence. [T]his is…high-quality jazz-rock for its time.”

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Fleetwood Mac – Tusk

More of the Music of Fleetwood Mac

  • A Tusk like you’ve never heard, with excellent Double Plus (A++) grades or BETTER on all FOUR sides
  • Side two was sonically very close to our Shootout Winner – you will be shocked at how big and powerful the sound is
  • These vintage pressings have the MIDRANGE MAGIC that’s surely missing from whatever 180g reissue has been made from the 43 year old tapes (or, to be clear, a modern digital master copy of those tapes)
  • 5 stars: “McVie and Nicks don’t deviate from their established soft rock and folk-rock templates, and all their songs are first-rate… Because of its ambitions, Tusk failed to replicate the success of its two predecessors, yet it earned a dedicated cult audience of fans of twisted, melodic pop.”
  • If you’re a fan of late-70s pop, especially the kind with a harder edge, this is a Must Own from 1979 that belongs in your collection.
  • The complete list of titles from 1979 that we’ve reviewed to date can be found here.

This is one of the more controversial albums in the history of pop music — some people love it, others despise it, and some still don’t know what to make of it. You may not put it up there with Rumours, but when you hear these songs on a copy this good it’s easy to see why the All Music Guide gave Tusk five big stars!

Tusk suffered from high expectations and disappointed those looking for Rumours II. There is much on this album that compares to the best of Rumours but the weak material somewhat drags the album down as a whole. About three-quarters of Tusk is excellent. I made a 60-minute tape of that material and play it with great pleasure. I could tell you about lots of wonderful qualities the best tracks on the album have, but it would take too long. Sorry!

Sonically, the best sounding material ranks right up there with anything the band ever did, but there are more experimental moments such as What Makes You Think You’re The One that are never going to be tracks you demo your system with.

One high point (musically and sonically) is “Beautiful Child,” quite possibly the best song Stevie Nicks ever wrote. If you listen carefully and give yourself over totally to the sentiment of the song, and your eyes don’t well up, try opening up a vein and letting some ice water pour out. Then try it again. Repeat if necessary. If that doesn’t work just give up and go back to the Diana Krall CD you were playing.

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