1968

Jeff Beck – Truth

More Jeff Beck

  • With superb Double Plus (A++) grades or close to them from start to finish, this reissue pressing of Beck’s debut LP is guaranteed to handily beat any other Truth you’ve heard
  • Easily – and by a wide margin – the best sounding record Jeff Beck ever made – thanks, Ken Scott!
  • This pressing embodies the “big rock sound” that we go crazy for here at Better Records (particularly on side one)
  • Really fun music – it’s a blast to hear Rod Stewart fronting such a heavy rock band
  • 5 stars: “…almost as groundbreaking and influential a record as the first Beatles, Rolling Stones, or Who albums.”

Vintage covers for this album are hard to find in clean shape. Most of them will have at least some amount of ringwear, seam wear and edge wear. We guarantee that the cover we supply with this Hot Stamper is at least VG, and it will probably be VG+. If you are picky about your covers please let us know in advance so that we can be sure we have a nice cover for you.

This is a seriously good sounding pressing of Truth, Beck’s As-Heavy-As-I-Can-Make-It Rock debut, the kind of record that would define Classic Rock for the next 40+ years.

The soundstage is huge, while the presence and transparency of this copy go way beyond most pressings. Great rock and roll energy, too, of course — without that you have nothing on this album.

Note how spacious, big, full-bodied and dynamic both sides are. I am pleased to report that the WHOMP factor on these sides was nothing short of massive. With tons of bass, these sides have what it takes to make the music rock.

If you’ve got the full range dynamic speakers to play Truth good and loud, you will discover, as we have, what a powerful British Blues Rock album this is. This is heavy electric blues played with feeling, and with Rod Stewart handling the vocal duties, how can you go wrong?

(more…)

Spirit’s Psych Rock Masterpiece (The First of Two)

More Psychedelic Rock

  • Wall to wall, with layered studio depth like you will not believe, the kind of space you hear on an engineering classic like Dark Side of the Moon
  • 4 1/2 stars on Allmusic, but in our estimation it deserves five – it’s simply one of the All Time Greats from the era
  • We’ve recently compiled a list of records we think every audiophile should get to know better, along the lines of “the 1001 records you need to hear before you die,” with an accent on the joy these amazing audiophile-quality recordings can bring to your life. Spirit’s First Album is a good example of a record many audiophiles may not know well but would be well advised to get to know better.
  • If I were to make a list of my favorite Rock and Pop albums from 1968, this album would definitely be on it, close to the top I should think.

Need a refresher course in Tubey Magic after playing too many modern recordings or remasterings? These Ode pressings are overflowing with it. Rich, smooth, sweet, full of ambience, dead-on correct tonality — everything that we listen for in a great record is here.

No recordings will ever be made that sound like this again, and no CD will ever capture what is in the grooves of this record. There is of course a CD of this album, quite a few I would guess, but those of us with a good turntable could care less. (more…)

Brewer & Shipley / Down In L.A.

More Brewer and Shipley

  • Brewer & Shipley’s debut LP is back on the site for only the second time in years, here with solid Double Plus (A++) grades or close to them throughout this vintage A&M pressing
  • Fairly quiet vinyl too – we can hardly believe that we found one that plays like a normal rock and pop record after finding one stitchy, ticky, groove-damaged pressing after another for the last ten years
  • Side one has the smooth sweet analog sound we were listening for – it’s rich and tubey, with clarity and freedom from smear that make it the best of both worlds, and side two is not far behind in all those areas
  • “Of all the many folkys to make a transition to electric folk-rock in the 1960s, Brewer & Shipley retained more of the wholesome qualities of early-60s folk revival harmonizing than almost anyone.”

Brewer and Shipley’s first and only release for A&M has long been a Desert Island Disc in my world. I consider it one of the top debuts of all time, although it’s doubtful many will agree with me about that since I have yet to meet anyone who has ever even heard of this album, let alone felt as passionate as I do about it.

To me this is a classic of Hippie Folk Rock, along the lines of The Grateful Dead circa American Beauty, surely a touchstone for the genre. It’s overflowing with carefully-crafted (B and S apparently were obsessive perfectionists in the studio) inspired material and beautifully harmonized voices backed by (mostly) acoustic guitars. The Beatles pulled it off masterfully on Help and Rubber Soul.

All three are built on the same folk pop sensibilities. Tarkio, album number three, is clearly the duo’s masterpiece, but this record comes next in my book, followed by Weeds, their second album and first for Kama Sutra. After Tarkio it’s all downhill.

(more…)

Gabor Szabo – The Best of Gabor Szabo

More Jazz Recordings Featuring the Guitar

  • With outstanding Double Plus (A++) grades on both sides, this vintage Impulse pressing is doing just about everything right – exceptionally quiet vinyl too
  • Clean, clear, full-bodied and present with an abundance of Tubey Magic and right-on-the-money instrumental timbres, the originals may be a bit better sounding, but both are they expensive these days and rarely can be found in audiophile playing condition
  • For some reason, the guitar sound from this era of recording seems to have died out with the times – it can only be found on the better copies of these vintage pressings, such as this one

(more…)

Big Brother & The Holding Company – Cheap Thrills

More Five Star Albums Available Now

  • Cheap Thrills returns to the site for only the second time since2019, here with solid Double Plus (A++) sound on both sides of this original Stereo 360 pressing
  • We would love to offer this classic to more of our customers at a better price, but we simply don’t have the staff it takes to return nine out of ten copies to their sellers for noise and scratches, which forces us to make do with the few copies that show up in stores, and that means a wait of more than five years between listings, sorry!
  • Most copies we played were too compressed or veiled to involve you in the music, but this one has the kind of rich, big, clear sound this Bay Area band needs to work its bluesy magic
  • Turn this one up good and loud (which you can do when the sound is right) and you’ll have a living, breathing Janis Joplin performing right in front of you
  • Problems in the vinyl are sometimes the nature of the beast with these vintage LPs, but once you hear how excellent sounding this copy is, you might be inclined, as we were, to stop counting stitches and just be swept away by the music
  • 5 stars: “Nobody had ever heard singing as emotional, as desperate, as determined, or as loud as Joplin’s, and Cheap Thrills was her greatest moment… Heard today, Cheap Thrills is a musical time capsule and remains a showcase for one of rock’s most distinctive singers.”

We’ve rarely been able to get this shootout off the ground, but we finally managed to stumble upon enough clean copies to get this round going. It’s been years since we last had a copy of this album on the site.

This album has got that trippy 60s San Francisco sound, no doubt about it. Those of you who are familiar with Jefferson Airplane’s Surrealistic Pillow or the early Grateful Dead albums know what I’m talking about. The Tubey Magic of the guitars is worth the price of admission alone; you just don’t hear this kind of sound on modern records.

Like you might expect from this mixture of blues and psychedelic rock, the sound can be a bit raw. Of course, that’s probably the way the band wanted it to be — I don’t see what more a mastering engineer could have done to make this music work any better.

(more…)

Bizet-Shchedrin / The Carmen Ballet / Rozhdestvensky

More of the Music of Georges Bizet

  • With solid Double Plus (A++) sound from start to finish, this pressing of Bizet’s Masterpiece will be very hard to beat
  • It’s also fairly quiet at Mint Minus Minus, a grade that even our most well-cared-for vintage classical titles have trouble playing at
  • Both sides are open, high-rez, and spacious, with depth like you will not believe and some of the least shrill string reproduction we have ever heard for this music (which is the main problem we run into on the album)
  • Gloriously exciting and fun music that belongs in any audiophile’s collection – side one is where the action is, and this side one had some of the better sound we heard all day
  • This spectacular Demo Disc recording is big, clear, rich, dynamic, transparent and energetic – here is the sound we love
  • We’ve recently compiled a list of records we think every audiophile should get to know better, along the lines of “the 1001 records you need to hear before you die,” with the accent on the joy these amazing audiophile-quality recordings can bring to your life.
  • This album is a good example of a record many audiophiles may not know well but would be well advised to get to know better.

(more…)

Creedence Clearwater Revival – Self-Titled

More Creedence Clearwater Revival

  • With excellent Double Plus (A++) grades from top to bottom, this copy of the band’s debut album will be very hard to beat
  • These sides are amazingly low-distortion, solid, dynamic, with the neutral tonality completely missing from the vast majority of reissues
  • Featuring classics such as “I Put a Spell on You,” the extended-length jam “Susie Q” (8:34, perfect for Underground Radio), “The Working Man,” “Porterville,” and more
  • 4 stars: “CCR’s self-titled debut album was gloriously out-of-step with the times, teeming with John Fogerty’s Americana fascinations. … the band’s sound is vibrant, with gutsy arrangements that borrow equally from Sun, Stax, and the swamp.”

It’s unlikely you will be demonstrating your system with this record, but you may find yourself enjoying the hell out of it for what it is — an early example of Roots Rock that still holds up today.

This is an album that’s nearly impossible to find with excellent sound and clean surfaces. This is one of the best copies we’ve managed to come across. (more…)

Charlie Byrd – Delicately

More Jazz Recordings Featuring the Guitar

  • Superb sound for Byrd’s 1968 release, with solid Double Plus (A++) grades on both sides of this original 360 Stereo pressing
  • Teo Macero‘s production here is rich, sweet, and highly resolving, with all the space and three-dimensionality that Frank Laico‘s brilliant engineering is known for
  • The music on this enchanting jazz / pop guitar album is every bit as good as the sound quality (and that is rarely the case with these kinds of records – we should know, we’ve played scores of them)

Hearing is definitely believing, especially in our unique corner of the record business — we don’t give a fig about who, why or when a record was made; we just play it and judge it based on what we hear in its grooves. Needless to say. this pressing of the album was judged to be a knockout.

Apparently the album has garnered attention from other audiophiles – HDTracks offers a high-rez digital download of it! (more…)

Simon & Garfunkel / Bookends

More Simon and Garfunkel

  • With two solid Double Plus (A++) or BETTER sides, this early Stereo 360 pressing will be very hard to beat
  • Side one was sonically very close to our Shootout Winner – you will be amazed at how big and rich the sound is
  • This copy has lovely Midrange Magic on the guitars and voices, as well as plenty of studio ambience on most tracks, especially the simpler, more folky ones
  • An album that has become much tougher to come by, especially copies with sides that play as well as these do, although marks in the vinyl are sometimes the nature of the beast with these vintage LPs – there simply is no way around them if the superior sound of vintage analog is important to you
  • A high percentage of pressings had condition problems this time around, including our Shootout Winner, so those of you looking for the best sound might have to wait until late-2025 or even 2026 it seems
  • Top 100, Five Stars – side two alone has four classics: “Fakin’ It,” “Mrs. Robinson,” “A Hazy Shade of Winter” and “At the Zoo”
  • If you’re a fan of this phenomenal folk duo, this early domestic pressing of their 1968 classic belongs in your collection.

The better copies of Bookends and Parsley, Sage, Rosemary and Thyme are a sonic step up in class from anything else these two guys ever released. If you’re looking for the Ultimate Audiophile Simon & Garfunkel record, you just can’t do better than a killer Hot Stamper pressing of either title.

Do you know how hard it is to find a clean copy of this record? I’ll bet we look at 50 every year and probably buy no more than a few, which, after cleaning and going into a shootout may or may not sound good or have audiophile quality surfaces.

What We’re Listening For On Bookends

The bigger production songs on this album have a tendency to get congested on even the best pressings, which is not uncommon for Four Track recordings from the 60s. Those of you with properly set up high-dollar front ends should have less of a problem than some. $3000 cartridges can usually deal with this kind of complex information better than $300 ones.

But not always. Expensive does not always mean better since painstaking and exacting set up is so essential to proper playback.

The supremely talented Roy Halee handled the engineering duties. Not the most “natural” sounding record he ever made, but that’s clearly not what he or the duo were going for. The three of them would obviously take their sound much farther in that direction with the Grammy-winning Bridge Over Troubled Water from 1970.

The Wrecking Crew provided top quality backup, with Hal Blaine on drums and percussion, Joe Osborn on bass and Larry Knechtel on piano and keyboards.

(more…)

Tony Mottola / Warm, Wild and Wonderful

More Exotica Albums with Hot Stampers

  • You’ll find solid Double Plus (A++) sound or BETTER throughout this original Project 3 pressing
  • Both of these sides are tubier, more transparent, and more dynamic than most others we played, with plenty of that “jumpin’ out of the speakers” quality that only The Real Thing (an old record) ever has
  • We have never heard the electric guitar sound more real than it does on the better copies of this very album
  • The arrangements of these mostly familiar songs are clever and innovative – the last thing this music could be called is boring or obvious
  • When you’ve played as many records as we have, you’re bound to run into this kind of amazingly good sound from time to time – it’s what makes record collecting fun

The hottest stamper pressings of this album are Demo Discs for three important qualities we listen for in our record auditions. Each of the links below will take you to other recordings we have found to be potentially superior in these areas of reproduction.

  1. Size and space,
  2. Correct timbre and
  3. Tubey Magic.

This is clearly one of the best sounding guitar records we’ve ever had the pleasure to play here at Better Records. Project 3 was an audiophile label in the truest and best sense of the word: a label that not only cared about the sound of their recordings, but actually proved they could produce title after title of the highest quality, equal or superior to anything on the market.

This, of course, places them in stark contrast with the audiophile labels of the modern era, the last forty years say, which only on rare occasion produce records of any real quality. (Here’s one, which proves it can be done!)

Instead these modern labels endlessly grind out one mediocrity after another to the consternation of those of us who know the difference.

But I digress.

We had a mind-blowing percussion record on the Somerset label years ago that raised the bar for us regarding that genre, and this jazz guitar record on Project 3 has achieved the same effect. Some of the following is borrowed from the listing for that Somerset record.

Soundfield, Timbre and Dynamics

The spaciousness of the studio is reproduced with uncanny fidelity, with both huge depth and width, but there is another dimension that this record operates in that few others can — the instruments here are capable of jumping out of your speakers seemingly right into your listening room.

The effect is astonishing. I have never heard the electric guitar sound more real than it does here. The timbre is perfection. The dynamics are startling.

The One Per Cent

Obviously we are charging a lot of money for this kind of Exotica/Bachelor Pad record. Let me make the case by saying that there is likely to be no better sounding record on the site as you read this, and not that many that can compete with it. Out of the thousands and tens of thousands of records we have played over the years, we put this copy in the Top One Per Cent.

It is our belief that no one with an up-to-date, highly tweaked big system, a properly setup front end (with the VTA adjusted specifically for this record), and a carefully treated listening room can fail to have his mind blown by the sonics of this pressing.

(more…)