More John Coltrane
- An incredible copy of this classic Jazz Vocal album, with Shootout Winning Triple Plus (A+++) sound or close to it from start to finish
- Here are just a few of the things we had to say about this killer copy in our notes: “very big and rich and weighty”…”piano and vox jump out [of the speakers]”…”so spacious and sweet”…”present and lively”
- We had been working on this title for at least five years and had been coming up short time and again, with bad sound and bad vinyl on most of what we’d been buying
- Five years ago we cracked the code for the right stampers to look for, and we had hoped to do shootouts for this wonderful album on a more regular basis, but that turned out to be a pipe dream
- They are ridiculously hard to come by, so ridiculously hard that we would be surprised if it doesn’t take another five years to get this shootout going again
- The sound is huge and spacious with richness and Tubey Magic like nothing you’ve heard
- I defy anyone to name a Male Vocal record produced in the last forty years that can hold a candle to this one, sonically or musically
- A wonderful collaboration between a horn player and a singer, perhaps the greatest of all time
- 5 stars: “John Coltrane’s matchup with singer Johnny Hartman works extremely well. Hartman was in prime form on the six ballads, and his versions of ‘Lush Life’ and ‘My One and Only Love’ have never been topped. Classic, essential for all jazz collections”
- We’ve recently compiled a list of records we think every audiophile should get to know better, along the lines of “the 1001 records you need to hear before you die,” with an accent on the joy these amazing audiophile-quality recordings can bring to your life. John Coltrane and Johnny Hartman is a good example of a record many audiophiles may not know well but would be well advised to get to know better.
This could very well be the greatest collaboration between a horn player and a singer in the history of music.
I honestly cannot think of another to rank with it. Ella and Louis has the same feel — two giants who work together so sympathetically it’s close to magic, producing definitive performances of enduring standards that have not been equaled in the fifty plus years since they were recorded. And, on the better copies, or should we say the better sides of the better copies, RVG’s sound is stunning. (His mastering, not so much.)
Hats off to Rudy Van Gelder! Here’s an album that justifies his reputation. Not all of them do, you know — or should know — but try telling that to the average jazz-loving audiophile. (more…)




