Hot Stamper Pressings of the Music of Chicago Available Now
The brass on any Chicago album has to have just the right amount of transient bite yet still be full-bodied and never blary. In addition, on the best of the best pressings you can really hear the air moving through the horns.
Most copies suffer from dull highs and smeary, compressed brass. This is a sound we cannot abide. The lively copies with real bite to the brass and plenty of ENERGY in the music are the only ones for us. Finding them is not easy but we came across a few that made the grade and are proud to offer them here.
More often than not the brass lacks bite and presence, but these sides had the Chicago horns leaping out of the speakers. What is a Chicago record without great horns? Without that big bold sound you may have something, but it sure ain’t Chicago.
Most pressings don’t reproduce the percussion harmonics, the leading edge transients of the horns, or the big, open space around Peter Cetera’s vocals that we know is there, but a high-res, super-transparent copy like this one brings out all those qualities and more.
One More Sonic Note
We always notice during our Chicago shootouts that the songs on their albums tend to be hit and miss sonically (especially when it comes to the more multi-layered and dynamic tracks).
But on the hotter copies the production missteps don’t seem to be nearly as problematical.
