Notice that, at least for most of the material, and perhaps all of it, Sinatra does not seem to be stuck in a vocal booth. He sounds like he is actually standing on the same stage as Ellington’s band.
Whether this is a recording trick — he’s in a booth but the engineer did a great job creating a sound for the booth that matched the ambience and space of the studio — or whether he is standing front and center with the band, the illusion is convincing and adds greatly to the “reality” of the performance..
Recorded one year after the remarkable Sinatra-Jobim record that we treasure here at Better Records, Sinatra takes the opportunity to work with one of the greatest bandleaders in the history of jazz, the Duke himself. We had good luck with the stereo originals on the lovely Blue and Green Reprise labels — they can be as big, rich and warm as Sinatra’s legendary Capitol recordings when you find the right pressing, and that’s really saying something.(more…)
There is some edge on Sinatra’s voice on every side of every copy; it’s so common it’s got to be on the tape. Those copies with less edge and grit on the vocals which are not overly smooth or dull tend to do very well in our shootouts.
Also, richness is very important. We look for a combination of rich, Tubey Magical sound that still maintains a fair amount of space, clarity, transparency and freedom from smear.
The original label pressings (always in stereo; the monos are really a joke) are richer and thicker as a rule.
The pressings with the orange two-tone labels tend to be thinner and clearer. A high percentage of them are much too modern sounding, bright and gritty, and when they are we throw them right in the trade-in pile.(more…)
Man, this record has more TUBEY MAGIC than any Sinatra record I can remember playing.
Find me a Sinatra CD, any Sinatra CD, that sounds like this and I will eat it.
If you want to know what the best sounding Sinatra records sound like, this is your chance. Folks, in my opinion it simply does not get any better than a killer Hot Stamper pressing of Strangers In The Night.(more…)
This superb 2 LP set boasts excellent Double Plus (A++) sound or BETTER on all four sides!
Truly one of the greatest live albums of all time, recorded late at night in the big room at the Sands Hotel in Vegas
This is Basie and Sinatra in their natural habitat and in their prime, putting on the show of a lifetime – quiet vinyl too
“Basie and the orchestra are swinging and dynamic, inspiring a textured, dramatic, and thoroughly enjoyable performance from Sinatra … the definitive portrait of Frank Sinatra in the ’60s.” – AMG
This double album presents Sinatra and Basie at the height of their powers, in a setting especially conducive to both men’s music, the big room at the Sands Hotel in Vegas. If you missed it — and I’m sure most all of us did — here’s your chance to go back in time and be seated with the beautiful people front row center. This two disc all tube-mastered analog set is practically the only way you’ll ever be able to hear the greatest vocalist of his generation — in his prime no less — fronting one of the swingingest big bands of the time.
You Are There
The presence and immediacy here are staggering. Turn it up and Frank is right between your speakers, putting on the performance of a lifetime.(more…)
There is a boatload of TUBEY MAGIC to be heard on the early pressings, due no doubt to the fact that they are mastered with tube equipment, but not much on this Classic repress. The difference is striking.