Sonic Grade: C-
The Rhino 180 gram LP mastered by Kevin Gray is passable, but the real thing is the real thing and just can’t be beat by some wannabe reissue.
There is a richness, a sweetness and a relaxed naturalness on the best early pressings that are virtually never found on modern remasterings.
Rhino Records has really made a mockery of the analog medium. Rhino touts their releases as being pressed on “180 gram High Performance Vinyl.” However, if they are using performance to refer to sound quality, we have found the performance of their vinyl to be quite low, lower than the average copy one might stumble upon in the used record bins.
Mastered by Kevin Gray, this record has what we would call ”modern” sound, which is to say it’s clean and tonally correct, but it’s missing the analog qualities the better originals have plenty of, most notably Tubey Magic. 
In other words, it sounds like a CD.
Who can be bothered to play a record that has so few of the qualities audiophiles are looking for on vinyl?
Back in 2007 we put the question this way: Why Own a Turntable if You’re Going to Play Mediocrities Like These?
 Some records are so completely lacking in Analog Warmth, Richness and Sweetness that they sound like CDs, and bad ones at that. They have so little Tubey Magic that you might as well peg the figure at ZERO.
This is decidedly not our sound. No Hot Stamper pressing could possibly lack Tubey Magic — it’s one of the things that sets our records apart from the modern mediocrity known as the Heavy Vinyl LP.