- This insanely good original stereo pressing of Mingus’s brilliant Oh Yeah from 1962 boasts outstanding Nearly Triple Plus (A++ to A++++) sound from first note to last
- Tubey Magical, lively and clear, with three-dimensionality that will fill your listening room from wall to wall
- Phil Iehle and Tom Dowd made up the engineering team for these sessions, which explains why the best copies of the album sound so damn good
- A raucous (and ROCKIN’) deviation from traditional jazz, this compilation incorporates R&B and soul influences – Mingus even lends his rich vocal stylings to a few songs
- 5 stars: “Oh Yeah is probably the most offbeat Mingus album ever, and that’s what makes it so vital.”
This original Atlantic stereo pressing has the kind of Tubey Magical Midrange that modern records rarely even BEGIN to reproduce. Folks, that sound is gone and it sure isn’t showing signs of coming back. If you love hearing INTO a recording, actually being able to “see” the performers, and feeling as if you are sitting in the studio with the Mingus, this is the record for you. It’s what vintage all analog recordings are known for — this sound.
If you exclusively play modern repressings of vintage recordings, I can say without fear of contradiction that you have never heard this kind of sound on vinyl. Old records have it — not often, and certainly not always — but maybe one out of a hundred new records do, and those are some pretty long odds.
The engineering duties were handled by Phil Iehle, a man who recorded some of Coltrane’s most iconic albums for Atlantic, Giant Steps (1960) and Coltrane Jazz (also in 1961), and the venerable Tom Dowd, who also did Giant Steps (1960), Coltrane Jazz (1961), Coltrane’s Sound (1964) and many others. (more…)
- Superb sound on both sides, with each rating nearly Triple Plus (A++ to A+++), right up there with our shootout winner (!)
- The Six Eye original Stereo pressing is rich and solid, yet still clean, clear and spacious, with a rock-solid bottom end to capture the beauty of Mingus’s double bass
- Bucketfuls of studio ambience, and Tubey Magic to die for – this 30th Street recording shows just how good Columbia’s engineers were back then
- 4 1/2 Stars: “Mingus Dynasty is still an excellent album; in fact, it’s a testament to just how high a level Mingus was working on that an album of this caliber could have gotten lost in the shuffle
This is a wonderful example of the kind of record that makes record collecting FUN.
If innovative Large Group Jazz is your thing, you should get a big kick out of this one. If you like the sound of relaxed, tube-mastered jazz — and what red blooded audiophile doesn’t — you can’t do much better than the Mingus recordings on Columbia from this era. (We’ve now done shootouts for the album before this one and the one to follow. Both are amazing, musically and sonically.) The warmth and immediacy of the sound here are guaranteed to blow practically any record of this kind you own right out of the water.
Both sides of this very special pressing are huge, rich, tubey and clear. As soon as the band got going we knew that this was absolutely the right sound for this music. There was practically nothing that could beat it, in any area of reproduction. (more…)
Some sections on our site are hard to find. Here’s one with lots of cool records in it:
A distinguished member of the Better Records Jazz Hall of Fame.
This copy sounds like a big room full of musicians (25 in all!) playing live, which it surely was. The Tubey Magical richness of this 1960 recording is breathtaking – no modern record can touch it. Allmusic gives it 4 stars and we think it’s maybe even a better than that.
On both sides the best sound can be heard starting with the second track, but on side one the first track was very spacious and had a fuller sounding piano than practically any other we played. (more…)