Stereo=Best

These records are available in mono, but they sound their best in stereo.

Duke Ellington – The Nutcracker Suite

More of the Music of Duke Ellington

  • This original 6-Eye Stereo pressing is doing practically everything right, with killer Nearly Triple Plus (A++ to A+++) sound from first note to last – just shy of our Shootout Winner
  • Both of these sides are open and spacious with real depth to the soundfield and lots of separation between the various instruments, a very important quality for a large ensemble recording like this one
  • Rich, solid bass; you-are-there immediacy; energy and drive; instruments that are positively jumping out of the speakers – add it all up and you can see that this copy had the sound we were looking for
  • “The melodies flow out of the jazz ensemble with an easy feel for the manner of Tchaikovsky yet in an unmistakable Ellington style. It’s the kind of traditional jazz arrangement that at once makes it appealing to jazz fans as well as to classical-music afficionados.” – Classical Candor.com

This is a wonderful album featuring Duke and his orchestra doing a jazzy interpretation of the famous Nutcracker Suite, and on a copy like this the sound is incredible!

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Charles Mingus – Tonight at Noon

More of the Music of Charles Mingus

  • Tonight at Noon appears on the site for only the second time ever, here with solid Double Plus (A++) sound or BETTER throughout this vintage Atlantic Stereo pressing
  • This copy is overflowing with the kind of rich, spacious, Tubey Magical sound that can only be found on vintage vinyl
  • Phil Iehle and Tom Dowd made up the engineering team for these sessions from 1957 and 1961, which explains why the better copies of the album sound so damn good
  • 4 stars: “…the tunes here are actually studio outtakes from the recordings for The Clown and Oh Yeah. Despite the fact that this is an assembled album, it holds plenty of magic nonetheless.”

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The Kinks – Something Else

More of the Music of The Kinks

  • Boasting very good Hot Stamper grades from top to bottom, this original Tri-Color Steamboat label copy will be hard to beat
  • We guarantee there is more space, richness, presence, and performance energy on this copy than others you’ve heard or you get your money back – it’s as simple as that
  • Drop the needle on “No Return” for wonderful sound and music – it’s got a bit of a Jobim vibe
  • 5 stars: “Part of the album’s power lies in its calm music, since it provides an elegant support for [Ray] Davies’s character portraits and vignettes. From the martial stomp of ‘David Watts’ to the lovely, shimmering ‘Waterloo Sunset,’ there’s not a weak song on the record, and several — such as the allegorical ‘Two Sisters,’ the Noël Coward-esque ‘End of the Season,’ the rolling ‘Lazy Old Sun,’ and the wry ‘Situation Vacant’ — are stunners.”
  • It’s hard to conceive of any list of the best rock and pop albums of 1967 that would not have this record on it

I don’t think you’ll be able to find a better sounding Kinks record without going through a bunch of different copies — and they don’t come cheap, no matter where you shop.

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Gershwin / Rhapsody In Blue / An American In Paris – Bernstein

More of the Music of George Gershwin

  • This vintage 6-Eye Stereo pressing boasts INCREDIBLE Shootout Winning Triple Plus (A+++) grades from top to bottom
  • Here is sound that is both tubey and real, with much more space and a much bigger and more realistic presentation of the hall than any of the other copies we played
  • 4 1/2 stars: “Paired with his buoyant 1958 performance of An American in Paris with the New York Philharmonic, Bernstein’s rendition of Rhapsody is lively, flashy, bluesy, and intensely romantic in feeling, and these positive characteristics no doubt contributed to keeping this album in print for many years as one of Columbia’s great successes.”

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The Beatles – Please Please Me (UK)

More of the Music of The Beatles

  • Superb sound for the Beatles’ debut studio album, with Double Plus (A++) grades or close to them throughout this vintage import pressing
  • This side one has remarkable presence, clarity and size – it’s bigger, bolder and richer, as well as more clean, clear and open than most others we played, and side two is not far behind in all those areas
  • 5 stars: “Decades after its release, the album still sounds fresh [and]…it’s easy to get wrapped up in the sound of the record itself without realizing how the album effectively summarizes the band’s eclectic influences. There’s a love of girl groups, vocal harmonies, sophisticated popcraft, schmaltz, R&B, and hard-driving rock & roll, which is enough to make Please Please Me impressive, but what makes it astonishing is how these elements converge in the originals.”

Folks, if you’re looking for a killer copy of the first Beatles release, here it is! Big and lively with superb presence and energy, this is exactly the right sound for this music. The album itself is nothing short of amazing. It captures more of the live sound of these four guys playing together as a rock and roll band than any record they ever made afterwards. (Let It Be gets some of that live quality, too, and makes a great bookend for the group.)

Tubey Magical acoustic guitar reproduction is superb on the better copies of this recording. Simply phenomenal amounts of Tubey Magic can be heard on every strum, along with richness, body and harmonic coherency that have all but disappeared from modern recordings (and especially from modern remasterings).

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Stan Getz & Joao Gilberto – Getz-Gilberto #2

More Bossa Nova

  • With solid Double Plus (A++) live jazz sound throughout, this copy is guaranteed to blow the doors off any other Getz – Gilberto #2 you’ve heard
  • This vintage stereo pressing is one of only a handful to make it to the site in over three years – boy, are these hard to find in this kind of clean condition with good quality sonics
  • The music is so good that most of the early Van Gelder-mastered pressings were played to death
  • Fortunately a few survived the record players of their day – here is one of that will put any other pressing of the album you’ve heard to shame
  • Rich, tubey and musical, the sound is wonderful for these live performances of the two very different groups – one side features Getz, the other side Gilberto
  • 4 stars: “Getz/Gilberto #2 holds its own with an appealing selection of fine jazz and Bossa Nova cuts.”

The Odds Are Stacked

This is an All-Time Jazz Classic and it’s a cryin’ shame that we can’t find more copies. Most are in mono, upwards of 80% of them, and we simply do not care for the sound of this music in mono. If you want to experience a live recording properly, you need space, ambiance, and imaging, three things mono does not do well.

And nine out of ten copies we see are simply not in the condition most audiophiles would find acceptable. Multiply 20% (the stereo copies) by 10% (the decent copies) and you’re left with a pool of 2% — one out of fifty — to pick from in order to acquire enough copies with which to do a shootout. Ouch.

Those are so pretty long odds, and they go a long way toward explaining why this is the first Hot Stamper pressing of this title to hit the site in years.

If you love this Brazilian-flavored cool jazz as much as we do, you might want to snap this one up. Who knows when we’ll find another one?

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The Beatles – Beatles For Sale

More of the Music of The Beatles

  • Incredible sound throughout this copy of the Fab Four’s very well-recorded fourth album, with both sides earning Nearly Triple Plus (A++ to A+++) grades, just shy of our Shootout Winner – exceptionally quiet vinyl too
  • Especially rich and spacious, this is the album that moves away from the midrangy sound of A Hard Day’s Night and With The Beatles
  • A criminally underrated album by the Fab Four – Allmusic gives it Five Big Stars and we like it every bit as much as they do
  • “I’m A Loser,” “Baby’s In Black,” “Rock And Roll Music,” “I’ll Follow The Sun,” “Eight Days A Week,” “Words Of Love,” “Every Little Thing,” “I Don’t Want To Spoil The Party,” “What You’re Doing,” and 4 more – 14 tracks in all (!)

Beatles For Sale is a criminally underappreciated album, and a killer copy like this will show you exactly why. The startling presence and immediacy of the sound here allow the emotional qualities of these lovely songs to work some real Beatles vocal magic.

There is one important trait that all the best copies have in common: wonderful midrange warmth and sweetness. It’s the single most important factor in bringing out The Beatles’ individual voices and harmonies. Of the first five albums, from Please Please Me to Help, For Sale is clearly the most natural and Tubey Magical. (For those of you keeping score at home, With the Beatles is clearly the worst, with A Hard Day’s Night not far behind.)

When comparing pressings of this record, the copies that get their voices to sound present, while at the same time warm, smooth, and sweet, especially during the harmonies and in the loudest choruses, are always the best. All the other instruments seem to fall in line when the vocals are correct. This is an old truism — it’s all about the midrange — but in the case of an early Beatles album such as For Sale, it really is true. (more…)

Bill Evans – How My Heart Sings!

More of the Music of Bill Evans

  • How My Heart Sings, here with solid Double Plus (A++) sound throughout this Riverside recording pressed on fairly quiet OJC vinyl
  • Both of these sides are lively, dynamic and full-bodied, and there’s real weight to the piano, a key quality we look for on all the piano recordings we play
  • It’s bigger, richer, more Tubey Magical, with more extension on both ends of the spectrum and more depth, width and height than most other copies we played
  • “Recorded in May and June of 1962, at the same time as the Moonbeams sessions, How My Heart Sings shows a different side of the Bill Evans Trio than that all-ballads album. In Evans’ own words, the band’s desire was to ‘provide a more singing sound’ in this material.”
  • 4 stars: “[The recording] flies in the face of the conventions Evans himself has set, and yet retains the deep, nearly profound lyricism that was the pianist’s trademark.”

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Beethoven, Bach, Schubert / Heifetz, Primrose, Piatigorsky

More of the Music of Beethoven

  • An original Shaded Dog pressing of this wonderful recording of string trios and sinfonias, here with two solid Double Plus (A++) or BETTER sides
  • It’s also fairly quiet at the high end of Mint Minus Minus, a grade that even our most well-cared-for vintage classical titles have trouble playing at
  • Beethoven’s Trio in D, Op 9, No. 2 takes up all of this Nearly Triple Plus (A++ to A+++) side one, and is practically as good as we have ever heard, right up there with our Shootout Winner
  • Remarkably spacious, rich and smooth – only vintage analog seems capable of reproducing all three of these qualities without sacrificing resolution, staging, imaging or presence
  • This copy showed us the balance of clarity and sweetness we were looking for in the violin, viola and cello – not many recordings from this era can do that as well as this one does
  • Heifetz is a fiery player – he is front and center, with every movement of his bow clearly audible without being hyped-up in the least

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Brahms / Piano Concerto No. 2 / Cliburn / Reiner

More of the Music of Johannes Brahms

  • Van Cliburn’s exceptional performance of Brahm’s Piano Concerto No. 2, here with solid Double Plus (A++) Living Stereo sound or close to it throughout this early Shaded Dog pressing
  • It’s also fairly quiet at Mint Minus Minus, a grade that even our most well-cared-for vintage classical titles have trouble playing at
  • This side one is big, full-bodied, clean and clear, with a wonderfully present and solid piano, and plenty of 3D space around it, and side two is not far behind in all those areas
  • One of the best of the Cliburn recordings – most are not very good, the worst of them being LSC 2252 and the best of them being, probably, LSC 2507 with this one right up there with it
  • We’ve liked LSC 2296 with Rubinstein and Krips in the past, but after doing this shootout we have to say that Cliburn and Reiner set a higher standard for a recording of the work
  • On the right shaded dog pressing, LSC 2581 is yet another Must Own orchestral recording from 1962

Our main listening guy made some notes about the sound of the best pressings he heard. Here is what he wrote:

This LP might be tough for some customers to reproduce. The big peak at the end of track one on side one can have some tube/compressor distortion. Only the fullest, richest copies can properly reproduce this section without the piano and low end getting lost.

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