Classical – Demo Disc Quality Recordings

Ravel and Ansermet Produce The Best Bolero on Vinyl

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Including this amazing Bolero, the best copy we’ve ever heard!

  • Both sides here earned our highest grade of Triple Plus, making this the best copy to ever hit the site
  • Full, rich, spacious, BIG and present, with energetic performances the likes of which you may have never heard
  • Side one has outstanding depth – the snare drum sounds like it’s located at least fifty feet behind the speakers
  • One of the best Ansermet recordings with the Suisse Romande from Victoria Hall – best performances too

Side two sounded so much better than any copy I have ever heard that I was sorely tempted to give it our coveted Four Plus grade, for the kind of sound that breaks all the rules. Cooler heads have since prevailed, but that doesn’t detract in the least from side two of this remarkable pressing, which has by far the best sound for The Sorcerer’s Apprentice I have yet to hear.

We are rarely able to find a quality recording or performance of Bolero or The Sorcerer’s Apprentice, so this pressing comes as a welcome addition to the classical offerings on the site.

The sound is clear, with wonderful depth to the stage. As a rule, the classic ’50s and ’60s recordings of Ansermet and the Suisse Romande in Victoria Hall are as big and rich as any you may have ever heard. These recordings may just be the ideal blend of clarity and richness, with depth and spaciousness that will put to shame 98% of the classical recordings ever made. (more…)

Prokofiev & Rachmaninoff / Piano Concertos / Janis / Kondrashin

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  • This pressing has Beyond White Hot Stamper (A++++) sound on side one – sound that must be experienced to be believed! – backed with stunning Triple Plus (A+++) sound on the second side – exceptionally quiet vinyl too 
  • The finest Prokofiev No. 3 and Rachmaninoff Piano Concerto No. 1 – these performances by Janis are legendary, and with phenomenal sonics like these, this combination of sound and performance is all but unmatched in our experience
  • So big, so, rich, so transparent, so dynamic and full of life, we guarantee you have never heard a better piano concerto record in your life
  • Compare the weight of the piano on the two sides to see why the grades are so different

Please note: we award the Four Plus (A++++) grade so rarely that we don’t have a graphic for it in our system to use in the grading scale shown above. We rarely find records with this kind of sound, just a few times a year at most — this is the only one on the site at this time.

Side one shows up on the chart as A+++, but when you hear this copy you will know why we gave it that fourth plus!

This is an exceptionally quiet early Mercury Plum label stereo pressing of two of Byron Janis’s most famous performances (along with the Rachmaninoff 3rd, which is every bit as good). It’s a longtime member of the TAS Super Disc list.

The recording is explosively dynamic and on this copy, the sound was positively jumping out of the speakers. In addition, the brass and strings are full-bodied and rich, with practically no stridency, an unusual feat the Mercury engineers seem to have accomplished while in Russia.

Big, rich sound can sometimes present problems for piano recordings. You want to hear the percussive qualities of the instrument, but few copies pull off that trick without sounding thin. This one showed us a piano that was both clear and full-bodied.

With huge amounts of hall space, weight and energy, this is DEMO DISC QUALITY SOUND by any standard. Once the needle has dropped you will quickly forget about the sound and simply find yourself in the presence of some of the greatest musicians of their generation captured on some of the greatest analog recordings of all time. (more…)

Bizet-Shchedrin / Carmen Ballet Suite / Rozhdestvensky – Our 4+ Shootout Winner from 2019

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A distinguished member of the Better Records Orchestral Music Hall of Fame

Unbelievable Shootout Winning Demo Disc quality sound throughout — QUADRUPLE PLUS (A++++) on the first side and Triple Plus (A+++) on the second. Side one has by far the better music – it’s where the most exciting, most percussive movements can be found – and this pressing, with Beyond White Hot sound for that side, is guaranteed to be bigger and more lively than you ever imagined (because that’s how we felt about it, hence the fourth plus).

Please note: we award the Four Plus (A++++) grade so rarely that we don’t have a graphic for it in our system to use in the grading scale shown above. We rarely find records with this kind of sound, just a few times a year at most — this is the only one on the site at this time.

Both sides show up on the chart as A+++, but when you hear this copy you will know why we gave side one that fourth plus!

This Angle Melodiya pressing of Bizet’s Carmen, rearranged by Soviet composer Rodion Shchedrin for strings and 47 percussion instruments, has two incredible sides. Demo Quality Sound barely begins to do it justice. If you have the system to play it, this copy is a KNOCKOUT.

But boy is it a difficult record to reproduce. You better have everything working right when you play this one — it’s guaranteed to bring practically any audiophile system to its knees. Speed, resolving power and freedom from distortion are what this record needs to sound its best. Is your system up to it? There’s only one way to find out.

And if you have any peaky audiophile wire or equipment in your system, the kind that is full of detail but calls attention to itself, you are in big trouble with a record like this. More than anything this is a record that rewards your system’s neutrality. (more…)

Mussorgsky et al. / Danse Infernale / Fiedler – Our Favorite Night On Bald Mountain

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  • Shootout Winning Triple Plus (A+++) grades on both sides make this the consistently best sounding batch of Orchestral Showpieces we have ever played
  • After a two year hiatus, our favorite performance of Night on Bald Mountain is back, and it’s guaranteed to blow your mind (and maybe a woofer or two)
  • Side one also boasts an excellent Danse Macabre, with a powerful finish that may remind you of the thrill of live orchestral music
  • Side two contains a wonderfully exciting Sorcerer’s Apprentice
  • Both sides are clear and transparent, with huge hall space extending wall to wall and floor to ceiling
  • Watch your levels – this pressing is dramatically more DYNAMIC than most Golden Age recordings

If you like Orchestral Spectaculars, have we got the record for you!

This pressing clearly has DEMONSTRATION QUALITY SOUND — not in every way, but in some important ways. The ENERGY of both the sound and the performances of these barnburning showpieces is truly awesome. Fiedler brings this music to LIFE like no other conductor we have heard.

This pressing boasts relatively rich, sweet strings, especially for a Deutsche Grammophon LP. Both sides really get quiet in places, a sure sign that all the dynamics of the master tape were protected in the mastering of this copy (and the reason it is so hard to find a copy that plays better than Mint Minus Minus. We do have a quieter copy with lower grades if you are interested though.) (more…)

Rossini / Overtures with Maag – The Best on Record

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  • With a Triple Plus (A+++) Shootout Winning side one and a side two that’s not far behind, the orchestral power of display here is positively PHENOMENAL
  • This Decca Tree recording is overflowing with the kind of rich, spacious, Tubey Magical sound that can only be found on vintage vinyl
  • Performances and sound like no other – Maag’s William Tell is in a league of its own
  • “You’d think Maag would approach the scores the way most conductors do: gung-ho and hell bent for leather. He doesn’t. In fact, Maag displays a good deal of reserve, calculating his interpretations for the biggest payoff. For instance, in William Tell he keeps the opening sections in check, and then he builds the final segment into a most-exciting whirlwind, the conclusion carrying you away.”

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Mendelssohn and Bruch / Violin Concertos / Ricci / Gamba

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A distinguished member of the Better Records Orchestral Music Hall of Fame

  • With two Shootout Winning Triple Plus (A+++) sides, we guarantee you’ve never heard Mendelssohn Violin Concerto sound remotely as good as it does here, and the Bruch Violin Concerto on the second side is every bit as good
  • With sonic grades like these, you can be sure this pressing will beat all comers for sound, including the performances by Heifetz, Rybar, and others we’ve been enamored with in the past
  • The violin is so sweet and present, so rich, natural and real, you will forget you’re listening to a record at all
  • The glorious sound of these truly great 1958 All Tube “Decca Tree” recordings from Kingsway Hall is faithfully captured in all its beauty on this very disc

This is one of the ALL TIME GREAT violin concerto records. In Ruggiero Ricci’s hands both works are nothing short of magical. If you want to know why people drool over Golden Age recordings, listen to the violin. Careful, when you hear it you may find yourself drooling too.

The staging of the orchestra and violin is exactly the way we want to hear it in our heads. Whether it would really sound this way in a concert hall is impossible to say — concert halls all sound different — but the skill and the emotion of the playing is communicated beautifully on this LP. This is a sweetheart of a record, full of the Tubey Magic for which London recordings are justly famous.

As we noted above, engineering took place in the legendary Kingsway Hall. There is a richness to the sound of the strings that is exceptional, yet clarity and transparency are not sacrificed in the least. (more…)

Bach and Liszt / Organ Music / Richter – CS 6172

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A distinguished member of the Better Records Orchestral Music Hall of Fame

You can feel the cool air in the hall! Some audiophiles buy organ records to show off their subwoofers. Records like this can do that but records this good have musical qualities far beyond simple demonstrations of bass reproduction. Karl Richter understands this music perfectly and makes it come alive in a way I’ve never heard any other musician.

For those of you who think technology marches on — which of course it does in some ways — this 1954 recording shows that they could capture the authentic sound of the real instrument with the equipment of the day. Maybe they could even capture it better back in those days. I certainly can’t think of a better organ record than this, and musically I don’t think there are too many organists in Richter’s class.

All in all, practically the best of its kind, if not THE best.

Saint-Saens – The Best Danse Macabre on Record

More of the music of Camille Saint-Saens (1835-1921)

Danse Macabre / Ravel, Debussy, Chabrier

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A distinguished member of the Better Records Orchestral Music Hall of Fame.      

This White Hot EMI pressing has some of the loveliest orchestral music reproduction we’ve ever heard. Man, this copy sure has it going on: it’s super clean and clear, tonally correct from top to bottom, with all of the weight of the orchestra down low on both sides.

If you want a classical record to TEST your system, if you want a classical record to DEMO your system, you will have a hard time finding a better pressing than this very copy.

Debussy – Prelude A L’apres-midi D’un Faune is excellent here as well – it’s a piece we rarely have recordings of on the site. (more…)

Mendelssohn / Scotch Symphony / Maag – Reviewed in 2011

More of the music of Felix Mendelssohn (1809-1847)

Scotch Symphony / Maag

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A distinguished member of the Better Records Orchestral Music Hall of Fame

Both sides of this record have that classic Decca chocolatey, rich, sweet sound. It”s not for everybody, it”s probably not the sound one would hear in a concert hall, but we love it and so do many audiophiles. 

The performance here by Maag is legendary and definitive. The sound is perfectly suited for this music, with massed strings to die for. This is classic Tubey Magical Decca orchestral sound. If you want immediacy, buy a Mercury. If you want luscious, rich string tone, this London should be right up your alley.

Side two had less smear and less distortion and congestion than we heard on side one. It’s also even RICHER sounding, if such a thing is possible. More transparent too. A good balance of clarity and richness. A++ all the way. (more…)

Liszt / Piano Concertos No. 1 and 2 / Richter – Our Shootout Winner from 2016

More Franz Liszt’s music

Piano Concertos No. 1 and 2 / Richter

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A distinguished member of the Better Records Orchestral Music Hall of Fame.

This A++++ Beyond White Hot Stamper 2-pack has sound that must be experienced to be believed! The finest Liszt 1st & 2nd Concertos we know of for performance and unquestionably for sound when they sound like this. More like LIVE MUSIC than any classical recording I have played in longer than I care to remember – both sides are so big, rich and transparent we guarantee you have never heard a better piano concerto. (more…)