Classical – Demo Disc Quality Recordings

The Tale of Tsar Saltan and Our Rare Four Plus Grade

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  • This AMAZING side one with the complete Tsar Saltan was so good we gave it our rare 4+ grade
  • We freaked out when we heard this side – it took the sound beyond anything we had ever experienced for the work
  • It’s so rich and real, with huge WHOMP factor down low, as well as clear, uncolored brass and robust lower strings – wow!
  • We figure about one out of a hundred sides earn our Four Plus grade – you can’t get much more rare than that

James Walker was the producer, Roy Wallace the engineer for these sessions from April of 1959 in Geneva’s glorious Victoria Hall. It’s yet another remarkable disc from the Golden Age of Vacuum Tube Recording.

The gorgeous hall the Suisse Romande recorded in was possibly the best recording venue of its day, possibly of all time. More amazing sounding recordings were made there than in any other hall we know of. There is a solidity and richness to the sound beyond all others, yet clarity and transparency are not sacrificed in the least.

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Stravinsky / The Firebird / Dorati

More on The Firebird

More of the music of Igor Stravinsky (1882-1971)

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White Hot Front Row Center sound on side one – amazingly lifelike. One listen to either side and you’ll know this is one of the Top Mercury Titles of All Time. Dorati breathes life into the work as only he can. This is the first time the Mercury Firebird has ever made it to the site, and this copy is killer.

Side One

So clear and ALIVE. Transparent, with huge hall space extending wall to wall and floor to ceiling. Zero compression.

Lifelike, immediate, front row center sound like few records you have ever heard.

Side Two

Rich, sweet strings, especially for a Mercury. This side really gets quiet in places, a sure sign that all the dynamics of the master tape were protected in the mastering of this copy. (more…)

Mussorgsky & Ravel – Pictures at an Exhibition

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  • An outstanding pressing, with solid Double Plus (A++) sound or BETTER throughout
  • Our favorite performance by far, with BIG, BOLD and POWERFUL sonics like no other recording we know
  • The brass clarity, the dynamics, the deep bass and the sheer power of the orchestra are almost hard to believe
  • No vintage recording of these works compares with Muti’s – and Stravinsky’s Firebird Suite is an extra special added bonus on side two

This EMI pressing gives you the complete Pictures at an Exhibition with a TOP PERFORMANCE and SUPERB SONICS from first note to last.

As this is my All Time Favorite performance of Pictures, this record naturally comes very highly recommended. Pictures is a piece of music that has been recorded countless times, and I’ve played scores of different recordings, but the only one that truly satisfies is this one, Muti’s 1979 recording with the Philadelphia Orchestra. Much like Previn and the LSO’s performance of The Planets, he finds the music in the work that no one else seems to. (more…)

Paganini – Concerto No.1 & Wieniawski / Concerto No. 2 – Rabin

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  • These sublime concertos are correct and live sounding throughout with both sides earning outstanding Double Plus (A++) grades
  • This copy showed that it had the balance of clarity and sweetness we were looking for in the tone of the violin, and the orchestra sounds amazing – so rich and full-bodied
  • Both works are performed with skill and passion by the incomparable Michael Rabin
  • This record puts most of the TAS Super Discs to shame, and it’s on a budget reissue label. Hey Harry, how about them apples!?

The AMAZING Michael Rabin is the principal violinist. His playing of these exceptionally difficult pieces is legendary. Recorded by Capitol in the late ’50s, his fiery performance is breathtaking, with the kind of energy, excitement and technical proficiency that is second to none in our experience.

There’s a very good chance that you have NEVER heard a better sounding violin concerto record than this one. It’s clearly superior to most of the pressings that audiophiles would hold dear; we’ve played them by the score. The fact that it’s on a budget label reissue label, to my mind, is the icing on the cake. (There’s a valuable lesson here to be learned if only more audiophiles will make the effort to learn it.)

There are two recordings of the Paganini Concerto No.1 we like currently; this one, and the Menuhin on EMI. We prefer Rabin’s sound and performance, but the EMI engineers managed to record their orchestra with slightly more natural fidelity. Both are of course superb. (We love the mono recording Ricci did for London in the mid-’50s but the sound and surface quality are not competitive with the two recordings above.)

More entries in our Well Recorded Classical Albums – The Core Collection

Well Recorded Classical Albums from The Core Collection available on our site

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An Extraordinary Recording of the Carmen Fantasie – This Is Why You Must Do Shootouts

Dear Reader,

We have just recently moved our record business to our new Shopify store. None of the links to the old site will work anymore. We apologize for the inconvenience and hope to be able to rectify the situation soon. For now please check out Better Records, Mach II, home of the ultimate vinyl pressing, the White Hot Stamper.

Tom Port – Better Records

 

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This London Whiteback LP has DEMO DISC sound like you will not believe, especially on side two, which earned our coveted A Triple Plus rating. The sound is warm, sweet and transparent; in short, absolutely GORGEOUS. We call it AGAIG — As Good As It Gets!

As this is one of the Greatest Violin Showpiece Albums of All Time, it is certainly a record that belongs in every right-thinking audiophle’s collection. (If you’re on our site and taking the time to read this, that probably means you.) Ruggiero Ricci is superb throughout.

And side one was just a step below the second side in terms of sound quality, with very solid A++ sound. To find two sides of this caliber, on quiet vinyl no less, is no mean feat. You could easily go through ten copies without finding one as consistently good sounding as this one.

A True Demo Disc, Or Was It?

Ricci’s playing of the Bizet-Sarasate Carmen Fantasie is OUT OF THIS WORLD. There is no greater perforrmance on record in my opinion, and few works that have as much Audiophile Appeal.

Which is why I’ve had a copy of this record in my own collection for about fifteen years marked “My Demo Disc”. But this copy KILLED it. How could that be?

It just goes to show: No matter how good a particular copy of a record may sound to you, when you clean and play enough of them you will almost always find one that’s better, and often surprisingly better. Shootouts are the only way to find these kinds of records. Nothing else works. If you’re not doing shootouts (or buying the winners of shootouts from us) you simply don’t have top quality copies in your collection, except in the rare instances where you just got lucky. In the world of records luck can only take you so far. The rest of the journey requires effort. (more…)

Ravel and Ansermet Produce The Best Bolero on Vinyl

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Including this amazing Bolero, the best copy we’ve ever heard!

  • Both sides here earned our highest grade of Triple Plus, making this the best copy to ever hit the site
  • Full, rich, spacious, BIG and present, with energetic performances the likes of which you may have never heard
  • Side one has outstanding depth – the snare drum sounds like it’s located at least fifty feet behind the speakers
  • One of the best Ansermet recordings with the Suisse Romande from Victoria Hall – best performances too

Side two sounded so much better than any copy I have ever heard that I was sorely tempted to give it our coveted Four Plus grade, for the kind of sound that breaks all the rules. Cooler heads have since prevailed, but that doesn’t detract in the least from side two of this remarkable pressing, which has by far the best sound for The Sorcerer’s Apprentice I have yet to hear.

We are rarely able to find a quality recording or performance of Bolero or The Sorcerer’s Apprentice, so this pressing comes as a welcome addition to the classical offerings on the site.

The sound is clear, with wonderful depth to the stage. As a rule, the classic ’50s and ’60s recordings of Ansermet and the Suisse Romande in Victoria Hall are as big and rich as any you may have ever heard. These recordings may just be the ideal blend of clarity and richness, with depth and spaciousness that will put to shame 98% of the classical recordings ever made. (more…)

Prokofiev & Rachmaninoff / Piano Concertos / Janis / Kondrashin

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  • This pressing has Beyond White Hot Stamper (A++++) sound on side one – sound that must be experienced to be believed! – backed with stunning Triple Plus (A+++) sound on the second side – exceptionally quiet vinyl too 
  • The finest Prokofiev No. 3 and Rachmaninoff Piano Concerto No. 1 – these performances by Janis are legendary, and with phenomenal sonics like these, this combination of sound and performance is all but unmatched in our experience
  • So big, so, rich, so transparent, so dynamic and full of life, we guarantee you have never heard a better piano concerto record in your life
  • Compare the weight of the piano on the two sides to see why the grades are so different

Please note: we award the Four Plus (A++++) grade so rarely that we don’t have a graphic for it in our system to use in the grading scale shown above. We rarely find records with this kind of sound, just a few times a year at most — this is the only one on the site at this time.

Side one shows up on the chart as A+++, but when you hear this copy you will know why we gave it that fourth plus!

This is an exceptionally quiet early Mercury Plum label stereo pressing of two of Byron Janis’s most famous performances (along with the Rachmaninoff 3rd, which is every bit as good). It’s a longtime member of the TAS Super Disc list.

The recording is explosively dynamic and on this copy, the sound was positively jumping out of the speakers. In addition, the brass and strings are full-bodied and rich, with practically no stridency, an unusual feat the Mercury engineers seem to have accomplished while in Russia.

Big, rich sound can sometimes present problems for piano recordings. You want to hear the percussive qualities of the instrument, but few copies pull off that trick without sounding thin. This one showed us a piano that was both clear and full-bodied.

With huge amounts of hall space, weight and energy, this is DEMO DISC QUALITY SOUND by any standard. Once the needle has dropped you will quickly forget about the sound and simply find yourself in the presence of some of the greatest musicians of their generation captured on some of the greatest analog recordings of all time. (more…)

Bizet-Shchedrin / Carmen Ballet Suite / Rozhdestvensky – Our 4+ Shootout Winner from 2019

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A distinguished member of the Better Records Orchestral Music Hall of Fame

Unbelievable Shootout Winning Demo Disc quality sound throughout — QUADRUPLE PLUS (A++++) on the first side and Triple Plus (A+++) on the second. Side one has by far the better music – it’s where the most exciting, most percussive movements can be found – and this pressing, with Beyond White Hot sound for that side, is guaranteed to be bigger and more lively than you ever imagined (because that’s how we felt about it, hence the fourth plus).

Please note: we award the Four Plus (A++++) grade so rarely that we don’t have a graphic for it in our system to use in the grading scale shown above. We rarely find records with this kind of sound, just a few times a year at most — this is the only one on the site at this time.

Both sides show up on the chart as A+++, but when you hear this copy you will know why we gave side one that fourth plus!

This Angle Melodiya pressing of Bizet’s Carmen, rearranged by Soviet composer Rodion Shchedrin for strings and 47 percussion instruments, has two incredible sides. Demo Quality Sound barely begins to do it justice. If you have the system to play it, this copy is a KNOCKOUT.

But boy is it a difficult record to reproduce. You better have everything working right when you play this one — it’s guaranteed to bring practically any audiophile system to its knees. Speed, resolving power and freedom from distortion are what this record needs to sound its best. Is your system up to it? There’s only one way to find out.

And if you have any peaky audiophile wire or equipment in your system, the kind that is full of detail but calls attention to itself, you are in big trouble with a record like this. More than anything this is a record that rewards your system’s neutrality. (more…)

Mussorgsky et al. / Danse Infernale / Fiedler – Our Favorite Night On Bald Mountain

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  • Shootout Winning Triple Plus (A+++) grades on both sides make this the consistently best sounding batch of Orchestral Showpieces we have ever played
  • After a two year hiatus, our favorite performance of Night on Bald Mountain is back, and it’s guaranteed to blow your mind (and maybe a woofer or two)
  • Side one also boasts an excellent Danse Macabre, with a powerful finish that may remind you of the thrill of live orchestral music
  • Side two contains a wonderfully exciting Sorcerer’s Apprentice
  • Both sides are clear and transparent, with huge hall space extending wall to wall and floor to ceiling
  • Watch your levels – this pressing is dramatically more DYNAMIC than most Golden Age recordings

If you like Orchestral Spectaculars, have we got the record for you!

This pressing clearly has DEMONSTRATION QUALITY SOUND — not in every way, but in some important ways. The ENERGY of both the sound and the performances of these barnburning showpieces is truly awesome. Fiedler brings this music to LIFE like no other conductor we have heard.

This pressing boasts relatively rich, sweet strings, especially for a Deutsche Grammophon LP. Both sides really get quiet in places, a sure sign that all the dynamics of the master tape were protected in the mastering of this copy (and the reason it is so hard to find a copy that plays better than Mint Minus Minus. We do have a quieter copy with lower grades if you are interested though.) (more…)

Rossini / Overtures with Maag – The Best on Record

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  • With a Triple Plus (A+++) Shootout Winning side one and a side two that’s not far behind, the orchestral power of display here is positively PHENOMENAL
  • This Decca Tree recording is overflowing with the kind of rich, spacious, Tubey Magical sound that can only be found on vintage vinyl
  • Performances and sound like no other – Maag’s William Tell is in a league of its own
  • “You’d think Maag would approach the scores the way most conductors do: gung-ho and hell bent for leather. He doesn’t. In fact, Maag displays a good deal of reserve, calculating his interpretations for the biggest payoff. For instance, in William Tell he keeps the opening sections in check, and then he builds the final segment into a most-exciting whirlwind, the conclusion carrying you away.”

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