Masterpieces of Orchestral Music

Holst and Previn – A Planets for the Ages

More on The Planets

More of the music of Gustav Holst (1874-1934)

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  • After a lengthy shootout hiatus we proudly present the best side two of this album to hit the site since 2013
  • Out Of This World sound on side two, where it earned a Four Plus sonic grade for its MINDBLOWING orchestral power
  • Side one earned a seriously good grade of Double Plus (A++) – it’s rich, clear and dynamic, with weighty brass
  • A TAS List Super Disc, with a performance by Previn and the LSO that’s as spectacular as the sound
  • This copy has some condition issues – those of you looking for a quiet copy will have to wait for the next shootout in 2018 or thereabouts

This copy has a side two that is so off the charts we ended up giving it Four Pluses. A Four Plus copy has to meet a standard higher than our regular top grade, and we define that standard as “better than we ever imagined any copy could ever sound.” (more…)

Sergei Prokofiev – Scythian Suite and Lt. Kije / Abbado

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  • You’ll find Shootout Winning Triple Plus (A+++) sound on both sides of this superb pressing – mostly quiet vinyl too
  • This wonderful LP boasts our favorite performances for both of these popular 20th century works
  • Big, clear, present and transparent, with a HUGE bottom end, this is some Demo Disc sound all right
  • When the brass is the way it is here – rich and clear, not thin and shrill – you have yourself a top quality DG pressing

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Witches’ Brew / Gibson – Living Stereo Pressing Reviewed in 2007

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DEMONSTRATION QUALITY SOUND, of a sort. As I’ve said elsewhere on the site, this is not my idea of natural tonality.

As for the music, I have long held that the Danse Macabre on this album is the best ever. I probably still agree with that [not anymore, here’s a better one], but so much of the material on this record is amazingly good that that’s actually kind of a left-handed compliment. The entire side 2 is outstanding from start to finish.

The excerpt on side 1 from Pictures at an Exhibition and the complete A Night on Bare Mountain are both played with a kind of energy and requisite orchestral technical quality that makes these pieces come alive right in your living room.

Only the Arnold piece on this record is not particularly inspiring, although it does have excellent sound. All in all, an amazing group of warhorses given a fresh reading by Alexander Gibson and the New Symphony Orchestra of London.

Now let’s talk about the Classic Records 200 gram version, painful as that may be. I’ve long held that the remastering of that album is nothing less than a crime against music lovers and audiophiles of every stripe. Boosting the bass and highs and adding transistory harshness is the last thing in the world that Witches’ Brew needed.

At the risk of insulting some of you out there, if you think the Classic Records version of this album sounds good, your system must be very dull and bass shy, or you must like really hi-fi-ish sound. There is no way that that record should ever sound good on a system that’s remotely accurate. I’ve heard this record played by people attempting to demonstrate the sound of their system, which nearly caused blood to run from my ears. All the while they had a big grin on their face, so pleased with the sound. I don’t understand how anyone can put up with that kind of sound, but obviously people do, so what can I say? People like lots of things I don’t like, and the Classic record is just one more to add to that list. If you want to know why I hate the Classic, buy this pressing and see for yourself where Bernie went wrong.

Stravinsky / The Firebird / Dorati

More on The Firebird

More of the music of Igor Stravinsky (1882-1971)

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White Hot Front Row Center sound on side one – amazingly lifelike. One listen to either side and you’ll know this is one of the Top Mercury Titles of All Time. Dorati breathes life into the work as only he can. This is the first time the Mercury Firebird has ever made it to the site, and this copy is killer.

Side One

So clear and ALIVE. Transparent, with huge hall space extending wall to wall and floor to ceiling. Zero compression.

Lifelike, immediate, front row center sound like few records you have ever heard.

Side Two

Rich, sweet strings, especially for a Mercury. This side really gets quiet in places, a sure sign that all the dynamics of the master tape were protected in the mastering of this copy. (more…)

Saint-Saens – Symphony No. 3 (“Organ”) / Fremaux

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  • For the first time in three years, one of Saint-Saens’ greatest masterpieces returns to Better Records with truly superb nearly Triple Plus (A++ to A+++) sound on both sides – just shy of our Shootout Winner – exceptionally QUIET vinyl too, the quietest copy to ever hit the site
  • Clear and transparent and natural – your ability to suspend disbelief requires practically no effort at all
  • What this copy did better than practically any other was show us just how rich, smooth and Tubey Magical 1973 EMI sound could be
  • “The whole work is a magnificent and fantastical symphonic machine that’s an apotheosis of the orchestral technology of the late 19th century.”

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Strauss – Also Sprach Zarathustra / Reiner

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  • This wonderful classical release makes its Hot Stamper debut here with nearly Triple Plus (A++ to A+++) sound from start to finish – just shy of our Shootout Winner
  • The vibrant colors of the orchestra are captured brilliantly in All Tube Analog by the RCA engineers, creating an immersive and engrossing listening experience for the work that is simply without equal in our experience
  • There is plenty on offer for the discriminating audiophile, with the spaciousness, clarity, tonality and freedom from artificiality that are hallmarks of the best Living Stereo recordings
  • “Reiner’s close familiarity with the score and personal relationship with Strauss himself add extra weight to the authority and importance of his interpretation of Also sprach Zarathustra.

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Comparing Witches’ Brew on RCA with Danse Macabre on Decca from Way Back in the Day

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This commentary was written a very long time ago so caveat lector.

The Decca reissue above just happens to have the material found on one of the most famous and sought-after Shaded Dog pressings in the world, Witches’ Brew (shown below), along with another track added, The Sorcerer’s Apprentice conducted by Ansermet. (As a budget reissue they felt they needed to give you more music in order to get you to buy performances that were no longer current.)

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The Decca pressing is tonally much more natural from top to bottom. I used to think that it was the best way to hear the music on Witches’ Brew. Like so much of what happens in the world of records, it is and it isn’t.

Huh?, you say. Okay, here is what I mean. We played a handful of Witches’ Brews over the last year or two, and most of them left a lot to be desired. More than that — most of them were just plain awful. One, and only one, lived up to the hype that surrounds the record. It was so big and so powerful that I would have had no trouble ranking it with the five best sounding classical recordings I’ve ever heard. It was a real WOW moment when the needle hit the groove on that one.
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The Music of Leonard Bernstein – Our Four Plus Mind Blowing Shootout Winner

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This London Phase 4 British import has some of the most SPECTACULAR sound I have ever heard reproduced from disc. The sound is so BIG and BOLD that it handily puts to shame 95% or more of all the Golden Age Shaded Dogs, London Bluebacks, Mercury Living Presence’s, EMI’s and Decca’s we’ve ever played. If we had a Classical Top 100 list, this record would belong in a Top Ten taken from it, right near the top judging by what I heard when I played it.

Side two here is BEYOND White Hot, earning a sonic grade of A++++! I don’t know that any other copy has earned such a high grade for side two but this one sure did. It blew our minds.

If you have a system with the speed, power and size to play this record properly (yes, you will need all three and a whole lot more), it’s hard to imagine it would not qualify as the best sounding classical recording you’ve ever heard. Demo Disc barely begins to do it justice. What sound. What music. What a record! Side two is where the real action is on this album, and it is presented here with SPECTACULAR AUDIO FIDELITY the likes of which you may have never experienced. (more…)

An Extraordinary Recording of the Carmen Fantasie – This Is Why You Must Do Shootouts

Dear Reader,

We have just recently moved our record business to our new Shopify store. None of the links to the old site will work anymore. We apologize for the inconvenience and hope to be able to rectify the situation soon. For now please check out Better Records, Mach II, home of the ultimate vinyl pressing, the White Hot Stamper.

Tom Port – Better Records

 

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This London Whiteback LP has DEMO DISC sound like you will not believe, especially on side two, which earned our coveted A Triple Plus rating. The sound is warm, sweet and transparent; in short, absolutely GORGEOUS. We call it AGAIG — As Good As It Gets!

As this is one of the Greatest Violin Showpiece Albums of All Time, it is certainly a record that belongs in every right-thinking audiophle’s collection. (If you’re on our site and taking the time to read this, that probably means you.) Ruggiero Ricci is superb throughout.

And side one was just a step below the second side in terms of sound quality, with very solid A++ sound. To find two sides of this caliber, on quiet vinyl no less, is no mean feat. You could easily go through ten copies without finding one as consistently good sounding as this one.

A True Demo Disc, Or Was It?

Ricci’s playing of the Bizet-Sarasate Carmen Fantasie is OUT OF THIS WORLD. There is no greater perforrmance on record in my opinion, and few works that have as much Audiophile Appeal.

Which is why I’ve had a copy of this record in my own collection for about fifteen years marked “My Demo Disc”. But this copy KILLED it. How could that be?

It just goes to show: No matter how good a particular copy of a record may sound to you, when you clean and play enough of them you will almost always find one that’s better, and often surprisingly better. Shootouts are the only way to find these kinds of records. Nothing else works. If you’re not doing shootouts (or buying the winners of shootouts from us) you simply don’t have top quality copies in your collection, except in the rare instances where you just got lucky. In the world of records luck can only take you so far. The rest of the journey requires effort. (more…)

Ravel and Ansermet Produce The Best Bolero on Vinyl

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Including this amazing Bolero, the best copy we’ve ever heard!

  • Both sides here earned our highest grade of Triple Plus, making this the best copy to ever hit the site
  • Full, rich, spacious, BIG and present, with energetic performances the likes of which you may have never heard
  • Side one has outstanding depth – the snare drum sounds like it’s located at least fifty feet behind the speakers
  • One of the best Ansermet recordings with the Suisse Romande from Victoria Hall – best performances too

Side two sounded so much better than any copy I have ever heard that I was sorely tempted to give it our coveted Four Plus grade, for the kind of sound that breaks all the rules. Cooler heads have since prevailed, but that doesn’t detract in the least from side two of this remarkable pressing, which has by far the best sound for The Sorcerer’s Apprentice I have yet to hear.

We are rarely able to find a quality recording or performance of Bolero or The Sorcerer’s Apprentice, so this pressing comes as a welcome addition to the classical offerings on the site.

The sound is clear, with wonderful depth to the stage. As a rule, the classic ’50s and ’60s recordings of Ansermet and the Suisse Romande in Victoria Hall are as big and rich as any you may have ever heard. These recordings may just be the ideal blend of clarity and richness, with depth and spaciousness that will put to shame 98% of the classical recordings ever made. (more…)