This is a Minty looking Columbia 6 Eye stereo LP.
The sound is not very good, however. It just sounds like an old record.
Most of the Columbia orchestral pressings we play seem better suited to the old school audio systems of the 60s and 70s, rather than the modern systems of today.
Some of these records used to sound good on those older systems, and I should know. I had an Old School stereo back in the day and some of the records I used to think sounded good don’t sound so good to me anymore.
For a more complete list of those records, click here.
How Did We Figure All of This Out?
There are more than 2000 Hot Stamper reviews on this blog. Do you know how we learned so much about so many records?
We ran thousands and thousands of record experiments under carefully controlled conditions, and we continue to run scores of them week in and week out to this very day.
We play mediocre-to-bad sounding pressings so that you don’t have to, a public service from your record-loving friends at Better Records.
You can find this one in our Hall of Shame, along with others that — in our opinion — are best avoided by audiophiles looking for hi-fidelity sound. Some of these records may have passable sonics, but we found the music less than compelling. These are also records you can safely avoid.
We also have an Audiophile Record Hall of Shame for records that were marketed to audiophiles for their putatively superior sound. If you’ve spent much time on this blog, you know that these records are some of the worst sounding pressings we have ever had the misfortune to play.
We routinely put them in our Hot Stamper shootouts, pitted against the vintage pressings that we offer, and are often surprised at just how bad an “audiophile record” can sound and still be considered an “audiophile record.”