_Conductors – Maag

Mozart on Wonderful Speakers Corner Heavy Vinyl

Sonic Grade: B?

A fairly good Speakers Corner Decca reissue, probably.

Not sure if we would still agree with what we wrote back in the 90s when this record came out, but here it is anyway. 

One of the best of the Deccas. I raved about this one years ago when it came out. If I had to pick a record to demonstrate how wonderful Decca recordings are, musically and sonically, this would be an easy choice.


These wonderful concertos — some of the greatest ever composed — should be part of any serious classical collection.

Others that belong in that category can be found here.

Kenneth Wilkinson was probably the engineer for these sessions in glorious Kingsway Hall. It’s yet another remarkable disc from the Golden Age of Vacuum Tube Recording.

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This Blueback Was Somewhat Opaque and Crude – Does that Surprise You?

Hot Stamper Pressings of the Music of Felix Mendelssohn Available Now

Presenting our latest findings from 2023:

For our most recent shootout, the original we played earned grades of 1.5+ on both sides, a grade that is the absolute minimum for a Hot Stamper pressing to be listed on the site now.

Our best reissues killed it.

The 3D/3E stampers of our early Blueback copy can probably be beaten by others — assuming there are others — but this is just not a good bet for us when it comes to Mendelssohn’s famous Third Symphony, not when there are so many other pressings with superior sound.

Our favorite performance with top quality sound is made from the same recording you see here, but on a certain budget reissue that has much better sound.

It’s very possible that the Speakers Corner Heavy Vinyl pressing from 2003 pictured below would beat the original we describe. We make no claims that it doesn’t, or wouldn’t.

Our claim would be that a properly-mastered, properly-pressed version of the album is very unlikely to be bested by something from Speakers Corner, or any other label making records during the last thirty years.

What I would have played against the Speakers Corner pressing in 2003 would have been an original London Blueback, and maybe a Stereo Treasury or two. Both of them would have been obvious choices, and I was stuck making obvious choices because I simply did not understand enough about classical records at the time to do otherwise.

I confess I knew very little about the recording of the 3rd symphony back in those days, and I certainly didn’t know how good some of the right reissues could sound.

Obviously we needed to do a great deal more research and development, which we began to undertake over the course of the next twenty years in a much more serious way, making one discovery after another.

And that all happened out of the love for great sounding music on vinyl, and, every bit as importantly, because we get paid to do it.


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Mendelssohn / Symphony No. 3 / Maag

More of the music of Felix Mendelssohn (1809-1847)

More music conducted by Peter Maag

  • With two seriously good Double Plus (A++) sides, you’ll have a hard time finding a copy of Mendelssohn’s famed concert overture and orchestral symphony that sounds remotely as good as this vintage Ace of Diamonds pressing
  • A truly superb recording with huge, spacious, dynamic, lively sound – Tubey Magical richness is a big plus too
  • There is a rosiny texture to the strings that no record made in the last 30 years can capture, and if you don’t believe me, we offer this pressing as proof
  • When you hear how good this record sounds, you may have a hard time believing that it’s a budget reissue from the 60s, but that’s precisely what it is
  • Even more extraordinary, the right copies are the ones that win shootouts
  • This is one of our favorite performances with top quality sound

Audiophiles have known of this record’s sublime sonic qualities for decades. As our stereos get better, so do amazingly powerful recordings such as this one.

Both sides of this record have that classic Decca rich, sweet sound. It’s not for everybody, it’s probably not the sound one would hear in a concert hall, but we love it and so do many audiophiles.

The performance here by Peter Maag and London Symphony Orchestra is legendary and definitive. The sound is perfectly suited for this music, with massed strings to die for. This is classic Tubey Magical Decca orchestral sound.

If you want immediacy, buy a Mercury. If you want luscious, rich string tone, this vintage Ace of Diamonds reissue should be right up your alley. This is a sweetheart of a record, full of the Tubey Magic for which Decca recordings are justly famous.

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Mozart – Clarinet and Horn Concertos / Maag

More of the music of Wolfgang Amadeus Mozart (1756-1791)

  • This wonderful classical release returns to the site for only the second time in twenty months, here with two killer Nearly Triple Plus (A++ to A+++) sides – just shy of our Shootout Winner
  • Big, clear, present and transparent, with a huge bottom end, you better believe that this is some Demo Disc sound
  • Both sides are open, high-rez, and spacious, with depth like you will not believe and some of the least shrill string reproduction we have ever heard for this music (which is the main problem we ran into on the album)
  • These wonderful concertos — some of the greatest ever composed — should be part of any serious classical collection.
  • Others that belong in that category can be found here.
  • Kenneth Wilkinson was (probably) the engineer for these sessions in glorious Kingsway Hall. It’s yet another remarkable disc from the golden age of vacuum tube recording.

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A Midsummer Night’s Dream on Speakers Corner Heavy Vinyl

More of the music of Felix Mendelssohn (1809-1847)

The Speakers Corner pressing earned something like a “B’ grade from us, which makes it one of the better releases on that label. (I would guess that one or two out of ten would rate a “B.” I also don’t know of any record of theirs that rates a higher grade than “B.”)

It’s overly rich, a case of being too fat in the mid-bass, but otherwise it mostly sounds right.

As you may already know, we stopped carrying Heavy Vinyl pressings of any kind in 2011.

By then, the quality of our playback and record cleaning had improved to the point that even the best Heavy Vinyl LPs were no longer competitive with the vintage vinyl we were then offering as Hot Stamper pressings.

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Mendelssohn / Symphony No. 3 “The Scottish” / Maag

More of the music of Felix Mendelssohn (1809-1847)

More music conducted by Peter Maag

  • This outstanding pressing boasts solid Double Plus (A++) sound from start to finish, the equal of the last Blueback pressing we listed back in 2021
  • A truly superb recording with huge, spacious, dynamic, lively sound – Tubey Magical richness is a big plus too
  • There is a rosiny texture to the strings that no record made in the last 30 years can capture, and if you don’t believe me, we offer this pressing as proof
  • When you hear how good this record sounds, you may have a hard time believing that it’s a budget reissue from the 70s, but that’s precisely what it is
  • This is one of our Favorite Orchestral Performances with Top Quality Sound

Audiophiles have known of this record’s sublime sonic qualities for decades. As our stereos get better, so do amazingly powerful recordings such as this one.

Both sides of this record have that classic Decca rich, sweet sound. It’s not for everybody, it’s probably not the sound one would hear in a concert hall, but we love it and so do many audiophiles.

The performance here by Peter Maag and London Symphony Orchestra is legendary and definitive. The sound is perfectly suited for this music, with massed strings to die for. This is classic Tubey Magical Decca orchestral sound.

If you want immediacy, buy a Mercury. If you want luscious, rich string tone, this vintage Ace of Diamonds reissue should be right up your alley. This is a sweetheart of a record, full of the Tubey Magic for which Decca recordings are justly famous.

(more…)

Mendelssohn / Scotch Symphony / Maag

More of the Music of Felix Mendelssohn

  • This vintage London STS pressing of Mendelssohn’s famed concert overture and orchestral symphony earned outstanding Double Plus (A++) grades from first note to last
  • A truly superb recording with huge, spacious, dynamic, lively sound – Tubey Magical richness is a big plus too
  • There is a rosiny texture to the strings that no record made in the last 30 years can capture, and if you don’t believe me, we offer this pressing as proof

Audiophiles have known of this record’s sublime sonic qualities for decades. As our stereos get better, so do amazingly powerful recordings such as this one.

Both sides of this record have that classic Decca rich, sweet sound. It’s not for everybody, it’s probably not the sound one would hear in a concert hall, but we love it and so do many audiophiles.

The performance here by Peter Maag and London Symphony Orchestra is legendary and definitive. The sound is perfectly suited for this music, with massed strings to die for. This is classic Tubey Magical Decca orchestral sound.

If you want immediacy, buy a Mercury. If you want luscious, rich string tone, this vintage STS reissue should be right up your alley. This is a sweetheart of a record, full of the Tubey Magic for which Decca recordings are justly famous.

(more…)

Mendelssohn / A Midsummer Night’s Dream / Maag

More of the music of Felix Mendelssohn (1809-1847)

More music conducted by Peter Maag

  • A spectacular Demo Disc quality orchestral recording – big, clear, rich, dynamic, transparent and energetic
  • The combination of sound and performance on the best of the Maag-led Londons simply cannot be equaled
  • Maag’s performance here is famous, and widely considered definitive
  • When you hear how good this record sounds, you may have a hard time believing that it’s a budget reissue from the late-’60s, but that’s precisely what it is.
  • Even more extraordinary, the right copies are the ones that win shootouts
  • Here is a list of records that, like this one, contain some of our favorite performances with top quality sound
  • The Decca SPA pressing can also do very well, although it is unlikely to ever win a shootout

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Rossini / Overtures / Maag – The Best on Record

More of the Music of Gioachino Rossini

  • With superb sound from start to finish, the orchestral power on display here is positively breathtaking
  • Wilkie’s Decca Tree recording is overflowing with the kind of rich, spacious, Tubey Magical sound that can only be found on vintage vinyl
  • Performances and sound like no other – Maag’s Rossini Overtures is in a league of its own
  • “You’d think Maag would approach the scores the way most conductors do: gung-ho and hell bent for leather. He doesn’t. In fact, Maag displays a good deal of reserve, calculating his interpretations for the biggest payoff. For instance, in William Tell he keeps the opening sections in check, and then he builds the final segment into a most-exciting whirlwind, the conclusion carrying you away.”
  •  When you hear how good this record sounds, you may have a hard time believing that it’s a budget reissue from the late-’60s, but that’s precisely what it is.
  • Even more extraordinary, the right copies are the ones that win shootouts

Maag breathes life into these works as only he can and the Decca engineering team led by Kenneth Wilkinson do him proud.

Everyone needs a good Rossini Overtures – the music is exciting and fun, not to mention Demonstration Quality on a pressing such as this. The combination of sound and performance on the best of the Maag-led Londons could not be equaled.

Gamba on London was much too sleepy for our tastes, and the famous Reiner on RCA left a lot to be desired. It’s mid-hall perspective and dynamic compression took all the fun out of this music.

After hearing the killer Maag pressings, nothing else would do!

Note that the orchestra is none other than the Paris Conservatoire, whose playing of the famously demanding Stravinsky Rite of Spring, under Monteux (LSC 2085), is absolutely stunning as well. (more…)

Mozart / Symphony Nos. 32 & 38 – Were We Wrong?

More of the music of Wolfgang Amadeus Mozart (1756-1791)

Many years ago we wrote the following review for CS 6107:

An exceptionally QUIET copy for an early Blueback pressing. The sound is old-fashioned Decca, which seems to suit this music quite well. The hall is reverberant, as it would have been in Mozart’s day, and the perspective is mid-hall. The string tone is excellent. Some of the louder passages might be a bit strained, but overall the sound is correct for this music. 

Maag and the LSO are of course Mozart experts and the performances here do not disappoint. A rare title and a lovely one.

More recently we got in a nice pressing that sounded OK, nothing special, even after a good cleaning.

Were we wrong years ago? Hard to say. That copy from many years ago is gone.

Three things we always keep in mind when a pressing doesn’t sound like we remember it did, or think it should:

  1. Our standards are quite a bit higher now, having spent decades critically listening to vintage classical pressings by the hundreds.
  2. Our stereo is dramatically more revealing and more accurate than it used to be.
  3. Since no two records sound the same, maybe the one from long ago actually did sound as good as we thought at the time.

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