More of The Band
More Roots Rock
- These sides are bigger, more natural, more warm and more solid than those of any other copy you’ve heard or your money back
- This is The Band’s undiscovered gem, containing the most powerful tearjerker they ever wrote: “It Makes No Difference”
- 4 stars: “…the Band’s finest since their self-titled sophomore effort … “Acadian Driftwood” stands out as one of Robertson’s finest compositions, the equal to anything else the Band ever recorded.”
- We’ve recently compiled a list of records we think every audiophile should get to know better, along the lines of “the 1001 records you need to hear before you die,” but with less of an accent on morbidity and more on the joy these amazing audiophile-quality recordings can bring to your life. This album by The Band is a good example of a record many audiophiles may not know well but should.
Thankfully both sides here are rich and full-bodied. This pressing is not nearly as dry and flat as the vast majority of pressings we run across. Both sides have a nicely extended top end to go along with the weighty bottom. The guitars and keyboards are Tubey Magical as well, a quality we we focused on, and one that we believe is essential if the album is to sound its best.
This vintage Capitol pressing has the kind of Tubey Magical Midrange that modern records can barely BEGIN to reproduce. Folks, that sound is gone and it sure isn’t showing signs of coming back. If you love hearing INTO a recording, actually being able to “see” the performers, and feeling as if you are sitting in the studio with the band, this is the record for you. It’s what vintage all analog recordings are known for — this sound.
If you exclusively play modern repressings of vintage recordings, I can say without fear of contradiction that you have never heard this kind of sound on vinyl. Old records have it — not often, and certainly not always — but maybe one out of a hundred new records do, and those are some pretty long odds.
What the Best Sides of Northern Lights Have to Offer Is Not Hard to Hear
- The biggest, most immediate staging in the largest acoustic space
- The most Tubey Magic, without which you have almost nothing. CDs give you clean and clear. Only the best vintage vinyl pressings offer the kind of Tubey Magic that was on the tapes in 1975
- Tight, note-like, rich, full-bodied bass, with the correct amount of weight down low
- Natural tonality in the midrange — with all the instruments having the correct timbre
- Transparency and resolution, critical to hearing into the three-dimensional studio space
No doubt there’s more but we hope that should do for now. Playing the record is the only way to hear all of the qualities we discuss above, and playing the best pressings against a pile of other copies under rigorously controlled conditions is the only way to find a pressing that sounds as good as this one does.
A Forgotten Classic
This is the UNDISCOVERED GEM in the Band catalog. Allmusic is right on the money when they call this the best Band album since their self-titled second release. I positively LOVE this music, having practically worn out my copy soon after the album was released in 1975.
Yes, every track is good, something that one cannot say about any other Band release after their classic sophomore effort. What makes the album a Must Own is the song It Makes No Difference. It’s a strong contender for the Best Band Ballad ever written (and takes the prize in my book).
Northern Lights – Southern Cross and the first two releases are the only consistently good albums in The Band catalog (not counting the live Rock of Ages). All three belong in any serious pop music collection, and all three are hard as hell to find with good sound.
What We’re Listening For on Northern Lights
- Energy for starters. What could be more important than the life of the music?
- Then: presence and immediacy. The vocals aren’t “back there” somewhere, lost in the mix. They’re front and center where any recording engineer worth his salt would put them.
- The Big Sound comes next — wall to wall, lots of depth, huge space, three-dimensionality, all that sort of thing.
- Then transient information — fast, clear, sharp attacks, not the smear and thickness so common to these LPs.
- Tight punchy bass — which ties in with good transient information, also the issue of frequency extension further down.
- Next: transparency — the quality that allows you to hear deep into the soundfield, showing you the space and air around all the instruments.
- Extend the top and bottom and voila, you have The Real Thing — an honest to goodness Hot Stamper.
Ring Your Bell
Rags and Bones
It Makes No Difference
AMG 4 Star Review
The first studio album of Band originals in four years, in many respects Northern Lights-Southern Cross was viewed as a comeback. It also can be seen as a swan song. The album was the Band’s finest since their self-titled sophomore effort. Totaling eight songs in all, on this album the Band explores new timbres, utilizing for the first time 24 tracks and what was (then) new synthesizer technology. “Acadian Driftwood” stands out as one of Robertson’s finest compositions, the equal to anything else the Band ever recorded.