Some records never justified the time and money required to find Hot Stamper pressings of them in order to make it worth our while to give them a second go around. This is one such album, and the link above will take you to many more.
1959 Tubey Magical Living Stereo sound like you will not believe! Both sides are nearly White Hot, with shocking amounts of space and depth. This is RCA’s approach to Exotica, with the added benefit of Living Stereo strings. Gorgeous harmonically rich percussion – the tambourine is to die for
This record lives and dies by its Tubey Magical Stereoscopic presentation and the heavily percussive arrangements. In all of these areas and more this copy excels.
This side is doing pretty much everything right — it’s big, lively, super clear and high-rez with TONS of space around all of the instruments, a wonderfully extended top end, and all the energy you could ever want.
Listen to how clear and harmonically rich the guitars are on the second track!
The music may be a bit goofy but the sound is so good it quickly pulls you into the fun.
1959 Tubey Magic
If you’re an audiophile, both the sound and the music are crazy fun. If you want to demonstrate just how good 1959 All Tube Analog sound can be, this is the record that will do it!
This copy is super spacious, sweet and positively dripping with live-in-the-studio ambience. Talk about Tubey Magic, the sound here is PHENOMENAL. This is vintage analog at its best, so rich and relaxed you’ll wonder how it ever came to be that anyone seriously contemplated trying to “improve” it.
Regrettably no recordings will ever be made like this again. Worse, and no CD or digital media seems capable of capturing what is in the grooves of this record.
What do we love about these Living Stereo Hot Stamper pressings? The timbre of every instrument is Hi-Fi in the best sense of the word. The instruments here are recorded with remarkable fidelity. Now that’s what we at Better Records mean by “Hi-Fi”, not the kind of Audiophile Phony BS Sound that passes for Hi-Fidelity these days.
There’s no boosted top, there’s no bloated bottom, there’s no sucked-out midrange. There’s no added digital reverb (Patricia Barber, Diana Krall, et al.). The microphones are not fifty feet away from the musicians (Water Lily) nor are they inches away (Three Blind Mice).
This is Hi-Fidelity for those who recognize The Real Thing when they hear it. I’m pretty sure our customers do, and any of you out there who pick this one up are guaranteed to get a real kick out of it!
Vaya Con Dios
La Muneca Espanola
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