- Bennett’s wonderful 1965 release finally makes its Hot Stamper debut here with KILLER Shootout Winning Triple Plus (A+++) sound throughout
- These sides are exceptionally spacious and three-dimensional, as well as relaxed and full-bodied – Tony is right in the room with you on this one
- “Employing Sinatra arranger Don Costa, Tony Bennett put together a concept album similar to Sinatra’s Come Fly with Me.”
This vintage Columbia 360 Stereo pressing has the kind of Tubey Magical Midrange that modern records can barely BEGIN to reproduce. Folks, that sound is gone and it sure isn’t showing signs of coming back. If you love hearing INTO a recording, actually being able to “see” the performers, and feeling as if you are sitting in the studio with the band, this is the record for you. It’s what vintage all analog recordings are known for — this sound.
If you exclusively play modern repressings of vintage recordings, I can say without fear of contradiction that you have never heard this kind of sound on vinyl. Old records have it — not often, and certainly not always — but maybe one out of a hundred new records do, and those are some pretty long odds.
What the Best Sides of If I Ruled The World Have to Offer Is Not Hard to Hear
- The biggest, most immediate staging in the largest acoustic space
- The most Tubey Magic, without which you have almost nothing. CDs give you clean and clear. Only the best vintage vinyl pressings offer the kind of Tubey Magic that was on the tapes in 1965
- Tight, note-like, rich, full-bodied bass, with the correct amount of weight down low
- Natural tonality in the midrange — with all the instruments having the correct timbre
- Transparency and resolution, critical to hearing into the three-dimensional studio space
No doubt there’s more but we hope that should do for now. Playing the record is the only way to hear all of the qualities we discuss above, and playing the best pressings against a pile of other copies under rigorously controlled conditions is the only way to find a pressing that sounds as good as this one does.
What We’re Listening For on If I Ruled The World
- Energy for starters. What could be more important than the life of the music?
- Then: presence and immediacy. The vocals aren’t “back there” somewhere, lost in the mix. They’re front and center where any recording engineer worth his salt would put them.
- The Big Sound comes next — wall to wall, lots of depth, huge space, three-dimensionality, all that sort of thing.
- Then transient information — fast, clear, sharp attacks, not the smear and thickness so common to these LPs.
- Tight punchy bass — which ties in with good transient information, also the issue of frequency extension further down.
- Next: transparency — the quality that allows you to hear deep into the soundfield, showing you the space and air around all the instruments.
- Extend the top and bottom and voila, you have The Real Thing — an honest to goodness Hot Stamper.
Song Of The Jet (Samba Do Aviao)
Fly Me To The Moon (In Other Words)
If I Ruled The World
Take The Moment
Then Was Then And Now Is Now
The Right To Love
Watch What Happens
All My Tomorrows
Two By Two
Employing Sinatra arranger Don Costa, Tony Bennett put together a concept album similar to Sinatra’s Come Fly with Me. Travel was the loose theme that united Antonio Carlos Jobim’s “Song of the Jet” (set in Rio de Janeiro, a photograph of which graces the album cover), “Fly Me to the Moon,” and the title song, a Leslie Bricusse-Cyril Ornadel tune from the show Pickwick that was Bennett’s latest hit single. There were also two songs from the Richard Rodgers-Stephen Sondheim musical Do I Hear a Waltz?, which was set in Venice. Other sections might not justify the flight theme — Duke Ellington’s “Love Scene” was given a “destination” of Harlem on the back cover, and that neighborhood is on no known flight plan — but with such high-quality material, it was hard to complain.