This is a Minty and wonderful British import Red Label Polydor LP from 1976. The sound is quite good — a bit of hardness creeps in to the loud sections from time to time, but the music is so enjoyable it’s easy to look past that. The Hollies wrote and performed so many great songs in the sixties that I grew up with, playing this record was a real joy. Allan Clarke has such an incredible pop voice, and his bandmates harmonize with him beautifully, it reminds me of how good the radio used to be when I was growing up. They sure don’t sing ’em like this anymore!
Graham Nash is missing, and his high harmony vocal would be a nice addition, but you can’t have everything. What you can have is a beautifully sung pop album full of great songs.
This is an Older Review.
Most of the older reviews you see are for records that did not go through the shootout process, the revolutionary approach to finding better sounding pressings we developed in the early 2000s and have since turned into a fine art.
We found the records you see in these older listings by cleaning and playing a pressing or two of the album, which we then described and priced based on how good the sound and surfaces were. (For out Hot Stamper listings, the Sonic Grades and Vinyl Playgrades are listed separately.)
We were often wrong back in those days, something we have no reason to hide. Audio equipment and record cleaning technologies have come a long way since those darker days, a subject we discuss here.
Currently, 99% (or more!) of the records we sell are cleaned, then auditioned under rigorously controlled conditions, up against a number of other pressings. We award them sonic grades, and then condition check them for surface noise.
As you may imagine, this approach requires a great deal of time, effort and skill, which is why we currently have a highly trained staff of about ten. No individual or business without the aid of such a committed group could possibly dig as deep into the sound of records as we have, and it is unlikely that anyone besides us could ever come along to do the kind of work we do.
The term “Hot Stampers” gets thrown around a lot these days, but to us it means only one thing: a record that has been through the shootout process and found to be of exceptionally high quality.