- An excellent copy of this great jazz “plus strings” album starring our man Ben Webster – Double Plus (A++) sound or close to it on both sides
- The sound is rich, warm and full-bodied, with you-are-there immediacy and impressive dynamics – exceptionally quiet vinyl too
- With a wonderful combination of material, performance, and sonics, this is a record you’ll want to play again and again
- If your collection could use some romantic jazz ballads, look no further, this is the album for you
This is calm, relaxed jazz performed expertly by Webster backed by a small orchestra capably conducted by Johnny Richards.
Drop the needle on any of these great ballads and appreciate how relaxed, natural, balanced and warm the sound is. I imagine this is going to be a record you return to over and over. It’s hard for me to imagine this record ever getting old with such a wonderful combination of material, performance, and sonics.
Need a refresher course in Tubey Magic after playing too many modern recordings or remasterings? These records are overflowing with it. Rich, smooth, sweet, full of ambience, dead-on correct tonality — everything that we listen for in a great record is here.
What outstanding sides such as these have to offer is not hard to hear:
- The biggest, most immediate staging in the largest acoustic space
- The most Tubey Magic, without which you have almost nothing. CDs give you clean and clear. Only the best vintage vinyl pressings offer the kind of Tubey Magic that was on the tapes in 1961
- Tight, note-like, rich, full-bodied bass, with the correct amount of weight down low
- Natural tonality in the midrange — with all the instruments having the correct timbre
- Transparency and resolution, critical to hearing into the three-dimensional studio space
No doubt there’s more but we hope that should do for now. Playing the record is the only way to hear all of the qualities we discuss above, and playing the best pressings against a pile of other copies under rigorously controlled conditions is the only way to find a pressing that sounds as good as this one does.
A Big Group of Musicians Needs This Kind of Space
One of the qualities that we don’t talk about on the site nearly enough is the SIZE of the record’s presentation. Some copies of the album just sound small — they don’t extend all the way to the outside edges of the speakers, and they don’t seem to take up all the space from the floor to the ceiling. In addition, the sound can often be recessed, with a lack of presence and immediacy in the center.
Other copies — my notes for these copies often read “BIG and BOLD” — create a huge soundfield, with the music positively jumping out of the speakers. They’re not brighter, they’re not more aggressive, they’re not hyped-up in any way, they’re just bigger and clearer.
And most of the time those very special pressings are just plain more involving. When you hear a copy that does all that — a copy like this one — it’s an entirely different listening experience.
What do we love about these vintage recordings? The timbre of every instrument is Hi-Fi in the best sense of the word. The unique sound of every instrument is reproduced with remarkable fidelity. That’s what we at Better Records mean by “Hi-Fi,” not the kind of Audiophile Phony BS Sound that passes for Hi-Fidelity these days. There’s no boosted top, there’s no bloated bottom, there’s no sucked-out midrange.
This is Hi-Fidelity for those who recognize The Real Thing when they hear it. I’m pretty sure our customers do, and whoever picks this record up is guaranteed to get a real kick out of it.
The Sweetherat Of Sigma Chi
Stella By Starlight
With Every Breath I Take
Accent On Youth
Time After Time
I’m Beginning To See The Light
It Was So Beautiful
The Whiffenpoof Song
It’s Easy To Remember
There’s No You