Hot Stamper Pressings of the Music of 10cc Available Now
UPDATE 2025
This commentary was written sometime around 2004 I imagine. It references my old Legacy Whisper Speaker system, which I permanently replaced with the Legacy Focus shortly thereafter.
We sold off our Whispers long ago. You can read all about what we use now to find our Hot Stamper pressings in this listing.
As good as the DCC Gold CD is, this record has all the MAGIC of ANALOG vinyl — and then some. It’s the kind of sound you will never hear coming from a CD or digital source of any kind, trust me.
If there isn’t a huge difference in sound between the Hoffman DCC gold CD and your LP, I can tell you without fear of contradiction that you:
A.) Need a better front end (turntable, arm, cart, phono stage — which of course we are happy to help you acquire) or,
B.) You have a second- or third-rate pressing of the vinyl.
UPDATE 2023
Note that as of 2023, we offer only a few select pieces of equipment: the Dynavector 17dx, the Townshend Platform, the EAR 324P, the Triplanar tonearm and maybe one or two more. Email for details if you are interested in any of the above.
Most likely it would be a combination of the two, which, if I can say it without sounding too smug or arrogant, is the most likely scenario.
I haven’t run into too many audiophiles who own a hot copy of The Original Soundtrack, or have the kind of system that can play a record like it. As I am fond of saying, this is the kind of record that is guaranteed to bring any audiophile stereo to its knees.
The recording itself is a tour de force, one reason I’ve been demonstrating my stereo with it for more than thirty years. The extended suite that opens side one, One Night in Paris, has ambience, sound effects, and incredibly dynamic multi-tracked vocals at its climax that will make your jaw drop.
Reinventing The Wall of Sound The Right Way
This is the kind of record that makes you sit up and take notice. It’s classic 10cc everything-but-the-kitchen-sink “Wall of Sound” sound (minus the Phil Spector distortion), the kind big speaker guys like me live for. Supertramp, Yes, Ambrosia, Blood, Sweat and Tears, Zeppelin, Bowie — to this day I’m a sucker for that Cinerama soundstage these bands like to play on. It’s one of the reasons I am a proud owner of the Legacy Whisper speaker system, complete with its eight fifteen inch woofer driver complement. You need that kind of piston power to produce The Really Big Sound with Super Low Distortion at Really High Levels. The louder the better. (We have a pair of highly modified Focuses set up in our listening room as well. Three twelves per channel moves a fair amount of air too.)
We’re CRAZY About This Album
This was my first 10cc album, and I fell in love with it completely. Used to play it all the time. Une Nuit A Paris, the suite that opens side one, is just an amazing demo track. As you may have read elsewhere on the site, it’s the kind of sound that requires a big powerful stereo to reproduce. Even back in 1975 I had speakers as tall as I was that weighed 300 pounds apiece, so playing a record like this was just a thrill.
It still is. I still love it. And I recommend it highly for those who are fans of the band. If you don’t know who 10cc are, this album and this band will probably make no sense to you, but if you have an open mind and like “art rock” from the ’70s, you may really get a kick out of this one
Further Reading