Month: April 2020

Ray Charles and Betty Carter – DCC Heavy Vinyl Reviewed & Recommended

More Soul, Blues and R&B Albums with Hot Stampers

UPDATE

This listing is from 2010 or thereabouts. The vintage pressings that win our shootouts are noticeably better, but they are almost impossible to find with the right stampers in audiophile playing condition, so if you love this music, you could do worse than this DCC pressing.

Folks, I have to hand it to Steve Hoffman — this is the BEST SOUNDING DCC LP we have played in years.

We’ve been harshin’ on DCC for years now. Whenever we do a shootout for The Eagles or The Doors or Bonnie Raitt or Queen or you name it, the DCC pressing almost always gets a serious drubbing from our listening panel. Not so here. This one took TOP HONORS against the other copies we played and was head and shoulders better sounding in practically every way. [The right vintage pressings beat the DCC in more recent shootouts, but we can still recommend the DCC as a very good sounding pressing.]

Do all the copies of the DCC sound this good? I would bet money right now they don’t. Folks, I’m guessing this is a Hot Stamper. It was pressed just right and all the Hoffman magic is in these grooves. But that’s just a guess, and I could easily be wrong. If you have a few copies at home, shoot them out! What, you don’t have a bunch of these? Me neither, so no shootout will probably ever be done. This album is just too rare and pricey these days.

Bottom line: We know a good record when we hear one, and this is a very good record indeed! Bravo to Steve for a job well done. 

Tony Bennett – At Carnegie Hall

More Tony Bennett

More Vintage Hot Stamper Pressings on Columbia

  • This superb LIVE double album debuts with a Shootout Winning Triple Plus (A+++) side three, with outstanding Double Plus (A++) sound on the others
  • Our exceptional 360 stereo pressing here will bring this definitive Tony Bennett concert performance right into your very own listening room
  • Plenty of analog richness, space, smoothness and Tubey Magic, all absolutely essential if you want the ’60s to sound like the ’60s
  • 4 1/2 stars: “Recorded one week before the release of the I Left My Heart in San Francisco album that would catapult Tony Bennett’s career into the stratosphere, this album effectively sums up his accomplishments so far… it gives a broad sense of Bennett’s work, and it does so in the format with which he’s most comfortable — live in concert.”

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Crazy Horse – Self-Titled


  • A MONSTER Shootout Winning early pressing with Triple Plus (A+++) sound on both sides – exceptionally quiet vinyl too  
  • Bruce Botnick engineered at Wally Heiders, with Henry Lewy in charge of the mix, so this album’s bona fides are hard to fault
  • Fans of Neil Young (and the album Zuma in particular) will find plenty to like here
  • 4 1/2 stars: “Since Crazy Horse first came to public attention as the backing band for Neil Young it makes sense to expect that the band on its own would play something similar to the hard guitar rock and country-rock heard on those albums… But there is more going on than that. Also joining in are veteran arranger/producer Jack Nitzsche and guitarist Nils Lofgren, while Ry Cooder adds slide guitar to a number of tracks.”

Drop the needle on ‘Gone Dead Train’ and tell me it doesn’t remind you of ‘Waiting for the End of the World’ by Elvis Costello. (more…)

Pixies – Come On Pilgrim

 

  • For only the second time ever, here are Hot Stampers for The Pixies blistering debut, earning Shootout Winning Triple Plus (A+++) grades or close to them – quiet vinyl too  
  • Big, full-bodied, tonally correct, this copy impressed us with its grungy post-punk power trio ENERGY, the sound that rocked the world in 1987
  • 4 1/2 stars: “Gary Smith’s less-is-more production allows the full, primal impact of the band’s combustive sound to blast through, offering what may be the purest version of their perverse punk-pop. An electrifying debut, Come on Pilgrim remains as raw, vibrant, and engaging as the day it was recorded.”

Not your standard audiophile fare, but for those of you who love The Pixies, we are confident you have never heard this album sound remotely as good as it does on the killer Shootout Winning Hot Stamper pressing (from 1987, the same year Better Records went into business(!). (more…)

J.J. Cale – Naturally

 

  • An outstanding pressing of J.J. Cale’s debut, with solid Double Plus (A++) sound throughout – exceptionally QUIET vinyl too    
  • This copy is balanced and natural, with the kind of rich, full-bodied sound that no one seems to know how to record anymore
  • “Cale included a new version of “After Midnight” on the album, but the true meat of the record lay in songs like “Crazy Mama,” which became a hit single, and “Call Me the Breeze,” which Lynyrd Skynyrd later covered. On these songs and many others on Naturally, Cale effortlessly captured a lazy, rolling boogie that contradicted all the commercial styles of boogie, blues, and country-rock at the time.”

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James Taylor – Greatest Hits, Now with Aphex Aural Excitement!

More James Taylor

More Personal Favorites

  • JT’s superb Greatest Hits collection finally returns to the site with solid Double Plus (A++) sound on both sides  
  • Outstanding size and weight with rich, clear sound and good space up top, thanks to Lee Herschberg’s engineering skills
  • Three tracks are unique to this pressing, and those three make it a Must Own for JT fans
  • 4 1/2 stars: “… examples of Taylor’s undeniable warmth and facility for folk/country-tinged pop… a good sampler of Taylor’s more popular early work.”

From the opening acoustic guitar notes, you can tell this Hot Stamper pressing is a lovely sounding record. Believe me, it took us a long time to find a pressing this good – most copies of this record sound like CARDBOARD. (more…)

Unplugged – Our Shootout Winner from 2011

Hot Stamper Pressings of the Music of Paul McCartney Available Now

WHITE HOT STAMPERS and QUIET VINYL on BOTH SIDES make this the best copy of McCartney’s Unplugged to ever hit the site! We just finished a huge shootout for this Better Records favorite and this pressing really blew us away, clearly the best sounding on both sides out of a big stack of copies. The sound is rich, full-bodied and amazingly present, with the kind of jumpin’-out-of-the-speakers sound that you only get on the best pressings.

This copy will put you front and center for the acoustic Paul McCartney concert of your dreams!

In the final round of shootouts on both sides, this copy showed itself as clearly superior in terms of transparency and three-dimensionality, as well as having the most rock solid bottom end. To sum it up, my notes read “so real,” which is exactly what makes this copy THE one to have. This is Paul and his mates LIVE in your listening room like you have never heard them before!

This copy, more so than any of the others, gave us the feeling that we were right there in the audience for the taping of this amazing performance. It made other copies sound like records — good records, but records nonetheless. This one has the IMMEDIACY of a live show, one which just happened to be fronted by one of the greatest performers in the history of popular music, Sir Paul McCartney.

What Hot Stampers Give You For This Album

On the best copies, the sound is warmer, richer, and sweeter, or in a word, more ANALOG sounding. You get more extension up top, more weight down low, and more transparency in the midrange. It’s surprising how veiled and two-dimensional so many copies are, considering this is a live recording with not a lot of processing after the fact. (more…)

Fleetwood Mac – A Ten to Twenty Dollar Used Record? Yeah, We Know Already

Hot Stamper Pressings of the Music of Fleetwood Mac Available Now

You would have to go through at least a dozen or more copies of Rumours to even hope to find one in a league with our best pressings. That’s a lot of record hunting, record cleaning and record playing!

If you know anything about this record, you know that the average domestic pressing of this album is quite average sounding; the good ones are few and far between.

And the stampers, as we’ve come to learn, aren’t the whole story. For one thing, there are at least 75 different side ones and 75 different side twos, all cut by Ken Perry at Capitol on the same three cutters from — we’re assuming, we weren’t there — the same tapes.

But of course they all sound different. Ken also cut the original English and Japanese pressings; his KP is in the dead wax for all to see. The two import KP copies that I heard were quite good, by the way. Not the best, but very good. He only cut the originals though, so practically every import copy you can find will be a reissue made from a dub, ugh.

A Ten to Twenty Dollar Used Record? Yeah, We Know Already

So if you’re the kind of person who likes to complain about us charging hundreds of dollars for a record that can be found in every used bin in town for under twenty, save yourself some typing: that’s the price we pay too.

And if the copy you paid fifteen bucks for sounds good enough, more power to you. Go with god, as they say.

But if your copy doesn’t thrill you — and it’s unlikely that it does — then you have a lot of work ahead of you if you expect to find one that sounds like ours. We wish you well. We wish everybody who likes to do his own shootouts well.

We know the kind of time and energy it takes to find great records, probably better than anyone on the planet. If you have that kind of time and energy available to you, go for it. It takes us a staff of six and access to all the records in the record capitol of the world to pull it off, with thirty years experience doing it no less.

But it can be done, and you can do it. You just have to be willing to put in the time and effort. The records are cheap, right? Fifteen bucks each, we know already.

Ghost in the Machine on Nautilus Vinyl

Hot Stamper Pressings of the Music of Sting and The Police Available Now

And to think we used to actually like the sound of the Nautilus pressings! They suffer from all the same shortcomings other Nautilus and similar half-speeds suffer from: the kind of pretty but lifeless and oh-so-boring sound that we describe in listing after listing. 

Three of the Best, Or So We Thought

I just did shootouts with three of the best Nautilus Half-Speeds: Heart, The Police’s Ghost in the Machine, and Little Feat. None of them sound like the real thing, and especially disappointing was one of my former favorites, the Little Feat album.

On the title track the Nautilus is amazingly transparent and sweet sounding. There are no real dynamics or bass on that track, so the “pretty” half-speed does what it does best and shines. But all the other tracks suck in exactly the same way Night and Day does. Cutting the balls off Little Feat is not my idea of hi-fidelity.

We put audiophile beaters up for sale every week. Each and every one of them is a lesson on what makes one record sound better than another. If you want a wall full of good sounding records, we can help you make it happen. In fact it will be our pleasure. Down with audiophile junk and up with Better Records.

These kinds of records used to sound good on the systems of their day, and I should know, I had an old school stereo even into the 90s.

Some of the records that sounded good to me back then don’t sound too good to me anymore.

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John Coltrane – The Last Trane

  • Coltrane’s wonderful 1966 release finally makes its Hot Stamper debut with Shootout Winning Triple Plus (A+++) sound on side one and and outstanding Double Plus (A++) side two – fairly quiet vinyl too
  • A superb album compiled from three mono recording sessions from 1957 and 1958, featuring brilliant accompaniment by Donald Byrd and Red Garland, among others
  • The recording is huge and lively in the long and storied tradition of Rudy Van Gelder’s Coltrane sessions from the fifties
  • The original Blue Trident Prestige mono pressings are clearly superior to anything that came after them, and that is of course what we are offering here

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