remix

Love Is the Thing – Remixed, Remastered and Ruined

More Hot Stamper Pressings of Pop and Jazz Vocal Albums

Love Is the Thing on DCC was given a “new sound” and I don’t like it.

I really liked the Nat King Cole albums on DCC when they came out back in the 90s. I thought they were a revelation as a matter of fact.  Now I find them insufferable.

Here are some of my reasons for not liking Hoffman’s remix.

Nat’s voice is much too forward and loud in the mix; consequently the orchestra is too soft. The balance is off. At least on my stereo, at the levels I play the record at, the balance seems off. You surely have a different system, in a different room, and may not feel the way I do.

But without a top pressing to compare, how do you know the mix is right or wrong? Like everything in audio, it’s relative.

The balance problem is bad enough, but what really sets my teeth on edge is the fact that the Nat King Cole record on DCC doesn’t sound remotely like any Nat King Cole record I have ever heard, outside of the ones Hoffman worked on of course.

Where is all the Capitol reverb? Nat’s records all have it, and although the reverb may be a bit excessive or unnatural in some ways, at least to some people, when you take it away you end up with a sound that never existed before, and, to my ears, it’s a sound that’s just wrong for the music.

The more I listened to the DCC the less I liked it.

The first full-length commentary I ever wrote in my record catalog in 1994 took Analogue Productions to task for remastering Way Out West and giving it a “new sound,” a sound I had never heard coming from any Contemporary pressing, from any era.

I didn’t like what Doug Sax did with Way Out West, Jazz Giant, Waltz for Debby and many, many others, and I don’t like what Steve Hoffman and Kevin Gray did to Love Is the Thing, The Very Thought of You and Just One Of Those Things.

I have tried to listen to the Gold CD in my car, but even in the car I found the sound boring and insufferable.

Is this the kind of sound you hear on your DCC Nat King Cole records? If it is, we recommend you try a Hot Stamper. If it doesn’t kill your DCC you get your money back.

At the very least it will show you some of the things your DCC is doing differently, and, we think, wrong.

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Ruben and the Jets – An Astonishingly Badly Remixed CD

Hot Stamper Pressings of the Music of Frank Zappa Available Now

The album was reissued on CD in 1985, and almost all of the rhythm tracks were re-recorded at that time. Since all of the reissues that followed have contained the new versions of the material, early pressings of this album, such as this one, are the only way to hear this album the way it was originally recorded.

I made the mistake of buying the new CD and was appalled — yes, that’s the right word for it — by both the modernized sound and the wrong-headed re-recording of the rhythm tracks.

The only way to hear this music properly is on the early Blue Label Verve LP. (more…)

Boz Scaggs / Self-Titled and Remixed

More of the Music of Boz Scaggs

If you like your music dry and clean, try the remixed version, the CD, or perhaps there is a heavy vinyl version out there (at one-tenth the price).

That’s not our sound here at Better Records.

The best recordings from the era do not have that sound, so when we find that kind of analog richness, sweetness and naturalness on a pressing such as this, we know the record is right.

The nearly 13-minute long version of Loan Me A Dime on side two is out of this world and the best reason to play the album. Another good reason: Duane “Skydog” Allman on guitar!

Remix? Not at Better Records

According to Wikipedia:

The Atlantic album eventually went out of print and in 1977, it was completely remixed and reissued on Atlantic 19166. This remix brought out Duane Allman’s guitar in a more up-front way, which changed the original mix, drowning backing voices and keyboards. This remix is the version that’s currently available on CD.

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