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Peter Gabriel on Classic Records

Hot Stamper Pressings of the Music of Peter Gabriel Available Now

Sonic Grade: D (or worse!)

An audiophile hall of shame pressing and another Classic Records rock album badly mastered for the benefit of audiophiles looking for easy answers and quick fixes.

We have a special section for bad sounding records that are marketed to audiophiles, and you can find that section here.

It currently has 281 entries, but if someone wanted to audition more of them — that person is definitely not me, although I cannot imagine anyone more qualified — the number could easily hit 500.

If one were to do just the Music Matters and Analogue Productions albums released to date, a thousand would be no problem.

And if one were simply to include vintage Japanese pressings, the kind many audiophiles regularly bought in the 80s and 90s for their quieter vinyl and supposedly higher quality mastering, our bad audiophile record section would contain multitudes. Multitudes I tell you!

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Peter Gabriel – Self-Titled No. 1 (Car)

More Peter Gabriel

  • With two INSANELY GOOD Shootout Winning Triple Plus (A+++) sides, this British pressing was giving us the sound we were looking for on Peter Gabriel’s solo debut album
  • Rich, smooth, sweet, full of ambience, dead-on correct tonality – everything that we listen for in a great record is here
  • Features his autobiographical lead single and radio staple to this day, “Solsbury Hill”
  • Clearly the hardest of the first five PG records to find with good sound and decent vinyl, which is why these seldom make the site
  • None of our top copies did not have condition issues or ticky vinyl – for this album it is best to assume the vinyl won’t be quiet; it helps to avoid some of the disappointment that inevitably comes
  • Speaking of which, there are some bad marks (as is sometimes the nature of the beast with these vintage LPs) on “Down the Dolce Vita,” but once you hear just how amazing sounding this copy is, you might be inclined, as we were, to stop counting ticks and pops and just be swept away by the music
  • 4 1/2 stars: “…much of the record teems with invigorating energy (as on ‘Slowburn,’ or the orchestral-disco pulse of ‘Down the Dolce Vita’), and the closer ‘Here Comes the Flood’ burns with an anthemic intensity that would later become his signature in the 80s.”

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Peter Gabriel – Direct Disk Labs Half-Speed Reviewed

More of the Music of Peter Gabriel

Reviews and Commentaries for the Music of Peter Gabriel

Sonic Grade: D

The Direct Disk Labs half-speed here is thick, compressed and lifeless, though fairly rich tonally, a key quality the best UK pressings always have. The good UK pressings — on the original tan label, avoid the blue label reissues, they suck — are full of luscious Tubey Magic.

This is in fact the only Peter Gabriel recording that has that vintage Tubey Magical Analog sound. The worst recording of his first five, So, has the least amount. It is digital, and it sounds like it’s digital, but that is not the kiss of death if you can find a good domestic pressing of it and clean it right.

You could do worse I suppose, but too much of the life of the music will be lost when playing this poorly remastered pressing.  Did they have a good British tape to work with? It doesn’t sound like it.

Is it better than the average domestic pressing, the ones that are clearly made from dubbed sub-generation tapes? Maybe, in some ways, but both this half-speed and the domestic pressings should be avoided by audiophiles looking for top quality sound.

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