1968-best

Bizet-Shchedrin / The Carmen Ballet / Rozhdestvensky

More of the Music of Georges Bizet

  • With solid Double Plus (A++) sound from start to finish, this pressing of Bizet’s Masterpiece will be very hard to beat
  • It’s also fairly quiet at Mint Minus Minus, a grade that even our most well-cared-for vintage classical titles have trouble playing at
  • Both sides are open, high-rez, and spacious, with depth like you will not believe and some of the least shrill string reproduction we have ever heard for this music (which is the main problem we run into on the album)
  • Gloriously exciting and fun music that belongs in any audiophile’s collection – side one is where the action is, and this side one had some of the better sound we heard all day
  • This spectacular Demo Disc recording is big, clear, rich, dynamic, transparent and energetic – here is the sound we love
  • We’ve recently compiled a list of records we think every audiophile should get to know better, along the lines of “the 1001 records you need to hear before you die,” with the accent on the joy these amazing audiophile-quality recordings can bring to your life.
  • This album is a good example of a record many audiophiles may not know well but would be well advised to get to know better.

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Creedence Clearwater Revival – Self-Titled

More Creedence Clearwater Revival

  • With excellent Double Plus (A++) grades from top to bottom, this copy of the band’s debut album will be very hard to beat
  • These sides are amazingly low-distortion, solid, dynamic, with the neutral tonality completely missing from the vast majority of reissues
  • Featuring classics such as “I Put a Spell on You,” the extended-length jam “Susie Q” (8:34, perfect for Underground Radio), “The Working Man,” “Porterville,” and more
  • 4 stars: “CCR’s self-titled debut album was gloriously out-of-step with the times, teeming with John Fogerty’s Americana fascinations. … the band’s sound is vibrant, with gutsy arrangements that borrow equally from Sun, Stax, and the swamp.”

It’s unlikely you will be demonstrating your system with this record, but you may find yourself enjoying the hell out of it for what it is — an early example of Roots Rock that still holds up today.

This is an album that’s nearly impossible to find with excellent sound and clean surfaces. This is one of the best copies we’ve managed to come across. (more…)

Simon & Garfunkel / Bookends

More Simon and Garfunkel

  • With two solid Double Plus (A++) or BETTER sides, this early Stereo 360 pressing will be very hard to beat
  • Side one was sonically very close to our Shootout Winner – you will be amazed at how big and rich the sound is
  • This copy has lovely Midrange Magic on the guitars and voices, as well as plenty of studio ambience on most tracks, especially the simpler, more folky ones
  • An album that has become much tougher to come by, especially copies with sides that play as well as these do, although marks in the vinyl are sometimes the nature of the beast with these vintage LPs – there simply is no way around them if the superior sound of vintage analog is important to you
  • A high percentage of pressings had condition problems this time around, including our Shootout Winner, so those of you looking for the best sound might have to wait until late-2025 or even 2026 it seems
  • Top 100, Five Stars – side two alone has four classics: “Fakin’ It,” “Mrs. Robinson,” “A Hazy Shade of Winter” and “At the Zoo”
  • If you’re a fan of this phenomenal folk duo, this early domestic pressing of their 1968 classic belongs in your collection.

The better copies of Bookends and Parsley, Sage, Rosemary and Thyme are a sonic step up in class from anything else these two guys ever released. If you’re looking for the Ultimate Audiophile Simon & Garfunkel record, you just can’t do better than a killer Hot Stamper pressing of either title.

Do you know how hard it is to find a clean copy of this record? I’ll bet we look at 50 every year and probably buy no more than a few, which, after cleaning and going into a shootout may or may not sound good or have audiophile quality surfaces.

What We’re Listening For On Bookends

The bigger production songs on this album have a tendency to get congested on even the best pressings, which is not uncommon for Four Track recordings from the 60s. Those of you with properly set up high-dollar front ends should have less of a problem than some. $3000 cartridges can usually deal with this kind of complex information better than $300 ones.

But not always. Expensive does not always mean better since painstaking and exacting set up is so essential to proper playback.

The supremely talented Roy Halee handled the engineering duties. Not the most “natural” sounding record he ever made, but that’s clearly not what he or the duo were going for. The three of them would obviously take their sound much farther in that direction with the Grammy-winning Bridge Over Troubled Water from 1970.

The Wrecking Crew provided top quality backup, with Hal Blaine on drums and percussion, Joe Osborn on bass and Larry Knechtel on piano and keyboards.

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Tony Mottola / Warm, Wild and Wonderful

More Exotica Albums with Hot Stampers

  • You’ll find solid Double Plus (A++) sound or BETTER throughout this original Project 3 pressing
  • Both of these sides are tubier, more transparent, and more dynamic than most others we played, with plenty of that “jumpin’ out of the speakers” quality that only The Real Thing (an old record) ever has
  • We have never heard the electric guitar sound more real than it does on the better copies of this very album
  • The arrangements of these mostly familiar songs are clever and innovative – the last thing this music could be called is boring or obvious
  • When you’ve played as many records as we have, you’re bound to run into this kind of amazingly good sound from time to time – it’s what makes record collecting fun

The hottest stamper pressings of this album are Demo Discs for three important qualities we listen for in our record auditions. Each of the links below will take you to other recordings we have found to be potentially superior in these areas of reproduction.

  1. Size and space,
  2. Correct timbre and
  3. Tubey Magic.

This is clearly one of the best sounding guitar records we’ve ever had the pleasure to play here at Better Records. Project 3 was an audiophile label in the truest and best sense of the word: a label that not only cared about the sound of their recordings, but actually proved they could produce title after title of the highest quality, equal or superior to anything on the market.

This, of course, places them in stark contrast with the audiophile labels of the modern era, the last forty years say, which only on rare occasion produce records of any real quality. (Here’s one, which proves it can be done!)

Instead these modern labels endlessly grind out one mediocrity after another to the consternation of those of us who know the difference.

But I digress.

We had a mind-blowing percussion record on the Somerset label years ago that raised the bar for us regarding that genre, and this jazz guitar record on Project 3 has achieved the same effect. Some of the following is borrowed from the listing for that Somerset record.

Soundfield, Timbre and Dynamics

The spaciousness of the studio is reproduced with uncanny fidelity, with both huge depth and width, but there is another dimension that this record operates in that few others can — the instruments here are capable of jumping out of your speakers seemingly right into your listening room.

The effect is astonishing. I have never heard the electric guitar sound more real than it does here. The timbre is perfection. The dynamics are startling.

The One Per Cent

Obviously we are charging a lot of money for this kind of Exotica/Bachelor Pad record. Let me make the case by saying that there is likely to be no better sounding record on the site as you read this, and not that many that can compete with it. Out of the thousands and tens of thousands of records we have played over the years, we put this copy in the Top One Per Cent.

It is our belief that no one with an up-to-date, highly tweaked big system, a properly setup front end (with the VTA adjusted specifically for this record), and a carefully treated listening room can fail to have his mind blown by the sonics of this pressing.

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The Moody Blues – In Search Of The Lost Chord

More of The Moody Blues

Reviews and Commentaries for The Moody Blues

  • Incredible sound throughout this early UK pressing, with both sides earning Shootout Winning Triple Plus (A+++) grades or close to them – fairly quiet vinyl too
  • Here are just a few of the things we had to say about this killer copy in our notes: “jumping out of the speakers”…”big and tubey”…”sweet and breathy vox”…”weighty and rich”…”much more transparent and detailed” (side two)
  • Chock full of Moodies Magic: warm, full-bodied, rich and smooth, with tremendous space and plenty of rock energy
  • The first Moody Blues album to feature their trademark mellotron arrangements, and what a glorious sound that is when it sounds like this
  • “…the album on which the Moody Blues discovered drugs and mysticism as a basis for songwriting and came up with a compelling psychedelic creation, filled with songs about Timothy Leary and the astral plane and other psychedelic-era concerns.”

This early Deram British import LP has outstanding sound and reasonably quiet vinyl. It has higher resolution, is more dynamic, sweeter and clearer than practically all other copies, without sacrificing the richness, warmth and lushness for which the Moody Blues recordings are justifiably famous. I’ll put it this way — this pressing is correct from top to bottom, so present and alive, while still retaining all the richness and sweetness we expect from British Moody Blues records.

This copy has all the elusive elements that we search for: vocal clarity, real weight down low, great energy, tight punchy bass, and lots of texture to the keyboards and synths. This copy is full of Tubey Magic and, importantly, it doesn’t sound too murky or muddy. That’s a neat trick for any copy of this album, as those of you who’ve been playing it for years certainly know by now.

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Bloomfield-Kooper-Stills – Super Session on the 70s Red Label

More Al Kooper

More Stephen Stills

  • With superb Double Plus (A++) grades on both sides, we guarantee you’ve never heard Super Session sound this good
  • Engineered by Roy Halee, the man behind one of the best sounding rock records of all time (the self-titled Blood, Sweat and Tears album), the oh-so-analog sound here is especially dynamic and spacious
  • It’s true, the 360 label pressings win our shootouts, but that doesn’t mean the right later label pressings aren’t nearly as good, as is the case with this one
  • For fans of BS&T’s first album (and everybody else), Super Session is a Must Own
  • “Season of the Witch” is crazy good on this vintage Red Label pressing
  • 4 1/2 stars: “This is one of those albums that seems to get better with age… This is a super session indeed.”

Here’s a copy that gets the midrange right. It’s nice and open, with lots of space around all of the instruments, tight punchy bass, and an extended top end. The energy level is right up there with some of the best we played.

“Man’s Temptation,” track 3 on side one, has got some seriously bright EQ happening (reminiscent of the first BS&T album), so if that song even sounds tolerable in the midrange you are doing better than expected.

Watch Out For

Bright, gritty, spitty, edgy, harsh, upper-midrangy vocals. The Red Labels tend to have more problems of this kind, but plenty of original 360 pressings are gritty and bright too.

Let’s face it, if the vocals are wrong, this album pretty much falls apart.

Most copies are far too bright and phony sounding to turn up loud; the distortion and grit are just too much at higher volumes. On the better copies, with more correct tonality and an overall freedom from distortion, you can turn the volume up and let Super Session rock.

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Iron Butterfly – In-A-Gadda-Da-Vida

More Iron Butterfly

More Rock Classics

  • With two outstanding Double Plus (A++) sides, this early Atco pressing of Iron Butterfly’s Psych Rock classic will be very hard to beat
  • Surely this is one of the quietest copies we have ever listed for sale – a fluke, but one we are pleased to be able to offer to those of you who place a premium on quiet vinyl
  • The title track takes up all of side two and we guarantee you have never never heard it sound this good – it’s clean, open, rich and solid, and the vocals aren’t screechy (for once!)
  • Both sides are smooth, rich and Tubey Magical, which means the album is actually enjoyable
  • 4 1/2 stars: “The epitome of heavy psychedelic excess… the group’s definitive album.”

We’ve heard some awful, awful, just really awful sounding pressings of this album over the course of the last twenty years. If you own the album, you know what I’m talking about.

Clean originals that we’d hoped would have the goods rarely lasted more than 30 seconds on our table, they were that bad.

But that was part of the problem — the originals on the plum and gold label tend to be more crude and distorted than the yellow label reissues. That was just dumb “original is better” record collector thinking. If anybody should know better, it’s us.

When we finally got hold of some promising reissues, it was only a matter of time before a shootout could be scheduled. In the case of In-A-Gadda-Da-Vida, finding enough clean copies took us about five years. One of two a year, that’s how many clean copies we can find by going to multiple, high volume, high turnover record stores here in L.A. every week.

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James Taylor – Self-Titled

More James Taylor

More Debut Recordings of Interest

  • This early UK Apple pressing of James Taylor’s debut LP boasts excellent sound from first note to last
  • We do this shootout about once every ten years, so if you are James Taylor fan, this may be your last chance to get a killer copy of this album in audiophile playing condition from us
  • If I were to make a list of my favorite rock and pop albums from 1968, this album would definitely be on it
  • 4 1/2 stars: “The absolute conviction that runs throughout this music takes the listener into its confidence and with equal measures of wit, candor, and sophistication, James Taylor created a minor masterpiece…”
  • We’ve recently compiled a list of records we think every audiophile should get to know better, along the lines of “the 1001 records you need to hear before you die,” with an accent on the joy these amazing audiophile-quality recordings can bring to your life.
  • James Taylor’s first album is a good example of a record audiophiles probably don’t know well, but we think they might really enjoy getting to know it better

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The Rolling Stones – Beggars Banquet

More Rolling Stones

  • You’ll find solid Double Plus (A++) sound on both sides of this vintage London pressing of this surprisingly well-recorded Stones album from 1968
  • The long lost Tubey Magic of these early pressings has them sounding better than we ever thought possible using the audio equipment of the 60s
  • This is exactly the way you want Beggars Banquet to sound, and it sure doesn’t take a pair of golden ears to hear it
  • One of a select group of Rolling Stones Must Own titles we prize above all others – Sticky Fingers and Let It Bleed round out the trio
  • 5 stars: “Basic rock & roll was not forgotten, however: ‘Street Fighting Man’… was one of their most innovative singles, and ‘Sympathy for the Devil’… was an image-defining epic.”
  • If you’re a Stones fan, this vintage pressing of their 1968 classic belongs in your collection
  • No Expectations, the second song on the first side, is one of the greatest Demo Tracks for Tubey Magical guitar reproduction we know of. The next year, Glyn Johns would pull off another acoustic guitar recording of that quality with Love in Vain on Let It Bleed.

Good pressings are certainly not easy to come by — this kind of rich, full-bodied, musical sound is the exception, not the rule. And there’s actual space and extension up top as well, something you certainly won’t hear on most of the vinyl that’s been pressed over the 50+ years since this album was released.

What sets the best copies apart from the pack is a fuller, richer tonal balance, which is achieved mostly by having plenty of bass and less upper midrange. Those are the copies that sound tonally correct to us, and you should have no trouble appreciating the difference.

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Van Morrison – Astral Weeks

  • Outstanding sound throughout this vintage Green Label pressing, with both sides earning Double Plus (A++) grades – quiet vinyl too for any record pressed in this era
  • This record lives or dies by the quality of its Tubey Magical Midrange, a sound modern records seem to be virtually incapable of reproducing
  • It takes us years to find enough clean copies to do a shootout – these originals are not sitting in the bins at your local store anymore, they’re displayed behind the counter for a hundred bucks or more a pop (and more than two hundred on ebay)
  • 5 stars: “Astral Weeks is a justified entry in pop music’s pantheon. It is unlike any record before or since; it mixes together the very best of postwar popular music in an emotional outpouring cast in delicate, subtle musical structures.”

Vintage covers for this album are hard to find in exceptionally clean shape. Most of the will have at least some amount of ringwear, seam wear and edge wear. We guarantee that the cover we supply with this Hot Stamper is at least VG

I don’t think there’s too much I can tell you about Astral Weeks that’s going to convince you to buy it or not. It’s obviously one of the man’s (many) masterpieces, his most unique and original contribution to the music of his time, and one of the most beloved albums in his canon.

This 60s LP has the kind of Tubey Magical Midrange that modern pressings barely BEGIN to reproduce. Folks, that sound is gone and it sure isn’t showing any sign of coming back.

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