Top Artists – Joe Gordon

Shelly Manne & His Men – At The Black Hawk, Vol. 3

More of the Music of Shelly Manne

  • A vintage Contemporary stereo pressing with solid Double Plus (A++) sound or close to it from first note to last
  • This is West Coast Jazz at its best, and if anyone can capture the feeling of jazz in a small club, it’s the engineers and producers at Contemporary
  • The sound is superb – airy, open, and spacious with a solid bottom end – the depth and definition are out of this world (particularly on side one)
  • “Considering how much music was documented, it is fortunate that trumpeter Joe Gordon, tenorman Richie Kamuca, pianist Victor Feldman, bassist Monty Budwig and drummer Shelly Manne were in top form for this enjoyable gig. The music is high-quality straightforward and uncomplicated bebop.”

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Shelly Manne & His Men – At The Black Hawk, Vol. 4

More of the Music of Shelly Manne

  • Here is an early Contemporary stereo pressing with solid Double Plus (A++) sound on both sides
  • This is West Coast Jazz at its best, and if anyone can capture the realism of a live jazz club, it’s the engineers and producers at Contemporary
  • For our shootout, we chose to play Volumes 2, 3 and 4 on the same day, which taught us something we might not have known otherwise — Volume 4 tends to have the best sound of those three albums
  • If you want to hear a healthy dose of the Tubey Magic, size and energy of this wonderful live session recorded at the Black Hawk in September 1959, this copy will let you do that
  • 4 stars: “Shelly Manne’s 1959 quintet (with trumpeter Joe Gordon, tenor saxophonist Richie Kamuca, pianist Victor Feldman, bassist Monty Budwig, and the drummer/leader) was … a hard-swinging unit well versed in bebop. The lengthy solos are consistently excellent, making this entire series recommended to straight-ahead jazz fans.

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Shelly Manne & His Men / At The Blackhawk, Volume 2

More of the Music of Shelly Manne

  • With solid Double Plus (A++) sound or BETTER from first note to last, this early Contemporary stereo pressing will be very hard to beat
  • This is West Coast Jazz at its best, and if anyone can capture the realism of a live jazz club, it’s the engineers and producers at Contemporary
  • Each instrument here sounds right – the piano is weighty and percussive; the drums are punchy; and the brass has lovely leading edge transients
  • 4 stars: “These lengthy performances (“Vamp’s Blues” is over 19 minutes long) give trumpeter Joe Gordon, the cool-toned tenor-saxophonist Richie Kamuca, pianist Victor Feldman, bassist Monty Budwig and the leader/drummer a chance to really stretch out. Fine 1950s bebop.”

Wonderful sound and music! This is West Coast Jazz at its best. The sound is superb — airy, open, and spacious with a stunningly good bottom end. You won’t believe how alive the bass sounds — the depth and definition are out of this world! Each instrument here sounds just right — weighty, percussive piano; punchy drums; and lovely leading edge transients on the brass. Contemporary got live nightclub jazz sound down to a “T” here.

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Barney Kessel – Some Like It Hot on OJC

More Barney Kessel

  • Superb sound for Kessel’s brilliant 1959 large group outing, with both sides of this Contemporary recording pressed on OJC vinyl earning solid Double Plus (A++) grades or close to them – exceptionally quiet vinyl too
  • With Tubey Magic, richness, sweetness, and dead on tonality from top to bottom (particularly on side two), this is a textbook example of Contemporary’s sound when it’s really working
  • The other OJC pressings in this shootout did not do nearly as good as this one, but out of what we played it sounded right to us
  • An All Star West Coast lineup came together for this one: Art Pepper (on sax and clarinet!), Shelly Manne, Joe Gordon and others
  • 4 1/2 stars: “Such tunes as ‘I Wanna Be Loved by You,’ ‘Runnin’ Wild,’ ‘Down Among the Sheltering Palms,’ and ‘By the Beautiful Sea’ are given fairly modern arrangements…”

This copy is spacious, sweet and positively dripping with ambience. The liquidity of the sound here is positively uncanny. This is vintage analog at its best, so full-bodied and relaxed you’ll wonder how it ever came to be that anyone seriously contemplated trying to improve it. (more…)

Shelly Manne and His Men / At The Blackhawk Vol. 1 – Live West Coast Jazz in 1960 Is Hard to Beat

More Shelly Manne

More Contemporary Label Jazz

  • Boasting two solid Double Plus (A++) or BETTER sides, this vintage stereo pressing will be very hard to beat – exceptionally quiet vinyl too
  • Side one has the best condition grade we give out, Mint Minus – there may not be another record on the site with vinyl that quiet!
  • This is West Coast Jazz at its best, and if anyone can capture the realism of a live jazz club, it’s the engineers and producers at Contemporary
  • Each instrument here sounds right – the piano is weighty and percussive; the drums are punchy, and the brass has lovely leading edge transients
  • We were surprised that Volumes One and Four had much better sound than Two and Three
  • Until we can crack the code for those other two titles, don’t expect to see them on the site
  • If you’re a fan of live jazz, this Contemporary from 1960 belongs in your collection.
  • The complete list of titles from 1960 that we’ve reviewed to date can be found here.

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Barney Kessel – Some Like It Hot

More Barney Kessel

 Reviews and Commentaries for the Music of Barney Kessel

  • Kessel’s brilliant 1959 large group outing is back on the site for the first time in years, here with excellent Double Plus (A++) grades on both sides of this vintage Contemporary pressing – fairly quiet vinyl too
  • With Tubey Magic, richness, sweetness, and dead on tonality from top to bottom, this is a textbook example of Contemporary’s sound when it’s really working
  • Skip the OJC on this title – some sides of the copies we played were good, but make no mistake, there is world of difference between those sides and the Hot Stamper pressings we are offering on our site
  • An All Star West Coast lineup came together for this one: Art Pepper (on sax and clarinet!), Shelly Manne, Joe Gordon and others
  • 4 1/2 stars: “Such tunes as ‘I Wanna Be Loved by You,’ ‘Runnin’ Wild,’ ‘Down Among the Sheltering Palms,’ and ‘By the Beautiful Sea’ are given fairly modern arrangements…”
  • Some Like It Hot is one of those albums with one and only one set of very special stampers that always win the (few) shootouts we’ve been able to do

This copy is spacious, sweet and positively dripping with ambience. The liquidity of the sound here is positively uncanny. This is vintage analog at its best, so full-bodied and relaxed you’ll wonder how it ever came to be that anyone seriously contemplated trying to improve it. (more…)

Thelonious Monk – In Person

More of the Music of Thelonious Monk

Hot Stamper Pressings of Jazz Albums Available Now


  • In Person returns to the site with solid Double Plus (A++) sound on all FOUR sides of these vintage Milestone pressings – remarkably quiet vinyl too
  • Unusually rich, full-bodied, lively and present sound which brings out the best in this music
  • Features incomparable jazz greats Donald Byrd and Joe Gordon
  • The 1976 transfers of tape to disc by David Turner are superb in all respects – remastering is not a dirty word when it sounds like this
  • 4 1/2 stars: “The first half of In Person contains the pianist/composer’s famous Town Hall concert of 1959… The second half of this two-fer finds Monk leading a strong sextet with trumpeter Joe Gordon and tenors Rouse and Harold Land live…”

The Riverside pressings we’ve auditioned of both The Thelonious Monk Orchestra – At Town Hall and Thelonious Monk Quartet Plus Two – At The Blackhawk were just awful sounding. The OJC reissues from the ’80s, although better, were not overflowing with the rich, natural, relaxed sound we were looking for either.

Ah, but a few years back we happened to drop the needle on one of these good Milestone Two-Fers. Here was the sound we were looking for and had had so little luck in finding.

Which prompts the question that should be on the mind of every audiophile:

What are the rules for collecting records with the best sound quality?

The answer, of course, is that there are no such rules and never will be.

There is only trial and error. Our full-time staff has been running trials — we call them shootouts and needle drops — for decades, with far more errors than successes. Such is the nature of records. It may be a tautology to note that the average record has mediocre sound, but it nevertheless pays to keep this inconvenient fact in mind.

Even worse, if you make the mistake of pinning your audiophile hopes on a current reissue — and you have reasonably high standards and two working ears — your disappointment is almost guaranteed.

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What Are Some Good General Rules for Acquiring Records with the Highest Quality Sound?

More Entries from Tom’s Audiophile Notebook

The Riverside pressings we’ve auditioned of both The Thelonious Monk Orchestra – At Town Hall and Thelonious Monk Quartet Plus Two – At The Blackhawk were just awful sounding.

The OJC reissues of both albums from the 80s, although better, were not overflowing with the rich, natural, relaxed analog sound we were looking for either.

Ah, but a few years back (2015, maybe?) we happened to drop the needle on one of these Monk Milestone Two-Fers. Here was the sound we were looking for and had had so little luck finding until then.

Which prompts the question that should be on the mind of every audiophile:

What are the rules for collecting records with the best sound quality?

The answer, of course, is that there are no such rules and there never will be.

There is only trial and error. Our full-time staff has been running trials — we call them shootouts and needle drops — for more than twenty years now, with far more errors than successes. Such is the nature of records.

It may be a tautology to note that the average record has mediocre sound, but it nevertheless pays to keep that undeniable fact in mind.

Even worse, if you make the mistake of pinning your hopes on a current Heavy Vinyl reissue — and you happen to be a member of that blessed minority of audiophiles with top quality equipment; a dedicated, heavily-treated room; decades of experience; reasonably high standards and well-trained ears — your disappointment is almost assured.

Harold Land / West Coast Blues! – The Right Jazzland Vinyl Just Cannot Be Beat

More Harold Land 

More Jazz Recordings Featuring the Saxophone

  • Truly superb sound can be found on both sides of this early Jazzland pressing, with each earning Shootout Winning Triple Plus (A+++) grades
  • Wally Heider, recording these sessions in San Francisco in 1960, captured some real jazz excitement on tape, and as good as the OJC mastered by George Horn may be, The Real Deal here takes the sound to another level
  • 4 stars: “Tenor saxophonist Harold Land leads an all-star sextet that includes guitarist Wes Montgomery, trumpeter Joe Gordon, pianist Barry Harris, bassist Sam Jones and drummer Louis Hayes… The music is as well-played and swinging as one would expect from this superior bop group.”

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Helen Humes – Swingin’ With Humes – Our Shootout Winner from 2008

More Pop and Jazz Vocal Albums

SUPERB SOUND AND MUSIC! We’ve been finding great copies of Helen’s Songs I Like To Sing! for some time, but this is the first knockout copy we’ve ever found of this great title from 1961. Both sides have A+++ sound, As Good As It Gets (AGAIG).  

Whoever takes this one home is in for a treat. Make sure your electricity is really cookin’, turn down the lights, and turn up the volume — Helen and her top-notch backing band will be RIGHT THERE IN THE ROOM WITH YOU! The other copies we played sounded pretty good, but this one is MAGICAL.

Both sides have mindblowing clarity and transparency — something that you wouldn’t likely find on an earlier pressing — matched with the kind of tubey magic that’s almost always missing from OJC pressings. (more…)