Another in our series of Home Audio Exercises with advice on what you should be listening for when critically evaluating your copy (or ours) of the album.
Want to hear what the best copies of Mr. Tambourine Man can do? Play Chimes of Freedom, one of the best sounding tracks on side two, if not THE best. Listen to how breathy Jim (later Roger) McGuinn’s vocals are. Byrds records almost never sound like that.
I Knew I’d Want You is another one that sounds amazingly Tubey Magical on the best pressings.
Years ago we wrote that the 360 Label original pressings were the only ones with the rich, warm sound of tubes:
Looking for Tubey Magic? The best 360 pressings are the only way to go, and even those are often lacking. (Forget most red label copies; they have nice qualities but tubey magic is not among them.) But the best pressings of The Byrds’ albums — those with truly Hot Stampers — are swimming in it.
This time around we found a Red Label reissue with lovely Tubey Magic. It did not win our shootout — this copy did — but it was very rich and tubey. I had no idea it was a reissue when grading it, because it sure didn’t fit with my idea of what a reissue would sound like. Fortunately I can’t see the labels of the records that I’m grading, which helps make the admittedly subjective evaluation of records somewhat more objective than might otherwise be the case. (more…)