Play it against your MoFi or Heavy Vinyl pressing and you will quickly see why those LPs bore us to tears. Who in his right mind would want to suffer through a boring Beatles record?
Drop the needle on any song on the first side to see why we went crazy over this one. The emotional quality of the boys’ performances really comes through on this copy. They aren’t just singing — they’re really BELTIN’ it out. Can you imagine what that sounds like on the title track? We didn’t have to imagine it, WE HEARD IT!
It’s (Almost) All About The Midrange
There are two important traits that all the best copies have in common. Tonally they aren’t bright and aggressive (which eliminates 80 percent of the AHDN pressings you find), and they have a wonderful midrange warmth and sweetness that brings out the unique quality of the Beatles’ individual voices and harmonies.(more…)
This British Import Parlophone pressing has, without a doubt, ONE OF THE BEST SIDE TWOS WE’VE EVER HEARD. I guarantee you’ve never heard A Day In The Life sound as good as it does here — we sure haven’t! The superb presence, clarity, and transparency allow elements to come through that are lost on all but the very hottest copies. Take a listen to how clear the piano comes through in the mix and compare it to any other copy you can find to see what I’m talking about.
Talk about energetic, jumpin’ out of the speakers, zero distortion sound! This A+++ side two is a MONSTER. The bottom end has all the weight, the mids are as tubey magical as they come, and the top end is fully extended and silky sweet. I’d feel good putting this side up against anything you could throw at it. Heck, I’d be surprised if the master tape itself sounded significantly better!(more…)
The sound of the best pressings of The Beatles — when cleaned with the Walker Enzyme fluids on the Odyssey machine — are truly revelatory.
So much of what holds their records back is not bad mastering or poor pressing quality or problems with the recording itself. It’s getting the damn vinyl clean. (It’s also helpful to have high quality playback equipment that doesn’t add to the inherent limitations of the recordings.)
Know why you never hear Beatles vinyl playing in stereo stores or audio shows? (Love doesn’t count; give me a break.)
Because they’re TOO DAMN HARD to reproduce. You have to have seriously tweaked, top-quality, correct-sounding equipment — and just the right pressings, natch — to get The Beatles’ music to sound right, and that’s just not the kind of stuff they have at stereo stores and audio shows. (Don’t get me started.) (more…)
A mono copy of Deja Vu (which no doubt sounds terrible; I had one once) went for $1200 on ebay a few years back!
Oh, but it’s an auction, so I guess that makes it all right. The seller didn’t set the price, the market did.
But the market sets our prices too. We can’t sell a record for more than what the customer is willing to pay. What exactly is the difference?
Man, I sure would love to get $4k+ for one of our killer Hot Stamper pressings of Deja Vu. I guarantee our copy sounds a whole lot better. And the music is the same, right? So what did you get for your additional three thousand dollars?
A nice record to put on the shelf.
Which you could get from us for three thousand dollars less.
Drumroll please… FREAKISHLY GOOD SOUND ON BOTH QUIET SIDES! This White Hot Sgt. Pepper’s is absolutely stunning with huge amounts of LIFE, ENERGY, PRESENCE, and IMMEDIACY! The huge soundfield will fill up your living room — and then some!
Side One is a TUBEY MAGICAL MONSTER! We rate the first two tracks an A++ because the bass is a bit more bloated than we would like. But in true champion form, the bass tightens up during “Lucy in the Sky With Diamonds” to earn its THIRD PLUS and to show the world what tonal balance sounds like. The top end is silky and delicate with lots of extension. The vocals here are virtually strain free, which is a miraculous feat for any Beatles album.(more…)
Here’s a BIG one for you Beatles nuts… the first A+++ / A+++ copy of With The Beatles to ever make it to the site!
MASTER TAPE SOUND AND QUIET VINYL ON BOTH SIDES! This is one of the toughest Beatles albums to get to sound right, as long-time readers of our site surely know. That’s why we haven’t listed a Hot Stamper for this album since late 2006 — we just can’t find them!
We’ve heard copies that were smeared, murky, muddy, grainy, or all of the above. Almost all of them had no real magic in the midrange. And of course, we heard tons of copies with the kind of gritty vocals that you’ll find all over the average Parlophone Beatles pressing. So when we dropped the needle on this copy, it was nothing short of a REVELATION! It has the energy and the life of the music in the grooves in a way I GUARANTEE you have never heard before.(more…)
An awful Direct to Disc recording. The bad sound and pointless music — this is the kind of crap we audiophiles used to put up with back in the ’70s before we had much of a clue — means that it clearly belongs in only one place on our site: the Hall of Shame.
Folks, you may have noticed that not many copies of Help with knockout sound make it to the site very often. They’re just not easy to find, but we’re happy to report that our last shootout produced some real knockouts! If you like your Beatles albums to sound rich, natural, lively and clear — and who doesn’t — you can’t go wrong here.
Both sides here are truly killer, and better than the typical pressing in almost every way. The soundstage is bigger and more three-dimensional, the overall tonality is fuller and richer, and there’s a level of presence here that just doesn’t exist on most copies.(more…)
One of our good customers had this to say about some Hot Stampers he purchased recently:
Just wanted to say I was blown away by this copy. Having lived with the MoFi pressing since the box set first came out in the 80’s I was dumbfounded when the horn blast opening the title track practically leapt out of my speakers. I am so impressed that I just placed an order for 3 more Hot Stamper Beatles vinyl. It’s time to replace the MoFi.(more…)
We’ve heard some excellent German pressings before, but this time [circa 2011] nothing could match up to our best Brit copies. What the best British copies have is more of the TUBEY MAGIC that can typically be heard on early pressings, due no doubt to the fact that they are mastered with tube equipment.
One reason we were so crazy about the German pressings is how amazingly clean and clear they can be. I can’t tell you how many distorted Brit copies we’ve played of this album over the years.
Some of the old cutting equipment clearly adds its own layer of distortion to the distortion that already exists on the tape for many of these Imports. A clean, clear, super low distortion Brit copy like this one is certainly the exception and NOT the rule.(more…)