Now She Knows She’s Wrong — another in our series of Home Audio Exercises.
I spent quite a few hours tuning up the stereo with side two of the album, specifically the song Now She Knows She’s Wrong, with its glockenspiel, loudly clanging tubular bells and yelling chorus at the end.
It’s exceedingly hard to get everything right at the same time: the energy, the deepest bass, the extension at the very top of the top end, the greatest transparency, just to mention a few of the main ones. There are always trade-offs, and being able to balance the trade-offs against the gains in these areas and others is a real test of your critical listening skills.
It’s not a perfect recording, and those are usually the ones that can teach you the most about your system’s strengths and weaknesses.
The problem with the typical copy of this record is gritty, grainy, grungy sound — not the kind that’s on the master tape, the kind that’s added during the mastering and pressing of the record. When that crap goes away, as it so clearly does on side one of the copy we played recently, it lets you see just how good sounding this record can be. And that means REALLY good sounding.
While during the shootout I had completely forgotten that all the domestic pressings of Bellybutton are direct metal mastered. (The import pressings are clearly made from copy tapes and are to be avoided.) It was only afterwards, when looking for stamper variations, that I noticed the DMM in the dead wax . (more…)