Top Artists – Gerry Mulligan

Gerry Mulligan – Jeru

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A distinguished member of the Better Records Jazz Hall of Fame.

This Black Print 360 original stereo pressing from 1962 put every other copy we played to shame – it’s White Hot on both sides. Tubier, more transparent, more dynamic, with that “jumpin’ out of the speakers’ quality that only The Real Thing (an old record) ever has. Hard to imagine any reissue, vintage or otherwise, can beat the sound of this amazing LP – we sure couldn’t find one.  (more…)

Dave Brubeck Trio Featuring Gerry Mulligan – Compadres

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  • You’ll find excellent Double Plus (A++) sound on both sides of this Brubeck Mulligan Masterpiece  
  • The fullness of the lower midrange on this Columbia 360 Stereo pressing brings out all the magic of this pair’s piano and baritone, respectively
  • Recorded in Mexico, the superb sound captured here was no easy feat, but the Columbia engineers were clearly up to the challenge
  • 4 1/2 Stars: “This fine LP was the debut of Brubeck’s new Quartet, a group featuring baritonist Gerry Mulligan… this enjoyable set showed that for Brubeck there was life after Paul Desmond.”

If you haven’t heard one of our killer Gerry Mulligan vintage Columbia pressings, with the fullness of its lower midrange bringing out all the magic of the man’s remarkably rich baritone, this is your chance.

And if too much baritone sax is not your thing, this may be just the right record for you, with Brubeck taking half the leads.

As is the case with most live albums, the sound of the crowd tells you a lot about the recording, and on this copy the crowd sounded exceptionally clear and natural. Many live albums have crowds that are either too bright, or too loud between tracks, both of which can be very off-putting. When the crowd is recorded and mixed right — again, these are pros from Columbia Records who really know their jazz — you feel as if you are immersed right there with them in the audience. (more…)

Gerry Mulligan Quartet – What Is There To Say?

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What Is There To Say?

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A distinguished member of the Better Records Jazz Hall of Fame.

This Six Eye stereo LP put every other copy we played to shame on side one with shootout winning Triple Plus (A+++) sound. Side two earned a Double Plus (A++) grade for its explosive dynamics and rich, full-bodied, Tubey Magical sax sound. Tubier, more transparent, more dynamic, with that “jumpin’ out of the speakers’ quality that only The Real Thing ever has. Hard to imagine any reissue, vintage or otherwise, can hold a candle to the sound of this amazing record. 

Recorded at Columbia’s 30th Street studios, here is a record that sounds like Kind of Blue, Ah Um and Time Out, for the simple reason that all were recorded in the same studio using the same equipment and perhaps even the same engineers. (more…)

Dave Brubeck Trio Featuring Gerry Mulligan – Compadres – What to Listen For

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Another in our series of Home Audio Exercises with advice on What to Listen For (WTLF) as you critically evaluate your copy of the album, or any live album for that matter.

As is the case with most live albums, the sound of the crowd tells you a lot about the recording, and on this copy the crowd sounded exceptionally clear and natural.

Many live albums have crowds that are either too bright, or too loud between tracks, both of which can be very off-putting. When the crowd is recorded and mixed right — again, these are pros from Columbia Records who really know their jazz — you feel as if you are immersed right there with them in the audience. (more…)

Gerry Mulligan Quartet – Spring Is Sprung

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  • With shootout-winning Triple Plus (A+++) grades on both sides, it just doesn’t get any better than this copy of Mulligan’s superb sounding and Hard To Find 1963 release on Philips
  • Quincy Jones directed, and Phil Ramone made sure the album would be exceptionally well-recorded, which it is!
  • Big, rich, and Tubey Magical, this pressing let us hear Mulligan’s quartet with the energy and clarity these classic jazz performances deserve
  • 4 Stars: “Mulligan and Brookmeyer always seem to stimulate one another’s playing to a high level, and this album is no exception. The group gets into a swinging groove right away with its updated treatment of a Count Basie favorite, “Jive at Five,” followed by Mulligan’s brisk yet intricate jazz waltz “Four for Three.””

Clean and Clear Yet Rich and Sweet

This copy managed to find the ideal balance of these attributes. You want to find that rare copy that keeps what is good about a Tubey Magical analog recording from The Golden Age of ’60s Jazz while managing to avoid the pitfalls so common to them: compression, opacity, and blubber. (more…)