As is the case with most live albums, the sound of the crowd tells you a lot about the recording, and on this copy the crowd sounded exceptionally clear and natural.
Many live albums have crowds that are either too bright, or too loud between tracks, both of which can be very off-putting. When the crowd is recorded and mixed right — again, these are pros from Columbia Records who really know their jazz — you feel as if you are immersed right there with them in the audience.(more…)
With shootout-winning Triple Plus (A+++) grades on both sides, it just doesn’t get any better than this copy of Mulligan’s superb sounding and Hard To Find 1963 release on Philips
Quincy Jones directed, and Phil Ramone made sure the album would be exceptionally well-recorded, which it is!
Big, rich, and Tubey Magical, this pressing let us hear Mulligan’s quartet with the energy and clarity these classic jazz performances deserve
4 Stars: “Mulligan and Brookmeyer always seem to stimulate one another’s playing to a high level, and this album is no exception. The group gets into a swinging groove right away with its updated treatment of a Count Basie favorite, “Jive at Five,” followed by Mulligan’s brisk yet intricate jazz waltz “Four for Three.””
Clean and Clear Yet Rich and Sweet
This copy managed to find the ideal balance of these attributes. You want to find that rare copy that keeps what is good about a Tubey Magical analog recording from The Golden Age of ’60s Jazz while managing to avoid the pitfalls so common to them: compression, opacity, and blubber.(more…)