Side one earned a Double Plus (A++) grade and side two was even better, nearly Triple Plus (A++ to A+++)!
This copy has some of the tubiest, richest, yet clearest Moody Blues sound we’ve heard
Huge and spacious with strong midrange presence – this is the way the band should sound, alive and kickin’!
Includes the big hit Question, one of the all time greats by the band, which sounds fantastic here of course
Note that the sound on side one seems to get better as it goes, a phenomenon we have noticed often in the past.
What to Listen for
Achieving just the right balance of “Moody Blues Sound” and transparency is no mean feat. You have to be using the real master tape for starters. Then you need top end extension, a very rare quality on these imports, and finally, good bass definition to keep the bottom end from blurring and bleeding into the midrange. No domestic copy in our experience has ever had these three qualities, and only the best of the British imports (no Dutch, German or Japanese need apply) manages to get all three on the same LP.(more…)
Superb Double Plus (A++) sound on both sides – this is one of the better sounding copies we played in our recent shootout
With a wonderful combination of Tubey Magical richness and clarity, this pressing will be very hard to beat
Full-bodied and lush, yet not veiled or distant, this is the sound that brings the Moodies magic to life
4 1/2 stars: “The best-realized of their classic albums, Every Good Boy Deserves Favour was also the last of the group’s albums for almost a decade to be done under reasonably happy and satisfying circumstances — for the last time with this lineup, they went into the studio with a reasonably full song bag and a lot of ambition and brought both as far as time would allow…”
This copy had the BIG, RICH, LUSH British sound that can only be heard on the very best Moody Blues pressings.(more…)
Presenting another entry in our extensive Listening in Depth series with advice on what to listen for as you critically evaluate your copy of Waiting For The Sun.
My favorite of the first three Doors album, this one is imbued with more mystery and lyricism than any previous effort. The album shows them maturing as a band, smoking large amounts of pot and preparing for the wild ride of their next opus, the ambitious Soft Parade. Actually, as I listen to this album it reminds me more and more of that one. Now that it sounds as good as The Soft Parade I find I’ve gained a new respect for Waiting for the Sun.
With 12 pluses out of a possible 12, this is one of the HIGHEST rated copies to EVER hit the site
All four sides have insanely good shootout winning Triple Plus (A+++) sound
Probably the best-recorded of Hendrix’s studio albums – huge studio space and Tubey Magical richness are key to the shootout winners like this one
5 stars in the AMG: “…not only one of the best rock albums of the era, but also Hendrix’s original musical vision at its absolute apex.”
Sides one and four are mated back to back on these British pressings. Side four is very difficult to find with top sound, the hardest of the four sides by far, but it gets a Triple Plus (A+++) grade here for the first time in a long time!
We’ve played a lot of copies of this sprawling, psychedelic masterpiece but we’ve practically never heard one that puts it all together better than this one does.
Some of Jimi’s best songs can be found here, including Crosstown Traffic, Voodoo Child (Slight Return) and his incendiary cover of Dylan’s All Along The Watchtower. All four sides have truly killer sound, big and full-bodied with a MUCH better low end than you’ll find on most. You get enough energy and weight to make the rock songs really ROCK, and enough clarity and transparency to bring out the more spacey, psychedelic elements that Jimi and Eddie Kramer worked so hard on.(more…)
The best stereo copies are rich, sweet and Tubey Magical — three areas in which the Sundazed reissues are seriously lacking. (If anyone still cares; we can’t be bothered with mediocrities such as this.)
And none of the Columbia monos we’ve played did much for us either. Congested and compressed, with no real top, who in his right mind could possibly prefer that sound?(more…)
Two outstanding sides rating Double to Triple Plus (A++ to A+++) for sound, coming in just behind our shootout winner – quiet vinyl too
This glorious early UK pressing is huge, rich and punchy, with guitar solos that soar like few others you’ve heard
Brilliant engineering by Geoff Emerick at George Martin’s AIR studios – maybe the best sounding album Emerick ever made
Top 100 (soon), AMG: “Guitarist Robin Trower’s watershed sophomore solo disc remains his most stunning, representative, and consistent collection of tunes. Mixing obvious Hendrix influences with blues and psychedelia, then adding the immensely soulful vocals of James Dewar, Trower pushed the often limited boundaries of the power trio concept into refreshing new waters…”
We’ve been wandering around in the dark for more than a decade with Bridge of Sighs — that is, until we found a clean early UK Chrysalis pressing. Now we know just how good this album can sound, and that means astonishingly good. The three-dimensional space is really something else on the better UK copies.(more…)
Lush but clear Tubey Magical Double Plus (A++) British Decca LP sound on both sides, on quiet vinyl to boot
You get richness, fullness and warmth on both of these sides, which is exactly what you want for the Moodies’ music
“It is the fourth of what are popularly considered the group’s “core seven” (or Classic Seven) albums from 1967 to 1972, and as such represents the peak of their career to some.”
“There are no extended suites on this album, but Justin Hayward’s “Watching and Waiting” and “Gypsy” have proved to be among the most popular songs in the group’s history.”
This British Decca pressing has two excellent sides. Most aren’t nearly this airy, open or spacious. The bottom end is strong with nice weight and much improved bass definition. The vocals are big and solid.(more…)
This early UK pressing offers excellent Double Plus (A++) sound, OR BETTER, from beginning to end
This copy is tubey and rich and, most importantly, doesn’t sound murky or muddy
The first Moody Blues album to feature their trademark mellotron arrangements
“…the album on which the Moody Blues discovered drugs and mysticism as a basis for songwriting and came up with a compelling psychedelic creation, filled with songs about Timothy Leary and the astral plane and other psychedelic-era concerns.”
Achieving just the right balance of Tubey Magical rich-but-not-too-rich “Moody Blues Sound” and transparency is no mean feat. You had better be using the real master tape for starters. Then you need a pressing with actual extension at the top, a quality rarely found on most imports. Finally, good bass definition is essential; it keeps the bottom end from blurring the midrange. No domestic copy in our experience has ever had these three qualities, and only the best of the imports manages to combine all three on the same LP.
On the best of the best, the clarity and resolution come without a sacrifice in the Tubey Magical richness, warmth and lushness for which the Moody Blues recordings are justifiably famous. In our experience the best LPs are correct from top to bottom, present and alive in the midrange, yet still retain the richness and sweetness we expect from British (and Dutch) Moody Blues records. They manage, against all odds, to remove the sonic barriers put up by most pressings of the Moodies’ unique music. Who knew, after so many years and so many bad records, that such a thing was even possible?(more…)
Although it’s been many years since I last played it, I’m fairly confidant that the Sundazed only hints at the real sound of the best copies. Most Sundazed records would end up in our Hall of Shame if we ever bothered to audition them.
Being in the “record business,” such as it is, I’ve played my share and more of awful sounding Heavy Vinyl.
Even back in the (embarrassing) days when we were selling them we carried only about one out of ten that were in print. A big portion of the nine we didn’t stock were just awful as I recall.(more…)