_Composers – Strauss II, Johann

Strauss / Tales of Old Vienna / Boskovsky

Decca and London Hot Stamper Pressings Available Now

This BETTER than Super Hot Side one has shockingly good sound, some of the best we have ever heard for lovely marches, polkas and waltzes such as these (the Radetsky March being the most famous).

The hall is HUGE, the strings so rich, with the kind of wall to wall sound that makes the stereo and speakers utterly disappear. The sound of this London Whiteback pressing is just right for this music — so natural and real. Boskovsky of course was a master of these forms and displays consummate skill with each of the famous works here, bringing them to life as only he and the Vienna Phil. can.

If only side two were as good! But of course, when one side is killer, the chances that the second side will be as good or better are well below average.

Side One

Slight smear and slight edge keep this side from three pluses, but it’s close!

Side Two

Listen for the uncannily realistic whistle at the start of the first piece — it’s DEMO DISC material.

A step down to be sure but still big and rich, just the way we like our Londons.

Strauss et al. / Vienna Holiday / Knappertsbusch

More of the Music of Johann Strauss

This is a super rare and quite early UK Decca LP (SXL 2016) with two very good sounding sides!

Side one is spacious and transparent but could use a bit more extension on the top and bottom, rating an A+.

Side two is similar sounding, but has some added fullness that nets it an A+ to A++ grade.

Both sides play about Mint Minus with no inner groove distortion and only very light surface noise.

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Overtures and Dances with Reiner – Were We Wrong? Probably

Hot Stamper Pressings of TAS List Super Disc Albums

Reviews and Commentaries for TAS Super Disc Recordings

This is a very old commentary. Lately every copy of this record that we have auditioned has left us wondering: what is the appeal?

Take this review with a large grain of salt and don’t spend a lot of money on this title unless you can easily return it.

We don’t think it sounds very good, and rather than continue to buy more copies, we are going to give up and write it off as a lost cause, TAS List or no TAS List.

This RCA Pink Label TAS List LP plays Mint Minus. Side one of this record sounds AMAZING, especially the Dvorak piece.

Here are the comments for the copy we recently sold on the site:

Superb string tone. This is one record that deserves to be on the TAS list, and you have to give Harry credit for going against the audiophile tide and recognizing a cheap, thin pink VIC! Side one sounds incredible. I do not ever recall hearing sound like this on this Victrola. It’s demonstration quality sound.

Classic Records remastered this record not long ago and ruined it.

This is what it’s supposed to sound like. (more…)

Strauss / Carnival in Vienna / Ormandy – Reviewed in 2011

More Johann Strauss

Side two of this two-eye Columbia pressing has EXCELLENT sound, rating a sonic grade of A+ to A++. With a grade such as that it ranks somewhere in the Top Five Per Cent of Columbia pressings I would guess, only because so many Columbias are just plain awful. Is even one out of ten passable? I doubt it. But this one is! It’s quite good in fact, with an extended top end and lovely texture to the strings. (more…)

Offenbach / Gaite Parisienne / Dorati

More of the Music of Jacques Offenbach

This lovely Mercury Golden Import LP not only has Super Hot Stamper sound on side one, which is where Gaite Parisienne can be found, but it also boasts one of the greatest performances of the piece ever recorded.

Dorati is surely The Man when it comes to energy, drive and dynamic excitement with this venerable warhorse. He and his Minneapolis Symphony play the hell out of this boisterous music, and luckily for us audiophiles, the Mercury engineers give us Demonstration Quality Sound to go with it.

The original Mercury release of this record (sr 90016) is a shrill piece of trash, as is the Mercury Wing pressing. So many of the early Mercurys were poorly mastered it seems.

We audiophiles must wait for reissues (either by Mercury or in this case by Philips once they had bought Mercury) to show us how good the sound of a particular recording might actually be. [Not sure I would agree with most of that now in 2022.]

Of course what you really need is the right copy to know ultimately how good the recording can be, and to find it you might have to clean and play ten LPs, or more. That’s where we come in.